Criterion Newsletter - October 2007
#26
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Originally Posted by hanshotfirst113
Most wold argue that he's one of today's most gifted directors;
#28
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Originally Posted by Matthew Ackerly
I'll forever think of Ang Lee as the man that f*cked up The Incredible Hulk.
#30
DVD Talk Gold Edition
Originally Posted by Yakuza Bengoshi
Most who? I'm guessing you implicitly mean most Americans. If so, it just goes to prove how myopic most Americans are about cinema. Most Americans have never even heard of truly great contemporary directors like Wong Kar-Wai, Michael Haneke, Mike Leigh, Ken Loach, Jean-Pierre Dardenne, Lars von Trier, Aleksandr Sokurov, Ming-liang Tsai, Hirokazu Koreeda, Hou Hsiao-hsien, Anh Hung Tran, Abbas Kiarostami, or Bela Tarr, much less seen a cross-sample of their work to compare it against that of Ang Lee. So what is their point of comparison? John Woo, Robert Rodriguez, Danny Boyle and Kevin Smith? If so, sure Ang Lee is good, but that's not really saying that much.
Really, I hardly think it's fair to sneer at fellow film fans whose exposure to world film may not be as broad as others. Film appreciation is a life-long activity, and teaching each other and introducing each other to good films is far more productive than pretentiously dismissing the opinions of people whose film habits don't mesh with one's own.
Plus you left out Pedro Almodovar, Zhang Yi-mou, Zhuangzhuang Tian, Chen Kai-Ge, Im Kwon-Taek, Kim Ki-Duk, Bahman Ghobadi, and Jafar Panahi. (The White Balloon is by far the best film out of Iran, IMO)
And Lars Van Trier is NOT a great film director. He made one good movie ("Breaking the Waves"), and then spiraled into irrelevance. Dogme 95 is the worst idea to hit films since theaters stopped putting real butter in the popcorn.
Last edited by Gobear; 10-18-07 at 03:15 PM.
#31
DVD Talk Hall of Fame
Originally Posted by Yakuza Bengoshi
Most who? I'm guessing you implicitly mean most Americans. If so, it just goes to prove how myopic most Americans are about cinema. Most Americans have never even heard of truly great contemporary directors like Wong Kar-Wai, Michael Haneke, Mike Leigh, Ken Loach, Jean-Pierre Dardenne, Lars von Trier, Aleksandr Sokurov, Ming-liang Tsai, Hirokazu Koreeda, Hou Hsiao-hsien, Anh Hung Tran, Abbas Kiarostami, or Bela Tarr, much less seen a cross-sample of their work to compare it against that of Ang Lee. So what is their point of comparison? John Woo, Robert Rodriguez, Danny Boyle and Kevin Smith? If so, sure Ang Lee is good, but that's not really saying that much.
I'm not getting the Ang Lee hate here. He makes intelligent, sensitive films that reach an appreciative audience. It seems to me that his great sin is that his audience is too broad and middlebrow ("Ugh, the plebs like Ang Lee; alert Andrew Sarris at once!"). Plus, he made a superhero movie that was shown in multiplexes--pass me a Gitane and an espresso lest I faint!
Really, I hardly think it's fair to sneer at fellow film fans whose exposure to world film may not be as broad as others. Film appreciation is a life-long activity, and teaching each other and introducing each other to good films is far more productive than pretentiously dismissing the opinions of people whose film habits don't mesh with one's own.
Really, I hardly think it's fair to sneer at fellow film fans whose exposure to world film may not be as broad as others. Film appreciation is a life-long activity, and teaching each other and introducing each other to good films is far more productive than pretentiously dismissing the opinions of people whose film habits don't mesh with one's own.
Plus you left out Pedro Almodovar, Zhang Yi-mou, Zhuangzhuang Tian, Chen Kai-Ge, Im Kwon-Taek, Kim Ki-Duk, Bahman Ghobadi, and Jafar Panahi. (The White Balloon is by far the best film out of Iran, IMO)
#32
DVD Talk Gold Edition
Originally Posted by hanshotfirst113
Your spelling is unique; do you use a different romanji system than I do, or are you Asian (don't take offense)?
I didn't mention any Japanese directors, so no romaji necessary.
Last edited by Gobear; 10-18-07 at 04:12 PM.
#33
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Originally Posted by Gobear
I'm not getting the Ang Lee hate here. He makes intelligent, sensitive films that reach an appreciative audience. It seems to me that his great sin is that his audience is too broad and middlebrow ("Ugh, the plebs like Ang Lee; alert Andrew Sarris at once!"). Plus, he made a superhero movie that was shown in multiplexes--pass me a Gitane and an espresso lest I faint!
Originally Posted by Gobear
Really, I hardly think it's fair to sneer at fellow film fans whose exposure to world film may not be as broad as others. Film appreciation is a life-long activity, and teaching each other and introducing each other to good films is far more productive than pretentiously dismissing the opinions of people whose film habits don't mesh with one's own.
Originally Posted by Gobear
Plus you left out Pedro Almodovar, Zhang Yi-mou, Zhuangzhuang Tian, Chen Kai-Ge, Im Kwon-Taek, Kim Ki-Duk, Bahman Ghobadi, and Jafar Panahi. (The White Balloon is by far the best film out of Iran, IMO)
Originally Posted by Gobear
And Lars Van Trier is NOT a great film director. He made one good movie ("Breaking the Waves"), and then spiraled into irrelevance. Dogme 95 is the worst idea to hit films since theaters stopped putting real butter in the popcorn.
Last edited by Yakuza Bengoshi; 10-18-07 at 06:26 PM. Reason: spelling
#34
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Originally Posted by hanshotfirst113
And fail to see how John Woo, Robert Rodriguez, Danny Boyle, and Kevin Smith are unskilled. Smith is juevinle but capable of maturity, Rodriguez is the current king of trash, John Woo is one of the cinema's most skilled pulp stylists (well, he was anyway), and Danny Boyle is a an extremely skilled craftsman.
By "most" I mean the dozens of positive reviews on Rotten Tomatoes from professional film critics.
Last edited by Yakuza Bengoshi; 10-18-07 at 06:02 PM. Reason: spelling
#35
DVD Talk Hall of Fame
Originally Posted by Gobear
Nope, just a white boy who lived in South Korea for many years. For Korean names, I use the McCune-Reischauer transliteration system (I detest the Ministry of Education system because it is clumsy and is apt to mislead non-Korean speakers into mispronouncing words), and for Chinese I use Pinyin. I inserted hypens into the first names because someone who doesn't speak the language might think Chen Kaige's first name is pronounced CAGE, instead of KY-GUH.
I didn't mention any Japanese directors, so no romaji necessary.
I didn't mention any Japanese directors, so no romaji necessary.
I took exception to the appeal to authority in the statement "Most wold argue that he's one of today's most gifted directors" by challenging the relevance of the cited authority. Nothing more.
Where did I claim that I was providing an exhaustive list of gifted directors? I listed a healthy sample of currently working directors that I regard as (1) gifted as demonstrated by a body of work, and (2) under-appreciated in the United States. I'd agree with you that Pedro Almodovar and Kim Ki-Duk are gifted. I'd disagree with you about whether the gifts of Zhang Yimou, and Chen Kaige put them among the the top tier, and I've seen no more than one or two films from each of the others on you list and thus have no definite opinion.
Now who's dismissing the opinions of of people whose film habits don't mesh with one's own? I think Meda is one of the most beautiful films I've ever seen. Dancer in the Dark is my favorite musical bar none. Riget I & II are egrossing television, and though I found Dogville extremely flawed, it's better and more original than 99% of the stuff coming out of Hollywood.
#36
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Originally Posted by hanshotfirst113
I don't claim to be an authority on anything.