Great scenes with music
#28
DVD Talk Ultimate Edition
E.T. The Extraterrestrial - The "I'll be right here" moment. John Williams' magnificent score punctuates this scene perfectly.
Gladiator - The scene in the forest battle when Maximus leads the charge through the trees. Hans Zimmer's thundering score is just awesome. The moment when his dog leaps through the fire is the coolest part.
The Matrix - The slow-mo shot of trinity being chased by the agents on the rooftops. Don Davis' frenetic score compliments the scene masterfully.
The Matrix Reloaded - The scene where Neo restarts Trinity's heart. The finest emotional moment in the entire trilogy.
Empire Strikes Back - The scene where Luke is hanging at the bottom of Cloud City and he calls out to Leia. John Williams proves he is the best there is with the powerful "Force" theme.
Drop Zone - The scene where the Kid's parachute malfunctions, and the guy who barely talks, jettisons his own parachute and goes into an almost superman-like free-fall to rescue the kid. Hans Zimmer's awesome fast-paced score(the one that is used in alot of trailers like The Mask of Zorro.) is a bright spot in an ok film.
X-Men 2 The opening scene where Nightcrawler does that floating roundhouse kick that knocks out a Secret Service agent as Mozart plays in all its glory.
Gladiator - The scene in the forest battle when Maximus leads the charge through the trees. Hans Zimmer's thundering score is just awesome. The moment when his dog leaps through the fire is the coolest part.
The Matrix - The slow-mo shot of trinity being chased by the agents on the rooftops. Don Davis' frenetic score compliments the scene masterfully.
The Matrix Reloaded - The scene where Neo restarts Trinity's heart. The finest emotional moment in the entire trilogy.
Empire Strikes Back - The scene where Luke is hanging at the bottom of Cloud City and he calls out to Leia. John Williams proves he is the best there is with the powerful "Force" theme.
Drop Zone - The scene where the Kid's parachute malfunctions, and the guy who barely talks, jettisons his own parachute and goes into an almost superman-like free-fall to rescue the kid. Hans Zimmer's awesome fast-paced score(the one that is used in alot of trailers like The Mask of Zorro.) is a bright spot in an ok film.
X-Men 2 The opening scene where Nightcrawler does that floating roundhouse kick that knocks out a Secret Service agent as Mozart plays in all its glory.
#29
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From: Pacific NW
Transformers: The Movie:
Optimus Prime - Megatron must be stopped, no matter the cost - Stan Bush - "The Touch" starts playing...
Hot Rod & Daniel driving to Autobot City - Stan Bush - "Dare"
Hot Rod opening The Matrix at the end of the movie and Stan Bush's "The Touch" playing again...
Optimus Prime - Megatron must be stopped, no matter the cost - Stan Bush - "The Touch" starts playing...
Hot Rod & Daniel driving to Autobot City - Stan Bush - "Dare"
Hot Rod opening The Matrix at the end of the movie and Stan Bush's "The Touch" playing again...
#30
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From: H-Town, TX
Originally Posted by Robert
Empire Strikes Back - The scene where Luke is hanging at the bottom of Cloud City and he calls out to Leia. John Williams proves he is the best there is with the powerful "Force" theme.
A few others:
"We Have All the Time In the World" in On Her Majesty's Secret Service - A love montage in a Bond movie is a strange thing to see, but Louis Armstrong's song makes it work.
Jamiroquai's "Canned Heat" in Napoleon Dynamite - No explanation necessary. If you've seen the movie, you know how bizarrely cool this scene is.
#31
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From: Phoenix, AZ
I would have to say that Wes Anderson takes the cake in this category. It seems that he builds scenes around the music instead of the other way around. One of my favorites is "Me and Juilo down by the Schoolyard" while Royal and the boys are out causing mischief.
#32
Moderator
Originally Posted by Giantrobo
Leeloo escaping from the lab in The Fifth Element. The soundtrack to that was really cool.
I second this scene
the music during the asteroid/chase scene in Empire Strikes Back is terrific.
#34
DVD Talk Legend
Originally Posted by Michael Corvin
My response can be had in this existing thread.
#36
DVD Talk Limited Edition
Originally Posted by SuprVgeta
Transformers: The Movie:
Optimus Prime - Megatron must be stopped, no matter the cost - Stan Bush - "The Touch" starts playing...
Hot Rod & Daniel driving to Autobot City - Stan Bush - "Dare"
Hot Rod opening The Matrix at the end of the movie and Stan Bush's "The Touch" playing again...

Optimus Prime - Megatron must be stopped, no matter the cost - Stan Bush - "The Touch" starts playing...
Hot Rod & Daniel driving to Autobot City - Stan Bush - "Dare"
Hot Rod opening The Matrix at the end of the movie and Stan Bush's "The Touch" playing again...

If I didn't include Transformers then a couple I like are:
At the end of The Lion King as Simba is climbing Pride Rock during the rainstorm and the instrumental song kicks in.
The scene in Collateral when the coyotes cross the street. I think the name of the song that's playing is Shadow on the Sun by Audioslave.
#38
DVD Talk Hero - 2023 TOTY Award Winner
Most of the scenes I think of are with scores or orchestral music, not with songs.
The ending of Gallipoli, to Albinoni's Adagio
The use of Samuel Barber's Adagio for Strings in Platoon
The escape sequence in Aliens to Jame Horner's score.
The battle of the mounds sequence in Conan the Barbarian (Basil Pouledouris' score).
The use of the many versions of "Blue Moon" in An American Werewolf in London, especially for the main transformation scene and the ending credit transition.
The whole creation of the Requiem mass sequence in Amadeus.
The transition between the adagio and rondo of Beethoven's 5th piano concerto at the end of Immortal Beloved was masterful timing.
The use of "A Mi Manera" by The Gipsy Kings in the finale of The Heist (the Pierce Brosnan film).
The use of "Surfin' Bird" in Full Metal Jacket. Also the transition to in country using Nancy Sinatra's "These Boots..."
The ending of Gallipoli, to Albinoni's Adagio
The use of Samuel Barber's Adagio for Strings in Platoon
The escape sequence in Aliens to Jame Horner's score.
The battle of the mounds sequence in Conan the Barbarian (Basil Pouledouris' score).
The use of the many versions of "Blue Moon" in An American Werewolf in London, especially for the main transformation scene and the ending credit transition.
The whole creation of the Requiem mass sequence in Amadeus.
The transition between the adagio and rondo of Beethoven's 5th piano concerto at the end of Immortal Beloved was masterful timing.
The use of "A Mi Manera" by The Gipsy Kings in the finale of The Heist (the Pierce Brosnan film).
The use of "Surfin' Bird" in Full Metal Jacket. Also the transition to in country using Nancy Sinatra's "These Boots..."
#39
DVD Talk Ultimate Edition
Brian Eno's Needles in the Camel's Eye at the beginning of Velvet Goldmine
Joe Walsh's In the City at the end of The Warriors
and many many more I cannot think of at this time...
Joe Walsh's In the City at the end of The Warriors
and many many more I cannot think of at this time...
#40
I actually think Tarantino uses music better than anyone, but the scene I remember was the house burning scene in Badlands. I thought it was the best use of music I have seen. And Excalibur, which is helped by using the best (O Fortuna) and one of the best (Siegfrieds Funeral March) pieces of music ever written. I searched for the soundtrack for years before being told what they were.
Last edited by johnnysd; 08-15-05 at 11:19 PM.




