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The Departed - review thread

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Old 03-04-07 | 05:41 PM
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Yeah, I got that impression too - but really deep in the closet, as in even lying to himself.

The way he kept calling the firemen "faggots", or how he couldn't "perform" in bed (which, by the by, is one way of saying the baby the psychiatrist is pregnant with is Leo's), or his nervous comment to Baldwin how his dick works "overtime", etc.
Old 03-26-07 | 12:33 PM
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Originally Posted by Rainet
And on that note, i was under the impression that even though Damon knew Leo was the rat. Leo didnt know that Damon was. So if Leo never saw the envelope would Damon let Leo go free? There would be nothing to gain by killing him at that point, now that he is promoted and all loose ends were dead except for Leo, but he still at that point had no clue it was Damon. (until of course Leo found out who Damon was).

Spoiler:
So my thought was that if he didn't see the find the envelope he could of just gone home insted of being killed later on in the elevator shaft.
No, that's right. Sullivan (Damon) didn't delete Costigan's file until he realized that Leo knew who he was.

<hr>

A quick question:

Early in the film, Damon is out on the beat with his partner, interviewing an older woman about her son. Then, Costello's car drives by and he says, "Wave hi to your mother!" and someone who looks like Leo waves. She then sees the car and stops talking to Damon.

Who was in the car? Was it her son? I thought her son had been killed after he robbed the microprocessors. This never made much sense to me.
Old 03-28-07 | 12:48 AM
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I've read thru this thread after just watching the movie tonight and I have questions.
Spoiler:
If the brown envelope contained evidence implicating Damon, why did Leo mail the CD to the Psychiatrist? Why didn't he just contact her and tell her to open the envelope? And why didn't Leo contact Marky Mark directly? Wahlberg knew his identity and could vouch for him. Together they could have taken the evidence to the police and the police then could have arrested Damon at his home. Great movie but the ending just seemed sloppy by Leo's character.
Old 03-28-07 | 01:14 AM
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Originally Posted by taa455
I've read thru this thread after just watching the movie tonight and I have questions.
Spoiler:
If the brown envelope contained evidence implicating Damon, why did Leo mail the CD to the Psychiatrist? Why didn't he just contact her and tell her to open the envelope? And why didn't Leo contact Marky Mark directly? Wahlberg knew his identity and could vouch for him. Together they could have taken the evidence to the police and the police then could have arrested Damon at his home. Great movie but the ending just seemed sloppy by Leo's character.
Spoiler:
Watch it again - The envelope WASN'T to the psychiatrist, it was to Damon and had his name on the envelope and a note to him on it. Leo had no idea that the psychiatrist and Damon were together. It was sent to Damon to warn him that Leo had the goods on him.
Old 03-28-07 | 07:43 AM
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Originally Posted by Sierra Disc
Spoiler:
Watch it again - The envelope WASN'T to the psychiatrist, it was to Damon and had his name on the envelope and a note to him on it. Leo had no idea that the psychiatrist and Damon were together. It was sent to Damon to warn him that Leo had the goods on him.
Ah, cool. Thanks.
Old 03-28-07 | 10:34 AM
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Originally Posted by taa455
I've read thru this thread after just watching the movie tonight and I have questions.
Spoiler:
If the brown envelope contained evidence implicating Damon, why did Leo mail the CD to the Psychiatrist? Why didn't he just contact her and tell her to open the envelope? And why didn't Leo contact Marky Mark directly? Wahlberg knew his identity and could vouch for him. Together they could have taken the evidence to the police and the police then could have arrested Damon at his home. Great movie but the ending just seemed sloppy by Leo's character.
Went back and watched the end again.

Spoiler:
This time I noticed the envelope containing the CD was addressed to Colin Sullivan (Damon). I get that now. However, I still wonder why Bill (Leo) didn't find Dignam (Wahlberg) himself and bring the evidence to him. Dignam could have vouched for Bill, given him his identity back and brought credibility to Bill's entire story. The only two explanations I can think of are 1) maybe Bill didn't fully trust Dignam, although it seemed he did trust him or 2) maybe Bill had no way of finding Dignam but somehow Madolyn knew how to find him.

And another question came up for me. Why didn't the other police mole(Barrigan?) just lay low and let Sullivan take the fall? I guess maybe Barrigan thought Sullivan knew about him and would rat him out?


Anyway no big deal. Didn't ruin the movie or anything. Just wanted to get some other thoughts on this.

Last edited by taa455; 03-28-07 at 01:25 PM.
Old 03-28-07 | 02:09 PM
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Well, remember the last time he met with Dignam they were about to fist fight. Costigan (DiCaprio) later met Captain Queenan and sort of patched things up but he never really talked with Dignam again and he made it clear that the psychiatrist was the only person he really trusted.
Old 06-20-07 | 05:30 AM
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I know im late to the game, but ive been playing catchup on my blu-rays and just got done watching it.

Spoiler:
I couldnt believe how it all went down at the end. And i was so blown away by walhberg at the end. I thought the rat on the roof was a bit much, but just what an AMAZING movie that i cant get over. So glad i finally watched it.
Old 06-20-07 | 06:25 AM
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Originally Posted by QuePaso
I know im late to the game, but ive been playing catchup on my blu-rays and just got done watching it.

Spoiler:
I couldnt believe how it all went down at the end. And i was so blown away by walhberg at the end. I thought the rat on the roof was a bit much, but just what an AMAZING movie that i cant get over. So glad i finally watched it.
Glad you liked it.
Spoiler:
The more I re-watch this film, the more the rat thing settles with me as something Scorsese put in just for a chuckle. Apparently Bill wrote it in the script. It's just a "hey, look at the irony! Despite us building this place up in the film as an upscale apartment, a rat managed to get up here.
Old 07-06-07 | 08:03 AM
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Well its only a few months late (heh) but Roger Ebert finally gave his two cents on this flick: http://rogerebert.suntimes.com/apps/...VIEWS/70705002
Old 07-11-07 | 03:58 PM
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Alright, first - I loved it (seen it a while ago just never bothered to post) but this film does not hold up well to multiple viewings.

It's pretty one dimensional charcter and story wise and while that's prob the point, I just have a hard time watching this film multiple times.

Some of the acting is pretty laugable at times and too over the top (Baldwin's first speech in the room while showing the pictures - one too many jokes when each picture popped up....overkill).

But it hasn't swayed me from my initial reaction upon seeing it - definitely a great film and the best of 2006.
Old 07-11-07 | 04:34 PM
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Originally Posted by Rival11
Alright, first - I loved it (seen it a while ago just never bothered to post) but this film does not hold up well to multiple viewings.
hm. If anything, I like it more the more I see it. On each viewing the script reveals itself to be a tightly plotted marvel, and the dialog stays fresh. There's a lot of detail in there if you look closely. Though I agree about the characters being a little flat, but they're still a lotta' fun.
Old 07-11-07 | 04:38 PM
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I like this film the more I see it
Old 07-11-07 | 09:03 PM
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Originally Posted by Rival11
Alright, first - I loved it (seen it a while ago just never bothered to post) but this film does not hold up well to multiple viewings.

It's pretty one dimensional charcter and story wise and while that's prob the point, I just have a hard time watching this film multiple times.

Some of the acting is pretty laugable at times and too over the top (Baldwin's first speech in the room while showing the pictures - one too many jokes when each picture popped up....overkill).

But it hasn't swayed me from my initial reaction upon seeing it - definitely a great film and the best of 2006.
I always found it better on repeats, theres lots of subtext to the folks losing their minds, and the Damon being a closet homosexual theory get funnier (for some reason) every time.
Old 07-11-07 | 09:24 PM
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It gets better on repeat viewings. I agree with RichC2, you pick up the subtleties in the performances, the dialogue, the narrative, and things you thought were stupid the first time seem to work better.
Old 07-11-07 | 09:35 PM
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I'll give it yet another try soon. Myabe I'm being too damn picky I don't know. Something just bothers me about it when I keep trying to play it through and through. I did pick up on a lot of things I didn't catch the first time through as well.

One thing I do love though is how isolated Decap's character feels - you really feel it and that's some damn good acting.
Old 02-02-19 | 01:03 PM
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re: The Departed - review thread

Anyone watch this lately? People write it off as being forgettable and bland Scorsese. I think it’s as good as the cop genre gets.

Like Scorsese’s other fast paced movies, it throws information at you non stop and there is never a dull moment. All the actors are on top of their game. And that fast paced Scorsese style is like putting on a good album.
Old 02-02-19 | 01:19 PM
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re: The Departed - review thread

I loved it the first time I saw it but it doesn’t hold up quite as well on repeat viewings. It’s still a very good movie and one of my favorites from Scorsese.
Old 02-02-19 | 01:40 PM
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re: The Departed - review thread

I watched it again a few years ago. Only weak link sadly is Nicholson. He’s not right for the part and he overacts. Scorsese’s best gangster bad guys are scary and funny. Nicholson isn’t funny. And he’s only slightly scary.
Old 02-02-19 | 03:06 PM
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re: The Departed - review thread

Originally Posted by Troy Stiffler
Anyone watch this lately? People write it off as being forgettable and bland Scorsese. I think it’s as good as the cop genre gets.

Like Scorsese’s other fast paced movies, it throws information at you non stop and there is never a dull moment. All the actors are on top of their game. And that fast paced Scorsese style is like putting on a good album.
I would not consider it top tier Scorsese (IMO none of the Di Caprio/Scorsese films are), but it's still good.
Old 02-02-19 | 04:30 PM
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re: The Departed - review thread

i loved this movie and deserved all the accolades and awards imo...
Old 02-02-19 | 05:49 PM
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re: The Departed - review thread

Originally Posted by inri222
I would not consider it top tier Scorsese (IMO none of the Di Caprio/Scorsese films are), but it's still good.
Agreed. Except WoWS is top tier, IMO. It's a shame this what Marty got his Oscar for, but at least he has one.

I hate that this movie is now attached to the likes of Boondock Saints fans.
Old 02-02-19 | 06:11 PM
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Re: The Departed - review thread

Has anyone ever connected Scorsese’s fast cutting to push more information at you fast ... and modern YouTube style editing? Scorsese can push an eventful scene into a few seconds.

Is is there an origin to that style? Some of you guys are far more versed in film than me.
Old 02-02-19 | 07:35 PM
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Re: The Departed - review thread

Originally Posted by dex14
I hate that this movie is now attached to the likes of Boondock Saints fans.
it is? why on earth? 2 totally different movies and don't see even a smidge of a connection...

Old 02-04-19 | 02:03 PM
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Re: The Departed - review thread

Originally Posted by Troy Stiffler
Has anyone ever connected Scorsese’s fast cutting to push more information at you fast ... and modern YouTube style editing? Scorsese can push an eventful scene into a few seconds.

Is is there an origin to that style? Some of you guys are far more versed in film than me.

I’ve been thinking about this yesterday and today.

Firstly, knowing Scorsese he’d credit Powel and Pressburger. Having the camera’s position and movement be dictated by the emotion rather than the action. He’d done that in his early work: Who’s That Knocking, Mean Streets, and Taxi Driver.

Then you have MTV. The music video style, where the music dictates the editing and length of scenes. Scorsese has made music videos. At that time in history, many people immediately became critical of the fast cutting of music videos. But Scorsese embraced it. Keeping it short, he also correctly predicted that audiences were perceptive enough to receive images fast and make sense of them because it worked for music videos.

This is from wikipedia:

The director wanted to take the gangster film and deal with it episode by episode, but start in the middle and move backwards and forwards. Scorsese would compact scenes and realized that if they were kept short, "the impact after about an hour and a half would be terrific".

"To begin Goodfellas like a gunshot and have it get faster from there, almost like a two-and-a-half-hour trailer. I think it's the only way you can really sense the exhilaration of the lifestyle, and to get a sense of why a lot of people are attracted to it."




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