Why is Music Licensing An Issue?
#26
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It really depends on the effort studios make to clear music. If, for whatever reason, a song is too expensive or the rights can't obtained, that's understandable and a certain benefit of the doubt can be granted.
It's other cases that make people sore. Paramount has a bad reputation (as of late) for indiscriminately hacking out any song that might require clearance on a lot of their sets. Same deal with Fox on the WKRP set; it's sort of painfully obvious that they didn't even ATTEMPT to try and clear 98% of the music.
That having been said, possibly the most unforgivable case of "music licensing" is the Muppet Family Christmas. songs like "Santa Claus is Coming to Town" and "Have Yourself a Merry Little Christmas" are deleted, yet pretty much every other show on DVD that has used those songs got to retain them.
It's other cases that make people sore. Paramount has a bad reputation (as of late) for indiscriminately hacking out any song that might require clearance on a lot of their sets. Same deal with Fox on the WKRP set; it's sort of painfully obvious that they didn't even ATTEMPT to try and clear 98% of the music.
That having been said, possibly the most unforgivable case of "music licensing" is the Muppet Family Christmas. songs like "Santa Claus is Coming to Town" and "Have Yourself a Merry Little Christmas" are deleted, yet pretty much every other show on DVD that has used those songs got to retain them.
#27
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Why did THE SOPRANOS use classic rock songs on their t.v. shows if this will be a problem?
The solution to all this is once your paid for your song to be in a movie or t.v. show that's it. No matter what kind of new technology it will be re-leased you were paid for that job.
The solution to all this is once your paid for your song to be in a movie or t.v. show that's it. No matter what kind of new technology it will be re-leased you were paid for that job.
#28
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Why did THE SOPRANOS use classic rock songs on their t.v. shows if this will be a problem?
The solution to all this is once your paid for your song to be in a movie or t.v. show that's it. No matter what kind of new technology it will be re-leased you were paid for that job.
The solution to all this is once your paid for your song to be in a movie or t.v. show that's it. No matter what kind of new technology it will be re-leased you were paid for that job.
Shows like WKRP, Northern Exposure, etc. where made before the advent of the DVD revolution, and nobody (including the studios) had any idea that TV on DVD would be such a success.
#29
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I'm pretty sure the record labels, even today, are very adamant about milking as much money as possible out of a licensed song for every separate format. The tv and film studios can't tell the record compannies to just "give us one cheap price for all future media" and that's that. They probably have to deal with each issue separately. In the case of current tv-shows, the tv-studios may still just end up licensing ONLY broadcast rights for songs because the record label wants tons more money if the studios also want DVD or future media rights. And what if the show flops and the tv-studio decides to never put it out on DVD. In those cases, they would have lost even more money by paying in advance for all that extra media usage they will never use. It's a greedy business.
#30
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Why did THE SOPRANOS use classic rock songs on their t.v. shows if this will be a problem?
The solution to all this is once your paid for your song to be in a movie or t.v. show that's it. No matter what kind of new technology it will be re-leased you were paid for that job.
The solution to all this is once your paid for your song to be in a movie or t.v. show that's it. No matter what kind of new technology it will be re-leased you were paid for that job.
#31
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It's more a case of Shout being willing to spend more on music rights because they (being a smaller studio) don't need to make as much profit per release.
At BCI, we've lost money on releases because of what we've paid for music clearance - I'd bet Shout has a few of those as well. It's a gamble you take when you love a property and want it to be done correctly.
At BCI, we've lost money on releases because of what we've paid for music clearance - I'd bet Shout has a few of those as well. It's a gamble you take when you love a property and want it to be done correctly.
#32
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What I don't understand is how Fox can all but ignore most of the original music cues for the first season of WKRP yet somehow pay for all 11 seasons of music in both M*A*S*H and The Simpsons (and there's a lot in both shows).
Everyone in this thread should write their congressperson and explain how the copyright laws need updating and licensing fees need limits because the greed in the music industry is out of control.
The Catch-22 right now is if you don't support product with replaced/altered music then you likely won't get another season. That's a chance I'm willing to take on principle especially for shows like 'KRP.
The Sopranos sets are $100 a pop for the music no doubt.
Everyone in this thread should write their congressperson and explain how the copyright laws need updating and licensing fees need limits because the greed in the music industry is out of control.
The Catch-22 right now is if you don't support product with replaced/altered music then you likely won't get another season. That's a chance I'm willing to take on principle especially for shows like 'KRP.
The Sopranos sets are $100 a pop for the music no doubt.
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Nope. Shout is (I believe) a privately owned company. At one time they were distributed by Sony, but now Vivendi handles that. They aren't clearing stuff because they have tons of studio money behind them, they do it out of love for what they do and the properties they care for.
Last edited by David Levine; 10-17-08 at 04:11 PM.
#34
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This is the one show I'm willing to cut the studio slack on with music rights. If I was Fox I'd take pre-orders at $150/season and if I got enough orders to buy the rights I'd then make the dvds. If not I'd refund the money.
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Another thing about WKRP is that wer're dealing with classic rock. Probably the most expensive music rights there are.
#36
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I can't imagine anyone in the music industry... song writer, composer, musician, vocalist, lawyer, label executive, anyone... willing to allow music to be used under those terms.
#37
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I can imagine that a lot of phone calls went this way:
"Hi, I'm John from [one of the big five multibillion dollar media conglomerates]. We're working on a DVD release of a once-popular television program. Your band has 48 seconds of music in one of the episodes, and we'd like to buy the rights. We'll pay you royalties of $48 for every thousand units sold. We're talking about hundreds of dollars here, money that the whole band can share! I don't think that this is a chance that you can afford to pass up! Hello? Hello?"
"Hi, I'm John from [one of the big five multibillion dollar media conglomerates]. We're working on a DVD release of a once-popular television program. Your band has 48 seconds of music in one of the episodes, and we'd like to buy the rights. We'll pay you royalties of $48 for every thousand units sold. We're talking about hundreds of dollars here, money that the whole band can share! I don't think that this is a chance that you can afford to pass up! Hello? Hello?"
#38
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This really drives me nuts, i bought the entire Soul Food series on DVD and only Season 1 was complete and unedited but Seasons 2-5 have the music changed on many of the episodes but the annoying part is many scenes had musical guests singing in a club and the editing they did to take it out was so noticeable and many important scenes ended up on the cutting room floor because of the greediness of the music industry.
#39
I guess the people who wrote the contracts were either really smart or really stupid, depending on how you look at it I guess.
Personally I never understood why they couldn't have put something in the contracts that would cover all formats.
Perhaps something like. "We have the right to use the music provided and licensed by you for this program/episode for any and all future formats in which this program/episode maybe provided for sale or distributed."
If they would have put something like that in the contracts we wouldn't really have an issue with music rights for all of these tv shows.
Personally I never understood why they couldn't have put something in the contracts that would cover all formats.
Perhaps something like. "We have the right to use the music provided and licensed by you for this program/episode for any and all future formats in which this program/episode maybe provided for sale or distributed."
If they would have put something like that in the contracts we wouldn't really have an issue with music rights for all of these tv shows.
The part about the music rights issue I've never been able to grasp (and I know I've brought this up before, and though some have tried to explain it, i still can't wrap my head around it) is take a show like Everwood (or any show on WB/CW that features popular songs.) The shows on those networks tend to use music from the Warner Brothers library. Warner makes the show, Warner makes the music. Then there is an issue when we want to get the shows on DVD and rights have to be cleared for the songs. WHAT THE HELL? It's like Warner owns it all, so why is there an issue at all.
And the same could be said of any TV show being produced today...these are major studios making these shows, and they have rights to music through record labels they own, so use the music from those CDs and there should be no music issues.
Perhaps that line of thinking just makes sense to me.
#40
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The popularity of a show should have zero bearing on how much it cost for music clearances. This is why things must change NOW.
Things are being run like the fucking mob for chrissake.
#42
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I'm confused. I own seasons 2-4 and I never read anything about music being replaced. Plus, the Felicity sets are freaking expensive at around $40-50 a set still.
#43
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Gee, then we'd be like the UK. Wouldn't that be wonderful!
The part about the music rights issue I've never been able to grasp (and I know I've brought this up before, and though some have tried to explain it, i still can't wrap my head around it) is take a show like Everwood (or any show on WB/CW that features popular songs.) The shows on those networks tend to use music from the Warner Brothers library. Warner makes the show, Warner makes the music. Then there is an issue when we want to get the shows on DVD and rights have to be cleared for the songs. WHAT THE HELL? It's like Warner owns it all, so why is there an issue at all.
And the same could be said of any TV show being produced today...these are major studios making these shows, and they have rights to music through record labels they own, so use the music from those CDs and there should be no music issues.
Perhaps that line of thinking just makes sense to me.
The part about the music rights issue I've never been able to grasp (and I know I've brought this up before, and though some have tried to explain it, i still can't wrap my head around it) is take a show like Everwood (or any show on WB/CW that features popular songs.) The shows on those networks tend to use music from the Warner Brothers library. Warner makes the show, Warner makes the music. Then there is an issue when we want to get the shows on DVD and rights have to be cleared for the songs. WHAT THE HELL? It's like Warner owns it all, so why is there an issue at all.
And the same could be said of any TV show being produced today...these are major studios making these shows, and they have rights to music through record labels they own, so use the music from those CDs and there should be no music issues.
Perhaps that line of thinking just makes sense to me.
Most(not all) artists own and control their music not the label. A label cannot do whatever they want with it. There is also the songwriter aspect. You cannot just record a cover of a song for a movie or tv show either.
#44
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Nope. Shout is (I believe) a privately owned company. At one time they were distributed by Sony, but now Vivendi handles that. They aren't clearing stuff because they have tons of studio money behind them, they do it out of love for what they do and the properties they care for.
Also, the a couple posters above, a shows popularity most certainly does play a factor. Shows like The Simpsons, Mash and The Sopranos are going to clear a million units for every season and at $25 a pop on average (I know The Sopranos as more, but I am just using the example), that is a ton of cash to be made. Since they know it will be a huge return, the studio would spend a million to clear all the songs.
#45
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The popularity of the show has nothing to do with the cost of the music. But if a show is real popular more dvds will sell, thus making it profitable to shell out the money to use the song.
#46
Well, then as another poster stated earlier, then write the contracts differently. In fact, I read that new contracts for TV shows would include clauses to use the songs in DVD releases, yet it still continues to be a problem.
#47
What the studios and music industries don't understand is that in the Internet and TIVO era, fans are going to get what they want, one way or the other. If studios don't make the product that has high demand available, then the consumer is going to get either by recording the show, by downloading it on the internet or by purchasing it from some pirate on Ebay.
#48
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I did not mention "show popularity" of WKRP and Wonder Years. They are unclearable because of the music used throughout them. Too many songs in them are either A) Too expensive to clear or B) Not even available to clear. There are a number of artists who flat out refuse to allow their songs to be used for DVD release.
And no, popularity of a show doesn't have a bearing on music clearance costs - popularity has a bearing on how much a studio is willing to pay for music clearance. There is a big difference between spending 1 million dollars clearing a show that is going to sell 500,000 units and one that will sell 7,500 units. In the first case you are adding 2.00 to the cost of each unit. In the second, you are adding 133.33 to each.
Last edited by David Levine; 10-18-08 at 11:00 AM.
#49
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Your answer has absolutely nothing to do with the statement I made.
I did not mention "show popularity" of WKRP and Wonder Years. They are unclearable because of the music used throughout them. Too many songs in them are either A) Too expensive to clear or B) Not even available to clear. There are a number of artists who flat out refuse to allow their songs to be used for DVD release.
And no, popularity of a show doesn't have a bearing on music clearance costs - popularity has a bearing on how much a studio is willing to pay for music clearance. There is a big difference between spending 1 million dollars clearing a show that is going to sell 500,000 units and one that will sell 7,500 units. In the first case you are adding 2.00 to the cost of each unit. In the second, you are adding 133.33 to each.
I did not mention "show popularity" of WKRP and Wonder Years. They are unclearable because of the music used throughout them. Too many songs in them are either A) Too expensive to clear or B) Not even available to clear. There are a number of artists who flat out refuse to allow their songs to be used for DVD release.
And no, popularity of a show doesn't have a bearing on music clearance costs - popularity has a bearing on how much a studio is willing to pay for music clearance. There is a big difference between spending 1 million dollars clearing a show that is going to sell 500,000 units and one that will sell 7,500 units. In the first case you are adding 2.00 to the cost of each unit. In the second, you are adding 133.33 to each.
They are only currently 'unclearable' because of the criminal activity going on within the record industry today that needs to stop. If they weren't making the rules up as they go over there and there were actual hard and fast laws enforced with strict penalties, I'm sure we'd see every single artist come in line pretty damn quick.
Sales figures for titles like WKRP are useless to compare when almost no one bought it because the songs were raped from it. It's never gonna sell Simpsons numbers but it still has a huge fan base.
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A lot of it is going to be depend on the "DVD potential" of the show. At this point, most new shows make it to DVD, but not all - especially ones that die during or right after their first year. And some shows that don't do well in the ratings still can be killer DVD titles.