"Spider-Man 3" reviews thread.
#151
24 spoiler:
Bruce, awesome! Emo Parker, ugh, a big dork, not a big dick. Harry, great (except for the Butler making him good again).
I really wanted to like this movie...just not going to happen.
Spoiler:
Bruce, awesome! Emo Parker, ugh, a big dork, not a big dick. Harry, great (except for the Butler making him good again).
I really wanted to like this movie...just not going to happen.
#152
I dunno, I didn't love it like Spider-Man 2, but I still really liked it. True, Raimi seemed like he was just throwing everything on the screen like he was never going to have a chance to make another movie again, but I that created a fun ride to me. It highlighted some of the reasons I really like Raimi, his loopiness and keen ability to shoot a chaotic action scene. Good times.
Bruce Campbell was priceless and I too would have paid just for that.
Bruce Campbell was priceless and I too would have paid just for that.
#153
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From: Minneapolis, MN
Originally Posted by MrBob
I saw it last night in an IMAX screen, the biggest appluase came from Stan Lee's and Bruce Campbell's cameo's. At the end their was one person that clapped and everybody was laughing at them for doing it. I'm not kidding.
It was an okay popcorn movie, it could have did with out the 2 dance sequences. The movie would have benifitted from them story lines being split up. Hopefully they will do a 3hr directors cut that will improve it like Kingdom of Heaven's DC did. Also,Venom was wasted in this movie. It should have ended with Brock becoming Venom and setting it up for the next movie.
It was an okay popcorn movie, it could have did with out the 2 dance sequences. The movie would have benifitted from them story lines being split up. Hopefully they will do a 3hr directors cut that will improve it like Kingdom of Heaven's DC did. Also,Venom was wasted in this movie. It should have ended with Brock becoming Venom and setting it up for the next movie.
#155
Fantasy Moguls and Box Office Guru are estimating Friday's numbers at $58M.
#156
DVD Talk Hero
It made $57,980,000 including Midnight showings.
#158
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awe man. reading this thread is bumming me out to no end. hopefully my lowered expectations, thanks to the bad reviews here, will allow me to enjoy it more than the rest here. 

#159
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Originally Posted by Giantrobo
awe man. reading this thread is bumming me out to no end. hopefully my lowered expectations, thanks to the bad reviews here, will allow me to enjoy it more than the rest here. 



#160
DVD Talk Platinum Edition
This movie isnt gonna hold up as well as the other movies. I think alot of people are gonna be disapointed. the more I think about the movie the more I dislike it. The fact that they wasted Venom makes me pissed.
the only good action scene is the out of control crane scene.
the only good action scene is the out of control crane scene.
#161
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From: Papillion, NE!
This movie felt like one of those 1000 piece puzzles and Riami tried to make pieces fit where they can't. It's a good movie, and unfortunately coming after SM2, that's all we could hope for.
Riami's normally distinctive visual flair was absent here. If Riami didn't like or understand Venom's character, like he's mentioned many times prior, then why include him? He really short changed Venom, if not raped his coolness. Gwen was just a plot device, Sandman was cool, had a good set-up and motivation but never finished it and Spiderman's saying to him at the end was ludicrious!
Harry (Franco) has the best arc and was the best written character here, the two dance numbers at first seemed odd, but delivered the laughs and character development, all the fights were entertaining, but why oh why did everyone cry so much? Cryder-Man 3.
Good but not great. Worth seeing theatrically though.
Grade: B-
Riami's normally distinctive visual flair was absent here. If Riami didn't like or understand Venom's character, like he's mentioned many times prior, then why include him? He really short changed Venom, if not raped his coolness. Gwen was just a plot device, Sandman was cool, had a good set-up and motivation but never finished it and Spiderman's saying to him at the end was ludicrious!
Harry (Franco) has the best arc and was the best written character here, the two dance numbers at first seemed odd, but delivered the laughs and character development, all the fights were entertaining, but why oh why did everyone cry so much? Cryder-Man 3.
Good but not great. Worth seeing theatrically though.
Grade: B-
#162
DVD Talk God
Originally Posted by gryffinmaster
Box Office Mojo is reporting $59,000,000. 

#163
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Count me in the minority, but I thought Spider-Man 3 was HANDS DOWN the best of the series! First of all, it was MUCH different than the first two. I like the first two, but they are basically the SAME movie but with different villains. 3 has the coolest villains, even though Topher Grace sucked and I kept thinking they might as well have casted Doogie Houser (sp?) in the part. But Sandman was the coolest special effect I've seen in quite some time. I didn't like how he disappeared for about a half hour, but still a great character. 3 is also the cheesiest entry by far. However, I feel it works in its favor and I appreciated the added cheese. I mean when you see a meteorite crashing to earth, oozing black gunk, cheesiness is what you expect. All the action sequences were great and I just felt more entertained by this than the previous films. My biggest complaint is that there was way too much time spent on Peter and MJ's romance. And the butler scene definitely seemed like a quick fix. Still, when the movie was over I had a smile on my face and wanted to see it again. By the way, the french host had me laughing harder than anything I've seen in a while, as did "ladies man" Peter walking down the street. 3 1/2 stars out of 4...GO SEE IT!!
#164
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From: Formerly known as "Jeffy Pop"/Denver
Originally Posted by MrBob
At the end their was one person that clapped and everybody was laughing at them for doing it. I'm not kidding.
For the most part, I thought the whole thing was pretty terrible. And I'm a big fan of the first two films. It's basically Superman III all over again.
The whole Emo Parker story made me want to get up on screen and kick Peter's ass. That hairuct....
At one point, I think it was the scene where he takes Gwen to the jazz club, I seriously considered the possibility that I was back at my apartment dreaming the whole thing. It was so bad in such a surreal way, it just didn't seem real to me.
#165
DVD Talk Platinum Edition
Originally Posted by Jeffy Pop
Haha, that is awesome. There was some applause at the end of my showing, but for the most part I think everyone was either disappointed or exhausted by the whole thing.
For the most part, I thought the whole thing was pretty terrible. And I'm a big fan of the first two films. It's basically Superman III all over again.
The whole Emo Parker story made me want to get up on screen and kick Peter's ass. That hairuct....
At one point, I think it was the scene where he takes Gwen to the jazz club, I seriously considered the possibility that I was back at my apartment dreaming the whole thing. It was so bad in such a surreal way, it just didn't seem real to me.
For the most part, I thought the whole thing was pretty terrible. And I'm a big fan of the first two films. It's basically Superman III all over again.
The whole Emo Parker story made me want to get up on screen and kick Peter's ass. That hairuct....
At one point, I think it was the scene where he takes Gwen to the jazz club, I seriously considered the possibility that I was back at my apartment dreaming the whole thing. It was so bad in such a surreal way, it just didn't seem real to me.
what about Harrys Butler that was worse then the Jazz club scene.
#166
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From: Guelph, Ontario
Saw it again, still enjoyed some, but other parts I loathed even more... Even though I didn't hate the 'fever' dance scene like others did, each time I've seen it, I can't help but think of this:
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#167
DVD Talk Legend
'Spider-Man 3' slips right into formula, but still spins a neat web
By David Elliott
MOVIE CRITIC
San Diego Union-Tribune
May 3, 2007
By David Elliott
MOVIE CRITIC
San Diego Union-Tribune
May 3, 2007
By the Big Three “event” criteria, “Spider-Man 3” qualifies:
1) It cost a lot;
2) It will earn a lot;
3) Hype matches 1 and 2.
Such movies arrive with distortion factors. People may get their hopes and responses so jiggered by those inflation factors that determining just how well the movie works gets dazed by all the dazzle. There was the sort of viewer who loved “Titanic” just because it was so big, and the kind who hated it for the same reason (and may their icebergs never collide).
You can skip all the merchandising and avoid saying “Spidey” but still have a good time with “Spider-Man 3.” It's a dynamic Spider-Man movie. Most of the familiars are back, the additions work well enough, the movie often looks terrific and excess length (about 15 minutes) is just the pad built into these piled-up projects.
The first sequel (2004) was harried by the “can we do it again?” syndrome, though it had classy villains (Alfred Molina, Willem Dafoe, together a hambone duet of orchestral size). Now relaxed into its highly costumed skin, the new epic lets James Franco as Harry, the gone Dafoe's son, cut loose for some embittered villainy a lot like crazy old dad's.
And Thomas Hayden Church, who looks more like Dafoe than Franco does, rips around as another villain. The story's “heart” includes making Church a sorrowful thief, Flint Marko, who misses his dear, sickly daughter. “I'm not a bad person, I've just had bad luck,” Marko mutters sadly, and to prove it he stumbles into a secretive physics lab and is disintegrated into a weirdly buff pile of sand.
“De-molecularized” and then re-formed as Sandman, he is the most beautiful effect this series has achieved. He sweeps around Manhattan like a granular Golem, swarming over Spider-Man and hurling sand in his eyes. If “Dune” had included Sandman, it might not have flopped.
Tobey Maguire remains likably dorky as Peter Parker, although his friend, then rival, then friend again (during amnesia), Harry knows he is S-man. So does girlfriend Mary Jane, “MJ,” played by Kirsten Dunst as a rising show canary with a sweetly retro voice aching for Broadway.
Dunst is funst, a real sparkle-puss. But it takes shy Peter forever to ask for marriage, and so Harry makes a move on MJ. Such twists are what the writers consider development. When they crank up a jazz club dance for Peter, who turns villainous whenever creepy tendrils of black goo take over his body, it echoes the pretended depth of old musicals.
Dunst, Maguire and Franco are demographically correct, lasered right into the youth market. Each is a teenager's idea of stellar charisma, with fresh features reaching for puppy adulthood. It's as if Andy Hardy and Betsy Booth had grown up (but not much) and taken over the movies.
The appeal goes well beyond the plot doodles, or even the gorgeous use of the skyline and the tremendously engineered effects. It's rooted less in the Marvel Comics source than in director Sam Raimi's fierce faith in that source as a field of imaginative play, building upon the comics, freshly expanding the ka-pow! of the paper originals.
When S-man turns aerial, we soar along. When he falls, stuck to a blasted slab of wall, gravity grabs us by the throat. But Raimi balances the key elements shrewdly, making sure that masculine action blasts alternate neatly with chick-flavored emotional scenes.
“S-M 3” is never pompous, its spurts of humor including Bruce Campbell as a French maitre d'. And when MJ gets a bad review, adoring Peter calms her with “That's a critic,” as if snubbing fungus. This critic, for one, laughed.
I'm going to see it tomorrow (Sunday), so I'll find out for sure then.
Last edited by B5Erik; 05-05-07 at 02:45 PM.
#169
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From: Papillion, NE!
Originally Posted by Wildo1966
Just got home....Absolutely loved it! Pure Spidey magic for the 3rd time! Anyone who did not enjoy this flick is not a true Spiderman fan!
#170
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It seems a lot of the people who didn't like the film are fans of the comic book who were dissapointed with some of the character's portrayals in the movie. (i.e Venom) Having never read a Spiderman comic, I can say I thought this movie was the best of the three. I can't say why, only I just enjoyed watching it and thought it was a blast. Just my 2 cents.
#171
DVD Talk Limited Edition
OK, I threw up a longer version of my thoughts on my blog which you can find in my signature, but here it is here too if you want to read - basically, though, I dug it, and don't get all the haters myself---
"Part III" movies don't usually fare too well with folks – I'm thinking "The Godfather Part III," "Superman III," "Batman Forever," et cetera. "Spider-Man 3" is certainly coming in for a surprisingly strong amount of bashing, but y'know what – forget the pundits and fanboy nitpickers. While not quite in the same league as the first two movies, maybe, this dyed-in-the-wool webhead fan found "Spider-Man 3" an action-packed summer movie romp that still keeps the characters in mind at center stage. If it tries to do a little too much with its triple villain storyline, it mostly pulls it off – in its very excess, "Spider-Man 3" is consistently entertaining.
I think what keeps "Spider-Man 3" afloat is the same steady hand of director (and co-writer) Sam Raimi, who's helmed the entire trilogy, and the returning cast. It makes all three movies feel like a single story to have this consistency.
Is it perfect? No – there is an awful lot going on. Sure, the Venom plot could've been an entire movie on its own, but I kind of liked the pack everything in go-for-broke feeling of this flick, as Peter Parker's entire life careens out of control. Raimi pulls this chaos off a lot better than, say, the godawful "Batman Forever," which also crammed in several villains, a new sidekick, love affairs, etc., but came off as pop-colored cornball kitsch. Character is king in these movies, despite some great action sequences and special effects.
My random thoughts (SPOILERS ahoy, of course):
The good:
All right, so the movie is balancing three major plotlines at least (and that's just the villains) – yet for most of its running time, Raimi is a master juggler as he zips around the tales. The final act is a bit rushed (and you can practically feel the strain where, rumor has it, the studio forced Raimi to include Venom in the film), but it really does all tie together pretty nicely in the end.
OK, so this movie is basically about Peter Parker's ego and its rise, fall and redemption. And thanks to a plot device that introduces his "dark side," Tobey Maguire has a heck of a lot of fun with "evil" (or perhaps "ego") Peter Parker. Raimi balances the nasty acts of Parker with the silly, pushing the envelope in how over-the-top he can go with his behavior. Was the "disco Peter" stuff ridiculous? Of course – that was the point! Parker's a nerd, so when he becomes cool he's still going to be a cool nerd, isn't he? I had fun watching Maguire break out of the "noble suffering Parker" mode for a few scenes, and thought he brought a nice barely-contained rage to these sequences.
I loved James Franco's Harry Osborn in this movie (the underrated Franco has also been a bright spot in the previous flicks). The arc of his character is a tragic one, and in lesser hands might strain credulity, but Franco really sells the character's personality changes throughout.
Thomas Haden Church is a terrific Sandman – in that silly striped shirt, he looks exactly like the comic character. While he turned into too much of a muddy King Kong ripoff in the final act, I thought the effects used to bring Sandman to life were remarkable (particularly in the "birth" sequence, which attained a haunting beauty).
The not great:
Unlike some, I do think Topher Grace gave a mighty good show as Eddie Brock/Venom, and think the movie script considerably bettered the character's tangled comic origins (some of the disappointment by fans seems to be that Venom isn't precisely like he was in the comics; having never considered him one of my favorite foes, I don't mind that he is a little underused). I love Brock here as Peter Parker's twisted mirror, a Spider-Man without soul or conscience; as opposed to the steroid freak, inconsistently motivated comic goon Venom became (the superb Madgoblin has a two-part essay series looking at how the comic Venom's potential was lost, by the way).
All that said, it was just too long in the movie until Venom appears, and his story feels very rushed. Grace packs as much scenery-chewing as he can into his limited time, but another 15 minutes or so could've fleshed this arc out and kept the same action-filled four-way battle at the end. There are some very awkward transitions into the final act (The overwrought television camera crew narration, very lazy storytelling, was my least favorite part of the film). Venom and Sandman's abrupt alliance also feels very forced.
I kinda fell in love with Kirsten Dunst's Mary Jane in the first two movies (the final shot of her in "Spider-Man 2" might just be one of my favorite movie moments), yet it felt like she phoned it in on this one. Her conflicts with Peter Parker weren't as organic as they might have been, and she often seems glaringly self-absorbed. Although she was really a minor role in this movie, Bryce Dallas Howard's Gwen Stacy was enjoyable eye candy – fans shouldn't go in expecting anything much like the comic character, though.
The ugly:
Isn't it a little absurd that the climax of all three of these movies revolves around Mary Jane getting kidnapped?
There's no real elegant way to do an "alien symbiote" entrance into what's been a kind of earthbound series, but the meteor from the sky was clumsy – if a nice nod to old-school monster flicks like "The Blob." I might've liked to see the symbiote be the result of a science experiment instead, though.
So why does Peter Parker spend half these movies without a mask on? It got rather ridiculous in "Spider-Man 3," but y'know, I thought about it, and actually, it makes a lot of sense from a moviemaking angle. That mask is hardly very emotive, and even Marlon Brando couldn't deliver a great performance shackled by it. While it looks awesome in the comics, there's a reason that Maguire keeps ripping it off in the films – it's the only way he can really act in a scene (I know some folks think he's a little too stoic an actor, but he works for me). There was an awful scene in the first "Spider-Man" with Spider-Man and "Power Ranger" Green Goblin having a heart-to-heart talk, yet you didn't see a single mouth move during the scene. So awkward as it can get, I can understand the "Amazing Mask-less Spider-Man" being so prominent in these movies.
Like I said, though, quibbles aside, I had a fine time at "Spider-Man 3," which I'd give a strong "A-/B+." I'd have to say these three together make the finest superhero trilogy we've yet seen (with "X-Men" following close behind, I think). A "Spider-Man 4" is probably inevitable, but part of me wishes they wouldn't think about it without Raimi, Maguire and even Dunst. Through the highs and lows, they have defined Spider-Man on screen, and without 'em, I'm not sure I'd like what I'd see.
"Part III" movies don't usually fare too well with folks – I'm thinking "The Godfather Part III," "Superman III," "Batman Forever," et cetera. "Spider-Man 3" is certainly coming in for a surprisingly strong amount of bashing, but y'know what – forget the pundits and fanboy nitpickers. While not quite in the same league as the first two movies, maybe, this dyed-in-the-wool webhead fan found "Spider-Man 3" an action-packed summer movie romp that still keeps the characters in mind at center stage. If it tries to do a little too much with its triple villain storyline, it mostly pulls it off – in its very excess, "Spider-Man 3" is consistently entertaining.
I think what keeps "Spider-Man 3" afloat is the same steady hand of director (and co-writer) Sam Raimi, who's helmed the entire trilogy, and the returning cast. It makes all three movies feel like a single story to have this consistency.
Is it perfect? No – there is an awful lot going on. Sure, the Venom plot could've been an entire movie on its own, but I kind of liked the pack everything in go-for-broke feeling of this flick, as Peter Parker's entire life careens out of control. Raimi pulls this chaos off a lot better than, say, the godawful "Batman Forever," which also crammed in several villains, a new sidekick, love affairs, etc., but came off as pop-colored cornball kitsch. Character is king in these movies, despite some great action sequences and special effects.
My random thoughts (SPOILERS ahoy, of course):
The good:
All right, so the movie is balancing three major plotlines at least (and that's just the villains) – yet for most of its running time, Raimi is a master juggler as he zips around the tales. The final act is a bit rushed (and you can practically feel the strain where, rumor has it, the studio forced Raimi to include Venom in the film), but it really does all tie together pretty nicely in the end.
OK, so this movie is basically about Peter Parker's ego and its rise, fall and redemption. And thanks to a plot device that introduces his "dark side," Tobey Maguire has a heck of a lot of fun with "evil" (or perhaps "ego") Peter Parker. Raimi balances the nasty acts of Parker with the silly, pushing the envelope in how over-the-top he can go with his behavior. Was the "disco Peter" stuff ridiculous? Of course – that was the point! Parker's a nerd, so when he becomes cool he's still going to be a cool nerd, isn't he? I had fun watching Maguire break out of the "noble suffering Parker" mode for a few scenes, and thought he brought a nice barely-contained rage to these sequences.
I loved James Franco's Harry Osborn in this movie (the underrated Franco has also been a bright spot in the previous flicks). The arc of his character is a tragic one, and in lesser hands might strain credulity, but Franco really sells the character's personality changes throughout.
Thomas Haden Church is a terrific Sandman – in that silly striped shirt, he looks exactly like the comic character. While he turned into too much of a muddy King Kong ripoff in the final act, I thought the effects used to bring Sandman to life were remarkable (particularly in the "birth" sequence, which attained a haunting beauty).
The not great:
Unlike some, I do think Topher Grace gave a mighty good show as Eddie Brock/Venom, and think the movie script considerably bettered the character's tangled comic origins (some of the disappointment by fans seems to be that Venom isn't precisely like he was in the comics; having never considered him one of my favorite foes, I don't mind that he is a little underused). I love Brock here as Peter Parker's twisted mirror, a Spider-Man without soul or conscience; as opposed to the steroid freak, inconsistently motivated comic goon Venom became (the superb Madgoblin has a two-part essay series looking at how the comic Venom's potential was lost, by the way).
All that said, it was just too long in the movie until Venom appears, and his story feels very rushed. Grace packs as much scenery-chewing as he can into his limited time, but another 15 minutes or so could've fleshed this arc out and kept the same action-filled four-way battle at the end. There are some very awkward transitions into the final act (The overwrought television camera crew narration, very lazy storytelling, was my least favorite part of the film). Venom and Sandman's abrupt alliance also feels very forced.
I kinda fell in love with Kirsten Dunst's Mary Jane in the first two movies (the final shot of her in "Spider-Man 2" might just be one of my favorite movie moments), yet it felt like she phoned it in on this one. Her conflicts with Peter Parker weren't as organic as they might have been, and she often seems glaringly self-absorbed. Although she was really a minor role in this movie, Bryce Dallas Howard's Gwen Stacy was enjoyable eye candy – fans shouldn't go in expecting anything much like the comic character, though.
The ugly:
Isn't it a little absurd that the climax of all three of these movies revolves around Mary Jane getting kidnapped?
There's no real elegant way to do an "alien symbiote" entrance into what's been a kind of earthbound series, but the meteor from the sky was clumsy – if a nice nod to old-school monster flicks like "The Blob." I might've liked to see the symbiote be the result of a science experiment instead, though.
So why does Peter Parker spend half these movies without a mask on? It got rather ridiculous in "Spider-Man 3," but y'know, I thought about it, and actually, it makes a lot of sense from a moviemaking angle. That mask is hardly very emotive, and even Marlon Brando couldn't deliver a great performance shackled by it. While it looks awesome in the comics, there's a reason that Maguire keeps ripping it off in the films – it's the only way he can really act in a scene (I know some folks think he's a little too stoic an actor, but he works for me). There was an awful scene in the first "Spider-Man" with Spider-Man and "Power Ranger" Green Goblin having a heart-to-heart talk, yet you didn't see a single mouth move during the scene. So awkward as it can get, I can understand the "Amazing Mask-less Spider-Man" being so prominent in these movies.
Like I said, though, quibbles aside, I had a fine time at "Spider-Man 3," which I'd give a strong "A-/B+." I'd have to say these three together make the finest superhero trilogy we've yet seen (with "X-Men" following close behind, I think). A "Spider-Man 4" is probably inevitable, but part of me wishes they wouldn't think about it without Raimi, Maguire and even Dunst. Through the highs and lows, they have defined Spider-Man on screen, and without 'em, I'm not sure I'd like what I'd see.
#172
DVD Talk Hall of Fame
I enjoyed it. But the biggest complaint I have is that they just try way too hard to make you feel sorry for the bad guys. Way too hard.
It's obvious that Raimi has never had any of his friends get murdered.
It's obvious that Raimi has never had any of his friends get murdered.
#173
I liked it even better the second time I saw it. I was able to relax more and just go with the fun of it all, and there was plenty to be had. I also had a better audience who was into it, and it was a 100 percent positive experience.
#174
DVD Talk Hall of Fame
Originally Posted by brianluvdvd
Gwen Stacy - why even introduce such an important character in the Spider-man mythos and then give her absolutely nothing to do? And what an average looking girl. Where there no hot blondes on casting day that could even half-way act? In the comics, Gwen was mega hot and rivaled MJ.
Sandman - great effect and a good performance my Thomas Haden Church. I know it is know secret that they made him to be the killer of Uncle Ben (it's in the trailer)
Why can't Sandman be just another bad guy that Spider-man has to dispose of? Also...give me a break on the sick kid sob story, the accidental shooting of Uncle Ben, the ultra lame "I forgive you speech" as he flys away in the wind. I thought I was seriously going to puke...no wait...
I'd give the movie a B+.
#175
DVD Talk Platinum Edition
Originally Posted by nodeerforamonth
It was in the trailer?!??! Man, I am SO GLAD I don't watch trailers anymore! I would've been pissed had that part been ruined for me!
.



