I don’t mean to come out with so much skepticism, I’m just curious about Godzilla and Dracula, these beloved properties. Also you had an original with Pacific Rim, I really enjoyed that film a lot and it did incredibly well overseas, and I was just curious what’s the status of the sequel?

TULL: We love being in business with Guillermo and frankly that movie, if you look it up, did I think more business than the first X-Men, did more than Batman Begins, our first movie, did more than Superman Returns, The Fast and the Furious, Star Trek- so for a movie that was an original property that we made up it’s done really well. It did north of 400 million dollars globally and both the home video sales and the merchandise have way over-indexed, so it seems like fans really loved the world. So we’re going to sit down with Guillermo and as long as we think it’s authentic and there’s something to say, we’re certainly open to it.

So when you look at the final products of these films, what’s sort of the satisfaction of working with Guillermo del Toro or Gareth Edwards and seeing that vision coalesce?

TULL: It’s amazing. I’ve been a film geek since I was a little kid and to start with an idea and then get a stack of papers with words on it called a script, then storyboarding the art, and you sit with these guys and now all the sudden it’s a movie, and to see fans reactions to it when you put it out, it’s- you know, there are ups and downs like any other business, but I’ve got to say that when you’re able to work with people like this, whether it’s Gareth or Guillermo or Zack Snyder or Chris Nolan, it’s a privilege to do this and I’ve never lost the awe, the awe factor of just going in and watching peoples reactions to what you’ve spent, in a lot of cases, years working on. That’s a good way to put it, I love what I do and it’s a privilege to do it.