Three Colors Trilogy

This boldly cinematic trio of stories about love and loss from Krzysztof Kieślowski was a defining event of the art-house boom of the 1990s. The films were named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but this hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red (Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by such actors as Juliette Binoche, Julie Delpy, Irène Jacob, and Jean-Louis Trintignant, Kieślowski’s Three Colors is a benchmark of contemporary cinema.

Disc Features

- New high-definition digital restorations (with DTS-HD Master Audio on the Blu-ray editions)
- Three cinema lessons with director Krzysztof Kieślowski
- New interviews with composer Zbigniew Preisner; writer Krzysztof Piesiewicz; and actors Julie Delpy, Zbigniew Zamachowski, and Irène Jacob
- Selected-scene commentary for Blue with actress Juliette Binoche
- Three new video essays, by film writers Annette Insdorf, Tony Rayns, and Dennis Lim
- Kieślowski’s student short The Tram (1966) and his fellow student’s short from the same year The Face, which features Kieślowski in a solo performance
- Two short documentaries by Kieślowski: Seven Women of Different Ages (1978) and Talking Heads (1980)
- Krzysztof Kieślowski: I’m So-So . . . (1995), a feature-length documentary in which the filmmaker discusses his life and work
- Two multi-interview programs, Reflections on “Blue” and Kieślowski: The Early Years, with film critic Geoff Andrew, Binoche, filmmaker Agnieszka Holland, cinematographer Sławomir Idziak, Insdorf, Jacob, and editor Jacques Witta
- Interviews with producer Marin Karmitz and Witta
- Behind-the-scenes programs for White and Red, and Kieślowski Cannes 1994, a short documentary on Red’s world premiere
- Original theatrical trailers
- New and improved English subtitle translations
PLUS: A booklet featuring essays by critics Colin MacCabe, Nick James, Stuart Klawans, and Georgina Evans, an excerpt from Kieślowski on Kieślowski, and reprinted interviews with cinematographers Sławomir Idziak, Edward Klosinski, and Piotr Sobocinski

12 Angry Men, by Sidney Lumet, may be the most radical big-screen courtroom drama in cinema history. A behind-closed-doors look at the American legal system as riveting as it is spare, the iconic adaptation of Reginald Rose’s teleplay stars Henry Fonda as the initially dissenting foreman on a jury of white men ready to pass judgment on a Puerto Rican teenager charged with murdering his father. What results is a saga of epic proportions that plays out in real time over ninety minutes in one sweltering room. Lumet’s electrifying snapshot of 1950s America on the verge of change is one of the great feature-film debuts.

Disc Features

- New high-definition digital restoration (with uncom*pressed monaural soundtrack on the Blu-ray edition)
- Frank Schaffner’s 1955 television version, with an introduction by Ron Simon, director of the Paley Center for Media Studies
- “Twelve Angry Men”: From Television to the Big Screen, a video essay by film scholar Vance Kapley comparing the Sidney Lumet and Schaffner versions
- Archival interviews with Lumet
- New interview about the director with writer Walter Bernstein
- New interview with Simon about television writer Reginald Rose
- New interview with cinematographer John Bailey in which he discusses cinematographer Boris Kaufman
- Tragedy in a Temporary Town (1956), a teleplay directed by Lumet and written by Rose
- Original theatrical trailer
- PLUS: A booklet featuring an essay by writer and law professor Thane Rosenbaum