Olivia Wilde
Florence Pugh
Harry Styles
Gemma Chan
Chris Pine
Only in theaters September 23.

From New Line Cinema comes “Don’t Worry Darling,” directed by Olivia Wilde (“Booksmart”) and starring Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”).

Alice (Pugh) and Jack (Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.

While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Chan)—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause.

But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise?

An audacious, twisted and visually stunning psychological thriller, “Don’t Worry Darling” is a powerhouse feature from director Olivia Wilde that boasts intoxicating performances from Florence Pugh and Harry Styles, surrounded by the impressive and pitch-perfect cast.

The film also stars Nick Kroll (“How It Ends”), Sydney Chandler (“Pistol”), Kate Berlant (“Once Upon a Time… In Hollywood”), Asif Ali (“WandaVision”), Douglas Smith (“Big Little Lies”), Timothy Simons (“Veep”) and Ari’el Stachel (upcoming “Respect the Jux”).

Wilde directs from a screenplay penned by her “Booksmart” writer Katie Silberman, based on a story by Carey Van Dyke & Shane Van Dyke (“Chernobyl Diaries”) and Silberman. The film is produced by Wilde, Silberman, Miri Yoon and Roy Lee, with Richard Brener, Celia Khong, Alex G. Scott, Catherine Hardwicke, Carey Van Dyke and Shane Van Dyke executive producing.

Wilde is joined behind the camera by two-time Oscar-nominated director of photography Matthew Libatique (“A Star Is Born,” “Black Swan”), production designer Katie Byron (“Booksmart”), editor Affonso Gonçalves (“The Lost Daughter”), Oscar-nominated composer John Powell (“Jason Bourne”), music supervisor Randall Poster (“No Time to Die”) and costume designer Arianne Phillips (“Once Upon a Time… In Hollywood”).

A New Line Cinema presentation, “Don’t Worry Darling” will be distributed worldwide by Warner Bros. Pictures and is set to open in theaters in North America on September 23, 2022 and internationally beginning 21 September 2022.

Chris Pine (“All the Old Knives”)

By early production days in 2020, Wilde realized LaBeouf needed to be let go.“I say this as someone who is such an admirer of his work: His process was not conducive to the ethos that I demand in my productions,” Wilde revealed to Variety. “He has a process that, in some ways, seems to require a combative energy, and I don’t personally believe that is conducive to the best performances.”

At the time, Wilde cited a “no assholes policy” while the studio claimed LaBeouf had scheduling conflicts. Later that year, LaBeouf’s former partner and “Honey Boy” co-star FKA Twigs filed a lawsuit against the actor claiming sexual, emotional, and psychological abuse.

“A lot came to light after this happened that really troubled me, in terms of his behavior,” Wilde said. “For our film, what we really needed was an energy that was incredibly supportive. Particularly with a movie like this, I knew that I was going to be asking Florence to be in very vulnerable situations, and my priority was making her feel safe and making her feel supported.”

The “Booksmart” director added, “I believe that creating a safe, trusting environment is the best way to get people to do their best work. Ultimately, my responsibility is to the production and to the cast to protect them. That was my job.”

LaBeouf’s representatives declined Variety‘s request for comment on the matter when contacted prior to the story’s publication.

But in email messages sent to Variety on Aug. 25, LaBeouf denied he was fired, instead claiming he “quit the film due to lack of rehearsal time” on Aug. 17, 2020. The actor forwarded two emails he claims to have sent to Wilde on Aug. 24 and Aug. 25 after the story was published. In the emails, LaBeouf wrote, “You and I both know the reasons for my exit. I quit your film because your actors and I couldn’t find time to rehearse.”

Variety has learned that the texts were sent before the production learned what Shia’s immersive method entailed.

Several studio sources told Variety at the time of LaBeouf’s exit that he had been fired from the project. But another source with knowledge of the situation describes the parting as more of a collective recognition that LaBeouf’s style of acting wasn’t a good fit for Wilde’s approach as a director. Representatives for Wilde and Warner Bros. declined to comment.

LaBeouf sent Variety screenshots of text messages he sent to Wilde in August 2020, where he told Wilde he’d have to back out of “Don’t Worry Darling.” He was cast as the lead actor Jack, which was later recast with Harry Styles.

According to the texts, LaBeouf and Wilde met in person in Los Angeles to discuss his exit from the film on Aug. 16, 2020. Later that night, Wilde texted him, “Thanks for letting me in on your thought process. I know that isn’t fun. Doesn’t feel good to say no to someone, and I respect your honesty. I’m honored you were willing to go there with me, for me to tell a story with you. I’m gutted because it could have been something special. I want to make clear how much it means to me that you trust me. That’s a gift I’ll take with me.”

LaBeouf claims he “officially” quit “Don’t Worry Darling” the next day on Aug. 17, 2020, according to the email he sent to Wilde on Thursday morning.

He included a video to Variety that Wilde allegedly sent him on Aug. 19, 2020, two days after he claimed he quit. In the video, Wilde is driving a car and says she is “not ready to give up on this yet.” She also alludes to tension between LaBeouf and Florence Pugh, who stars in the film as Alice, the wife of LaBeouf and Styles’ character Jack.

“I feel like I’m not ready to give up on this yet, and I too am heartbroken and I want to figure this out,” she says in the video. “You know, I think this might be a bit of a wake-up call for Miss Flo, and I want to know if you’re open to giving this a shot with me, with us. If she really commits, if she really puts her mind and heart into it at this point and if you guys can make peace — and I respect your point of view, I respect hers — but if you guys can do it, what do you think? Is there hope? Will you let me know?”

In another message sent at an unspecified time between Aug. 16 and Aug. 20, Wilde texted LaBeouf, “You don’t have to be in my movies but don’t ever doubt me. We pinky promised. That means something in my house.”

Here is LaBeouf’s email to Wilde sent on Wednesday:

Olivia,

I hope this finds you inspired, purposeful, fulfilled & well. I pray every night that you & your family have health, happiness, & everything God would give me. No joke, every night before I sleep.

I have a little girl, Isabel; she is five months old and just beginning to develop the last half of her laugh; it’s AMAZING. Mia, my wife & I have found each other again & are journeying toward a healthy family with love and mutual respect.

I have embarked on a journey that feels redemptive & righteous (dirty word but fitting). I write to you now with 627 days of sobriety and a moral compass that never existed before my great humbling that was the last year and a quarter of my life. I reached out to you a few months ago to make amends; & I still pray one day, you can find space in your heart to forgive me for the failed collaboration we shared.

What inspired this email today is your latest Variety story. I am greatly honored by your words on my work; thank you, that felt good to read. I am a little confused about the narrative that I was fired, however. You and I both know the reasons for my exit. I quit your film because your actors & I couldn’t find time to rehearse. I have included as a reminder the screenshots of our text exchange on that day, and my text to Tobey.

I know that you are beginning your press run for DWD and that the news of my firing is attractive clickbait, as I am still persona-non-grata and may remain as such for the rest of my life. But, speaking of my daughter, I often think about the news articles she will read when she is literate. And though I owe, and will owe for the rest of my life, I only owe for my actions.

My failings with Twigs are fundamental and real, but they are not the narrative that has been presented. There is a time and a place to deal with such things, and I am trying to navigate a nuanced situation with respect for her and the truth, hence my silence. But this situation with your film and my “firing” will never have a court date with which to deal with the facts. If lies are repeated enough in the public they become truth. And so, it makes it that much harder for me to crawl out of the hole I have dug with my behaviors, to be able to provide for my family.

Firing me never took place, Olivia. And while I fully understand the attractiveness of pushing that story because of the current social landscape, the social currency that brings. It is not the truth. So I am humbly asking, as a person with an eye toward making things right, that you correct the narrative as best you can. I hope none of this negatively effects you, and that your film is successful in all the ways you want it to be.

Every Blessing To You,

Shia

You and I both know the reasons for my exit. I quit your film because your actors & I couldn’t find time to rehearse.