What's the most undeserving Best Picture winner ever?
#76
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From: wandering the earth like Caine in the Kung-Fu
Originally posted by das Monkey
das
das
Well, poo on you and poo on your Rocky Balboa!!
Back to the topic: What year did Krush Groove come out? Because that should've won.
Last edited by Jules Winfield; 02-16-02 at 10:50 AM.
#77
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Jules: You ever saw the first season of Mad TV? That trailer for "Gump Fiction" stands as the funniest five minutes of I've ever seen on television:
"We're gonna have to get medieval on YOUR buttocks!"
"Awwwww, I was aiming for Jackie!"
"We're gonna have to get medieval on YOUR buttocks!"
"Awwwww, I was aiming for Jackie!"
#78
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From: Burlington, ON, Canada
Originally posted by randy1320
Guys! Guys! Be nice!
Guys! Guys! Be nice!
All we can do is voice our opinions, and try to constructively debate why we think a move is "great" or "not" without trying to get emotionally attached. Sensitivity is always high in subjective debates - it's just a natural byproduct.
I wonder if it's possible for us all to agree on a movie's crappiness or greatness? Probably not. Could there be one film out there that we all think deserved to be Best Picture? One year that we can all agree on that the academy actually got it right? I'll take a shot: the only one that comes to mind would be The Godfather. Am I wrong?
Of the films in the most recent list, I only feel that Casablanca was deserving. Well, perhaps there is a good argument for Patton as well. While I love The Godfather Part II I believe it was not only inferior to the original, but robbed the more deserving Chinatown of the Best Picture nod.
Cheers,
-matt
#79
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From: MICHIGAN
First off all, I'd like to comment on the earlier post about ROCKY. I happen to think it was a well deserved best picture winner. And as das said, it's a movie with so many levels.
The movie is so simplistic, yet it engages us to the fulliest. It becomes more than a movie and more of a inspiration an American success story. The little guy triumping over all odds. I mean, the tag line even says it: "His whole life was a million to one shot" and yet he defies everything. Rocky wan't fighting for money or fame. Just for the love and the respect. The whole movie he didn't care about winning so to speak. He just wanted to go the distance with Apollo.
Now c'mon, if that isn't a great movie, I dunno what is.
Anyway, my picks for undeserving Oscars would have to be:
AMERICAN BEAUTY (Good movie, but not deserving of its oscar[s])
SHAKESPERE IN LOVE (I didn't find the movie all the good, entertaining still)
The movie is so simplistic, yet it engages us to the fulliest. It becomes more than a movie and more of a inspiration an American success story. The little guy triumping over all odds. I mean, the tag line even says it: "His whole life was a million to one shot" and yet he defies everything. Rocky wan't fighting for money or fame. Just for the love and the respect. The whole movie he didn't care about winning so to speak. He just wanted to go the distance with Apollo.
Now c'mon, if that isn't a great movie, I dunno what is.
Anyway, my picks for undeserving Oscars would have to be:
AMERICAN BEAUTY (Good movie, but not deserving of its oscar[s])
SHAKESPERE IN LOVE (I didn't find the movie all the good, entertaining still)
#83
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Originally posted by msharkm
But I want to throw another into the mix: Silence of the Lambs
Explanation: It won mostly due to the politics of the system. Foster and Hopkins
were (deservedly) going to win the Acting awards and the voters just started marking
everthing with SOTL. While entertaining, the movie was basically a feminist/lesbian recruitment film. The final scene is pretty laughable. Anyone who knows anything about guns knows that if you're using a revolver and you're in a combat situation you are going to have it cocked immediately.
But I want to throw another into the mix: Silence of the Lambs
Explanation: It won mostly due to the politics of the system. Foster and Hopkins
were (deservedly) going to win the Acting awards and the voters just started marking
everthing with SOTL. While entertaining, the movie was basically a feminist/lesbian recruitment film. The final scene is pretty laughable. Anyone who knows anything about guns knows that if you're using a revolver and you're in a combat situation you are going to have it cocked immediately.
#84
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From: Alexandria, VA
Originally posted by paratize
THE GREATEST SHOW ON EARTH (1952) was pretty pitiful IMHO, even for a DeMille movie, especially when great movies like HIGH NOON and SINGIN' IN THE RAIN should have won.
THE GREATEST SHOW ON EARTH (1952) was pretty pitiful IMHO, even for a DeMille movie, especially when great movies like HIGH NOON and SINGIN' IN THE RAIN should have won.
#85
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From: Alexandria, VA
the 'obnoxious rocky score' statement
the question this raises is it obnoxious now? or obnoxious then? personally i haven't seen the movie too often (yes, even with tbs or tnt or whatever it is) and as such the music strikes me as really good. sure, there's the unforgettable/borderline over played song that goes with his training. that's good and such. but really, when the music goes soft, thats when it gets even better.
i would have to watch the movie to give you the specific moments i'm talking about, but maybe someone else can help here. i'm fairly sure it's a piano arrangment for one of the big songs, flying high or whatever the other one is.
regardless of this, the music is unforgettable. there aren't many movies that manage this (not including musicals!)
the question this raises is it obnoxious now? or obnoxious then? personally i haven't seen the movie too often (yes, even with tbs or tnt or whatever it is) and as such the music strikes me as really good. sure, there's the unforgettable/borderline over played song that goes with his training. that's good and such. but really, when the music goes soft, thats when it gets even better.
i would have to watch the movie to give you the specific moments i'm talking about, but maybe someone else can help here. i'm fairly sure it's a piano arrangment for one of the big songs, flying high or whatever the other one is.
regardless of this, the music is unforgettable. there aren't many movies that manage this (not including musicals!)
#87
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From: NE OHIO
Originally posted by das Monkey
While I'd suggest you could express this opinion in a better manner, I will apologize if something I said spawned this nonsense. I certainly did not intend it. All I wanted to say was that I think Rocky is a great film. I never insulted anyone who disagreed with that opinion, yet somehow the discussion descended into trash and childish attacks. I don't understand why we can't just have a civilized discussion.
das
While I'd suggest you could express this opinion in a better manner, I will apologize if something I said spawned this nonsense. I certainly did not intend it. All I wanted to say was that I think Rocky is a great film. I never insulted anyone who disagreed with that opinion, yet somehow the discussion descended into trash and childish attacks. I don't understand why we can't just have a civilized discussion.
das
Rest your fingers. Bonkie has yet to give solid evidence for his stand, other then "It sucks" and "the acting sucks". You can't waste your time arguing with nonsense like that. I happen to love Taxi Driver, but think Rocky is better. The acting of Stallone, Shire, Young, Meradith and Joe Spinell is fantastic. I sense a lot of improvising. Listen closely during the dialog for good stuff like:
"I musta has 10 bucks stolen from my locker over the last 6 years. Doesn't sound like much, but it really adds up"
or
"Those are domestic turtles. The two on the rock are Cuff and Link. And the rest are marbles"
The movie must be pretty darned good if it earned $130 million back in 1976. That's equal to probably $300 million today. And it didn't earn that much money based on hype like a "Harry Potter" or a "Phantom Menace" did. It was a tiny movie that a few people saw, then told a few more people how good it was, and so on. That doesn't happen to bad movies. I'm not making the arguement that money means quality, but when a movie has no chance to be a hit, then becaomes a smash, that means something.
If someone can sit and watch this movie and think "This sucks. The acting sucks. This screenplay sucks", then so be it. But I would think that most people probably disagree.
#88
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Originally posted by Ethan Edwards
Das,
Rest your fingers. Bonkie has yet to give solid evidence for his stand, other then "It sucks" and "the acting sucks". You can't waste your time arguing with nonsense like that. I happen to love Taxi Driver, but think Rocky is better. The acting of Stallone, Shire, Young, Meradith and Joe Spinell is fantastic. I sense a lot of improvising. Listen closely during the dialog for good stuff like:
"I musta has 10 bucks stolen from my locker over the last 6 years. Doesn't sound like much, but it really adds up"
or
"Those are domestic turtles. The two on the rock are Cuff and Link. And the rest are marbles"
The movie must be pretty darned good if it earned $130 million back in 1976. That's equal to probably $300 million today. And it didn't earn that much money based on hype like a "Harry Potter" or a "Phantom Menace" did. It was a tiny movie that a few people saw, then told a few more people how good it was, and so on. That doesn't happen to bad movies. I'm not making the arguement that money means quality, but when a movie has no chance to be a hit, then becaomes a smash, that means something.
If someone can sit and watch this movie and think "This sucks. The acting sucks. This screenplay sucks", then so be it. But I would think that most people probably disagree.
Das,
Rest your fingers. Bonkie has yet to give solid evidence for his stand, other then "It sucks" and "the acting sucks". You can't waste your time arguing with nonsense like that. I happen to love Taxi Driver, but think Rocky is better. The acting of Stallone, Shire, Young, Meradith and Joe Spinell is fantastic. I sense a lot of improvising. Listen closely during the dialog for good stuff like:
"I musta has 10 bucks stolen from my locker over the last 6 years. Doesn't sound like much, but it really adds up"
or
"Those are domestic turtles. The two on the rock are Cuff and Link. And the rest are marbles"
The movie must be pretty darned good if it earned $130 million back in 1976. That's equal to probably $300 million today. And it didn't earn that much money based on hype like a "Harry Potter" or a "Phantom Menace" did. It was a tiny movie that a few people saw, then told a few more people how good it was, and so on. That doesn't happen to bad movies. I'm not making the arguement that money means quality, but when a movie has no chance to be a hit, then becaomes a smash, that means something.
If someone can sit and watch this movie and think "This sucks. The acting sucks. This screenplay sucks", then so be it. But I would think that most people probably disagree.
Rest your fingers as well. You might want to review Bonkie's status (or lack thereof) around here ...
#89
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From: At da Island having a Drink! :)
Shakespeare in Love over SPR? Pathetic!
Ordinary People over Raging Bull
Driving Miss Daisy.All of the other films nominated were better than this one.Not that it's bad i'm just saying it didn't deserve to win best picture.
Ordinary People over Raging Bull
Driving Miss Daisy.All of the other films nominated were better than this one.Not that it's bad i'm just saying it didn't deserve to win best picture.
#90
DVD Talk Limited Edition
I have a hard time believing nobody (to my knowledge) has mentioned A Beautiful Mind. While a good movie, I didn't feel it had any "great" qualities.
Years I've wholeheartedly disagreed with...
2001: A Beautiful Mind (any of the other nominees)
2000: Gladiator (Traffic, Crouching Tiger)
1998: Titanic (LA CONFIDENTIAL)
1996: The English Patient (FARGO)
1994: Forrest Gump (Shawshank, Pulp Fiction)
1986: Out of Africa (Ran, Brazil)
1981: Ordinary People (ESB, Raging Bull)
1969: Oliver! (2001, The Producers)
1953: Greatest Show on Earth (High Noon)
1952: An American in Paris (African Queen, Streetcar Named Desire)
Years I've wholeheartedly disagreed with...
2001: A Beautiful Mind (any of the other nominees)
2000: Gladiator (Traffic, Crouching Tiger)
1998: Titanic (LA CONFIDENTIAL)
1996: The English Patient (FARGO)
1994: Forrest Gump (Shawshank, Pulp Fiction)
1986: Out of Africa (Ran, Brazil)
1981: Ordinary People (ESB, Raging Bull)
1969: Oliver! (2001, The Producers)
1953: Greatest Show on Earth (High Noon)
1952: An American in Paris (African Queen, Streetcar Named Desire)
#91
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From: behind you!!!
with only glancing at the other 3 pages, i agree with gladiator. god damn. the only things worse than this was the aussie winning the best actor. gimme a break. movie and actor shouldn't have been nominated. -yack-
#96
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From: New York
Of all the mediocre Best Picture recipients I have seen, my vote would go for Dances With Wolves. Although handsomely shot and generally well-acted, its revisionist (and insultingly simplistic) political leanings did not ring true to me for a second. Well intended or not, Kael nailed it when she wrote that Costner has, "...feathers in his hair and feathers in his head."
Moreover, Costner's relentlessly narcissistic framing of himself in close-up is rivaled only by that of Barbara Streisand when she directs herself. Ugh.
Moreover, Costner's relentlessly narcissistic framing of himself in close-up is rivaled only by that of Barbara Streisand when she directs herself. Ugh.
#98
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From: Twin Cities, Minnesota
I hate these threads because like everything else in movies and life for that matter, someone's garbage is somebody else's treasure. I loved Dances with Wolves and it still is one of my favorite films ever. I loved that it won Best Picture and still think it was a great choice. A lot of people worship Goodfellas on here and while i liked it ok, I didn't care for it as much as Dances with Wolves.
The other one that always gets me is complaining about Shakespeare in Love, which wasn't my favorite movie that year by far, but easily deserved to win over movies such as Saving Private Ryan in my opinion.
People get a grip on this for one time in your life. The Academy Awards isn't an absolute list of best films in a year and it certainly ain't your list of films. Like every other "best of" list, it is merely one group's choice of what the best films were this year and every single person's best of list is going to be different. You might as well quibble with your fellow DVDtalkers best of list as you should get all worked up over the Oscars.
The other one that always gets me is complaining about Shakespeare in Love, which wasn't my favorite movie that year by far, but easily deserved to win over movies such as Saving Private Ryan in my opinion.
People get a grip on this for one time in your life. The Academy Awards isn't an absolute list of best films in a year and it certainly ain't your list of films. Like every other "best of" list, it is merely one group's choice of what the best films were this year and every single person's best of list is going to be different. You might as well quibble with your fellow DVDtalkers best of list as you should get all worked up over the Oscars.
#99
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From: Sitting on a beach, earning 20%
Originally posted by paratize
THE GREATEST SHOW ON EARTH (1952) was pretty pitiful IMHO, even for a DeMille movie, especially when great movies like HIGH NOON and SINGIN' IN THE RAIN should have won.
THE GREATEST SHOW ON EARTH (1952) was pretty pitiful IMHO, even for a DeMille movie, especially when great movies like HIGH NOON and SINGIN' IN THE RAIN should have won.

Considering how easily voters and public alike are swayed by spectacle and hype, I plan to make a forty-minute film, sonsisting of nought but explosions and crying, and I shall call it Two Thumbs Up! The #1 Movie In America!
Kinda like the Zuckers' original title to lure people in to see Kentucky Fried Movie... "Free Admission"...
#100
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As always, the contention that Fargo was somehow a better film than The English Patient always makes me chuckle.
I like Fargo, I own the DVD, but please.
I like Fargo, I own the DVD, but please.



