Superman Returns Sequel is a GO!
#552
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From: Planet Houston, TX
#553
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Interesting turn of events. I hope they keep Routh though. Most of the issues people had with him had more to do with the script and direction IMO than him as an actor.
Oh, and they better keep John Williams' theme. Get rid of everything else, make it "dark" or whatever but there is no one and nothing that can replace that march. Ever.
Oh, and they better keep John Williams' theme. Get rid of everything else, make it "dark" or whatever but there is no one and nothing that can replace that march. Ever.
#554
DVD Talk Legend
I'm glad they're going to total reboot route. I really had no interest in another film with Bosworth, Superkid, Routh, stalker Supes, Lex Luthor's bad wigs and a flat story. I'm sure WB will go to great lengths to make sure this film is done RIGHT so they can have another massive franchise to milk for years to come.
#556
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I would like to see a Superman v. Superman angle - i.e. what they attempted to do in Superman III. The problem is that story was shoehorned into a 30 minute episode of a Richard Pryor movie. I loved the scene of Superman getting drunk flicking beer nuts and blowing out the Olympic flame - take that Rogge!
#557
DVD Talk Special Edition
The problem is that the aforementioned article is still a bit vague. Reintroducing Superman doesn't necessarily mean a reboot, in the sense that all the principal actors and director are out. It also seems cowardly that WB would resort to such a measure when - as Shannon Nutt points - RETURNS did just about as well as BATMAN BEGINS.
#558
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The problem is that the aforementioned article is still a bit vague. Reintroducing Superman doesn't necessarily mean a reboot, in the sense that all the principal actors and director are out. It also seems cowardly that WB would resort to such a measure when - as Shannon Nutt points - RETURNS did just about as well as BATMAN BEGINS.
Superman Production costs, according to Boxoffice mojo:
Superman Returns's budget (excluding prints and advertising) was over $260 million, which reportedly includes $40 million from more than a decade of false starts.
So yeah thats a big difference.
And furthermore, where did each movie take the central character?
Batman had a solid lead with respectable acting chops (Bale) and had done the legwork of redoing the origin story that allowed the character to be an actual person not just a cipher.
Returns wanted to suck on the fumes of Donner's film, so it figured it didn't have to retell the origin story and instead make 2 or 3 lines about what Superman had been up to. Furthermore, the character was established IMHO as a stalking loser. The problem is of course is that Superman's alter ago has always been more boring than Bruce Wayne or Peter Parker. Donner, or at least the Salykinds, decided to go full throttle on the camp version of Clark Kent. Singer had Routh do Clark Kent just like he did Superman. Or maybe Routh can't act, entirely possible.
Maybe thats the problem with Superman. The origin story was done almost perfectly in Superman: The Movie whereas Burton's Batman origin story was presumably a bit weaker, especially when it tied the Joker in with it.
Last edited by chanster; 08-22-08 at 04:16 PM.
#560
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Yeah, I get that Rogue. I'm not an idiot. I know he's just trying to make as much money as possible. Who wouldn't? But I also don't want all comic book films to copy "Knight"'s dark blue print either. I'd be happy with any other Superman film with Routh quite frankly.
Last edited by Daytripper; 08-22-08 at 04:21 PM.
#561
DVD Talk Godfather
Still, other movies being "dark" is kind of vague, but really, Superman should be no where near as brutal of a film that Dark Knight was.
#562
DVD Talk Special Edition
[QUOTE=chanster;8890787]How is it cowardly? The production costs for Superman Returns was way higher than Batman Begins.
Superman Production costs, according to Boxoffice mojo:
From various Internet sources, I found Batman Begin's cost was $150 million. So even if you take out the $40 million in false starts (which I will do for the sake or argument) you are still looking at $70 million higher price tag. What did that buy? I mean seriously. One great action scene and then nothing.
So yeah thats a big difference.
[QUOTE]
Well, look, I'm not going to rehash the same love/hate arguments regarding the movie. I state that a reboot is cowardly on the part of WB for the following reasons:
(1) They hired Singer and approved his concept for SUPERMAN RETURNS after years of rumors, false starts and just plain bad ideas. I leave it to everyone else to uncover that sordid, pre-2006 history.
(2) Singer was the only creative figure to get the movie moving in a respectable fashion. He retained the original musical themes, paid homage to Donner's flicks, and went far and away from the disasters and bad tastes produced by III and IV: THE QUEST FOR PEACE.
(3) The movie received overall very good reviews, and in some cases, exceptional notices. The movie made nearly $400,000,000 worldwide.
(4) WB announced a sequel, and supported Singer's ideas of "going WRATH OF KHAN" on the follow-up.
And now, two years later, they decide to go with a reboot. The studio doesn't want to live up to the challenge of continuing the series in its present direction, and instead will play it safe giving us another generic superhero movie. Singer may even be removed if he doesn't play ball. Suddenly they want to go dark because THE DARK KNIGHT is grossing a zillion dollars. Blah, blah, blah.
Doing a reboot seems like the easy way out, and will probably alienate those who enjoyed SUPERMAN RETURNS, and bore those who are being given yet another formulaic flick.
Superman Production costs, according to Boxoffice mojo:
From various Internet sources, I found Batman Begin's cost was $150 million. So even if you take out the $40 million in false starts (which I will do for the sake or argument) you are still looking at $70 million higher price tag. What did that buy? I mean seriously. One great action scene and then nothing.
So yeah thats a big difference.
[QUOTE]
Well, look, I'm not going to rehash the same love/hate arguments regarding the movie. I state that a reboot is cowardly on the part of WB for the following reasons:
(1) They hired Singer and approved his concept for SUPERMAN RETURNS after years of rumors, false starts and just plain bad ideas. I leave it to everyone else to uncover that sordid, pre-2006 history.
(2) Singer was the only creative figure to get the movie moving in a respectable fashion. He retained the original musical themes, paid homage to Donner's flicks, and went far and away from the disasters and bad tastes produced by III and IV: THE QUEST FOR PEACE.
(3) The movie received overall very good reviews, and in some cases, exceptional notices. The movie made nearly $400,000,000 worldwide.
(4) WB announced a sequel, and supported Singer's ideas of "going WRATH OF KHAN" on the follow-up.
And now, two years later, they decide to go with a reboot. The studio doesn't want to live up to the challenge of continuing the series in its present direction, and instead will play it safe giving us another generic superhero movie. Singer may even be removed if he doesn't play ball. Suddenly they want to go dark because THE DARK KNIGHT is grossing a zillion dollars. Blah, blah, blah.
Doing a reboot seems like the easy way out, and will probably alienate those who enjoyed SUPERMAN RETURNS, and bore those who are being given yet another formulaic flick.
#563
DVD Talk Special Edition
#564
DVD Talk Godfather
I think you're being naive if you think only fanboys disliked or complained about how Superman Returns turned out. And honestly, I don't think fanboys alone would be enough to convince Warner Bros to go a different direction. I'd say Transformers is a good comparison as something that fanboys complained about but the general audience still had a positive reaction to. I don't get that feeling with Supes at all.
#566
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Reading these post would make a person think Superman Returns is the worse film, yet only has a 6.7 rating on imdb.com.
For comparison, Superman II has a 6.6.
A lot of remakes/reboot. A Nightmare on Elm Street, Friday the 13th, Poltergeist, etc....
For comparison, Superman II has a 6.6.
A lot of remakes/reboot. A Nightmare on Elm Street, Friday the 13th, Poltergeist, etc....
#567
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From: WAS looking for My Own Private Stuckeyville, but stuck in Liberty City (while missing Vice City)
Yeah, I get that Rogue. I'm not an idiot. I know he's just trying to make as much money as possible. Who wouldn't? But I also don't want all comic book films to copy "Knight"'s dark blue print either. I'd be happy with any other Superman film with Routh quite frankly.
" wasn't directed towards you. I was directing it toward the assclown executive that gets paid to come up with "ideas" like that..
#568
DVD Talk Legend
And I agree. I mean, "Batman" is gothic, so dark makes sense. And the darker the better if you ask me. "Superman" is NOT! Sure, mix it up. Get new villains. Stop rehashing the older films. But please God don't turn it into "The Dark Knight".
#569
Sorry, but there really wasn't anything wrong with "sucking on Donner's fumes;" Do you really want to re-hash his origins ot could they be done far better than has already?
Returns sucked because it was a "total" re-hash of the first two movies, not because of the continuation of the Donner Films. And Superman can have a dark story, but that doesn't mean the film has to be inherently dark. There should be more moments of heroism and levity than murder and mayhem but I guess that's more of a personal preference. While I'd like to see some things worked on, like Darkside, Doomsday, Brainiac, there should also be stories rooted in the idea that humans will create or do stupid things and thankfully Superman is there to pick us up.
Returns sucked because it was a "total" re-hash of the first two movies, not because of the continuation of the Donner Films. And Superman can have a dark story, but that doesn't mean the film has to be inherently dark. There should be more moments of heroism and levity than murder and mayhem but I guess that's more of a personal preference. While I'd like to see some things worked on, like Darkside, Doomsday, Brainiac, there should also be stories rooted in the idea that humans will create or do stupid things and thankfully Superman is there to pick us up.
#571
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I would like to know what Singer was thinking with Superkid. That just seems so out of left field that I can't imagine how it would go unless it was some storyline with his kid being kidnapped. But that's awfully predictable, right?
#572
DVD Talk Legend
If this is a complete reboot does that mean a whole new (yawn) origin story? Or will they figure that everyone already knows the origin of Superman?
Personally, I would have given Singer & Routh another kick at the can. Fix what didn't work in Returns and make a better follow up.
Starting over again just seems stupid at this point.
And, how dark can Superman be, really, before you fundamentally change the character and the world he lives in?
This movie better be damned good otherwise you're looking at one hell of a crash and burn...
Personally, I would have given Singer & Routh another kick at the can. Fix what didn't work in Returns and make a better follow up.
Starting over again just seems stupid at this point.
And, how dark can Superman be, really, before you fundamentally change the character and the world he lives in?
This movie better be damned good otherwise you're looking at one hell of a crash and burn...
#573
DVD Talk Hero
It'd be hilarious if they went with a Bobby Ewing style of introduction to the next film where it opens with the camera zooming towards a fogged up glass shower stall, then Clark pops his head out of the fogged up glass shower door and tells Lois he had the weirdest dream, where he left earth for 5 years, and then when he came back, Lois had a kid, and they had the hardest time re-connecting with each other, and Lex made his life miserable. Lois rolls her eyes, kisses him on the forehead, slaps Clark on his bare buttock and heads to the Daily Planet.
#574
Senior Member
If this is a complete reboot does that mean a whole new (yawn) origin story? Or will they figure that everyone already knows the origin of Superman?
Personally, I would have given Singer & Routh another kick at the can. Fix what didn't work in Returns and make a better follow up.
Starting over again just seems stupid at this point.
And, how dark can Superman be, really, before you fundamentally change the character and the world he lives in?
This movie better be damned good otherwise you're looking at one hell of a crash and burn...
Personally, I would have given Singer & Routh another kick at the can. Fix what didn't work in Returns and make a better follow up.
Starting over again just seems stupid at this point.
And, how dark can Superman be, really, before you fundamentally change the character and the world he lives in?
This movie better be damned good otherwise you're looking at one hell of a crash and burn...
What do you mean by starting over again?
Returns was a direct continuation of superman 2.
They never started superman over. He really needs a fresh start.



