An Affair to Remember: Are You a Romantic?
#1
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AN AFFAIR TO REMEMBER - 1957
Starring Cary Grant & Deborah Kerr!
It was announced this film will be released shortly on DVD . . . and remains one of the most romantic classics of all time.
A true gem to be engrossed on the big screen with a great music soundtrack.
Also, this film (and the screen presence of both stars) has a tendency to teach men how to be romantics in their own relationships. It brought tears to my eyes as the story concluded in one of the most talked about plots ever to hit theaters.
Although the movie has been remade, this original still stands tall when choosing to add classic DVD to your library. It has all of the ingredients, including a great love story, tragic consequences, and adorable and compassionate conclusion.
While we’re on it, what other films have taught you the essence of romance?
Jeremy
(A sucker for the heart.)
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Circa 1982</font
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While I enjoy "An Affair to Remember," which FOX is saying may be a part of their Millenium Collection due out sometime in late 2000, it is inferior to "Love Affair," (Charles Boyer, Irene Dunne), which it is a remake of. "An Affair to Remember" is high melodrama compared to "Love Affair," and the side plot about how Terry (Deborah Kerr) supports herself is overdone with it's inclusion of numerous children-singing scenes (as though the director didn't want the feel of the film to be too depressing).
Leo McCarey directed both the original and "An Affair to Remember," and I wonder why some directors re-make their own films. William Wyler remade the far-superior "These Three" as "The Children's Hour," in which instance he was able to stay more true to the original story, but ultimately sacrificed the source material by opting to lessen the social statement. Hitchcock did "The Man Who Knew Too Much" twice, and I consider them both classics though I favor his first effort.
All in all, I'm glad the "Love Affair" was remade as "An Affair to Remember," but without Cary Grant's performance, it would have been another case of a needless remake. I say this because in my opinion Kerr and Grant didn't have nearly as much chemistry in this picture as they did in 1960's "The Grass is Greener," and because I kept imagining how the film would've turned out had Ingrid Bergman been in it. She was magnificent with Grant in "Notorious" and "Indiscreet."
--Heather
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Leo McCarey directed both the original and "An Affair to Remember," and I wonder why some directors re-make their own films. William Wyler remade the far-superior "These Three" as "The Children's Hour," in which instance he was able to stay more true to the original story, but ultimately sacrificed the source material by opting to lessen the social statement. Hitchcock did "The Man Who Knew Too Much" twice, and I consider them both classics though I favor his first effort.
All in all, I'm glad the "Love Affair" was remade as "An Affair to Remember," but without Cary Grant's performance, it would have been another case of a needless remake. I say this because in my opinion Kerr and Grant didn't have nearly as much chemistry in this picture as they did in 1960's "The Grass is Greener," and because I kept imagining how the film would've turned out had Ingrid Bergman been in it. She was magnificent with Grant in "Notorious" and "Indiscreet."
--Heather
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I can't implore you enough on this: if you like the classic romances, and especially Cary Grant, do yourself a favor and watch Mr. Lucky.
Lots of action, comedy, suspense, Loraine Day is gorgeous, and you get to learn a new language (seriously!). "Have you seen the bottles and stoppers?".
Leonard Maltin gives it 3 stars, but it really deserves 3-1/2 if not 4!!!
Rent it now!
Lots of action, comedy, suspense, Loraine Day is gorgeous, and you get to learn a new language (seriously!). "Have you seen the bottles and stoppers?".
Leonard Maltin gives it 3 stars, but it really deserves 3-1/2 if not 4!!!
Rent it now!
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In response to the question "What other films have taught you the essence of romance?" This may seem like a canned answer, but "Casablanca."
Great suggestion, Beno. I must profess, I pay little attention to Leonard Maltin's "reviews." I have the Cinemania computer program he contributed to, and some of his so-called reviews are only a sentence or two. By the way, American Movie Classics now has "Mr. Lucky" on it's schedule. I don't know when it will be on again, but I caught it either last week or the week before.
--Heather
Edited to remove no longer existing link.
[This message has been edited by DVDer (edited 12-11-1999).]
Great suggestion, Beno. I must profess, I pay little attention to Leonard Maltin's "reviews." I have the Cinemania computer program he contributed to, and some of his so-called reviews are only a sentence or two. By the way, American Movie Classics now has "Mr. Lucky" on it's schedule. I don't know when it will be on again, but I caught it either last week or the week before.
--Heather
Edited to remove no longer existing link.
[This message has been edited by DVDer (edited 12-11-1999).]
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Ladyhawke
If ever any movie cried out for widescreen, it is this one. One scene which happens to be the most romantic ever captured on film, utterly loses it's impact in pan and scan. This scene is when Navarr and Isabeau see each other as human for the first time and Navarr lifts her up and the sun shone on them... it brings tears to ones eyes.
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If ever any movie cried out for widescreen, it is this one. One scene which happens to be the most romantic ever captured on film, utterly loses it's impact in pan and scan. This scene is when Navarr and Isabeau see each other as human for the first time and Navarr lifts her up and the sun shone on them... it brings tears to ones eyes.
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I forgot to mention that i am a big Cary Grant fan, having most of his movies in my collection. As for Ingrid Bergman though, i have never been able to understand why everyone thinks she's so special on screen. She doesn't do a thing for me. I guess for a film to "move" you, you have to find the characters appealing, which means you must enjoy watching the actors portraying them. If say for instance Heather didn't like Humphrey Bogart, she could never find Casablanca to be romantic, it would never "move" her. It's all a matter of taste.
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You are quite right, Nick Charles. (How's Asta?
)
--Heather
Cary Grant is my favorite actor, I have almost all of his movies. More need to be released on DVD, and quickly. The next two releases ("Charade" and "Only Angels Have Wings") aren't expected until August
, and with Criterion's track record, I'm expecting a "Charade" delay.
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[This message has been edited by DVDer (edited 07-11-1999).]
)--Heather
Cary Grant is my favorite actor, I have almost all of his movies. More need to be released on DVD, and quickly. The next two releases ("Charade" and "Only Angels Have Wings") aren't expected until August
, and with Criterion's track record, I'm expecting a "Charade" delay.------------------
http://www.dvdtracker.com/~ahber16.asp
[This message has been edited by DVDer (edited 07-11-1999).]
#10
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Thanks Heather for the reply . . .
I don't see any problem with someone redoing an earlier film they were involved with, especially since the technology had improved so much. (Although not by the same director or producer, I own both versions of THE THING and find them equally entertaining.)
And also, LOVE AFFAIR with Warren Beatty was yet another attempt in the 90's. The critics were not too kind, but I was a sucker "again" for that shipboard and island romance!
Jeremy
(Now where did I place those tickets?)
</font
Hollywood, California
Circa 1982</font
I don't see any problem with someone redoing an earlier film they were involved with, especially since the technology had improved so much. (Although not by the same director or producer, I own both versions of THE THING and find them equally entertaining.)
And also, LOVE AFFAIR with Warren Beatty was yet another attempt in the 90's. The critics were not too kind, but I was a sucker "again" for that shipboard and island romance!
Jeremy
(Now where did I place those tickets?)
</font
Hollywood, California
Circa 1982</font
#12
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I like you ideas Glenn . . .
Let's see:
Gone With the Wind
Strength and wealth can lead to a happy marriage, even if recovering from disastrous circumstances.
Heaven Can Wait
How long will a girl wait? You'd be surprised if only to ask most young ladies!
Jeremy
(Student Rookie at Romance.)
Let's see:
Gone With the Wind
Strength and wealth can lead to a happy marriage, even if recovering from disastrous circumstances.
Heaven Can Wait
How long will a girl wait? You'd be surprised if only to ask most young ladies!
Jeremy
(Student Rookie at Romance.)
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God forgive me for resurrecting a Jeremy Lancaster thread, but it is Heather's fault for linking to it. (When in doubt, blame either a woman or a teenager.)
DVDer & Classicman:
I didn't realize Americans were allowed to like the orignal Man Who Knew Too Much more than the remake. I have long thought the original has been unfairly maligned compared to the newer version. It is a very interesting picture for many reasons. Not the least of which because, like many of his British films, it sort of throws a wrench into Hitchcock's "woman-problem," since , like many of his early films, it portrays the female lead in a very positive and heroic way.
I'm not exactly sure if I think the first film is better than the second, which has a lot to recommend it, including a much more substained visual style and a rather remarkable performance by Jimmy Stewart as the controlling husband--a performace which again I think has been unfairly overshadowed for the critics by his other Hitchcock performances. (Though it is my understanding that what I see as "controlling" in Stewart, Mr. Hitchcock saw as "flighty" in Doris Day.)
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"If it were all in the script, why make the film?"--Nicholas Ray
DVDer & Classicman:
I didn't realize Americans were allowed to like the orignal Man Who Knew Too Much more than the remake. I have long thought the original has been unfairly maligned compared to the newer version. It is a very interesting picture for many reasons. Not the least of which because, like many of his British films, it sort of throws a wrench into Hitchcock's "woman-problem," since , like many of his early films, it portrays the female lead in a very positive and heroic way.
I'm not exactly sure if I think the first film is better than the second, which has a lot to recommend it, including a much more substained visual style and a rather remarkable performance by Jimmy Stewart as the controlling husband--a performace which again I think has been unfairly overshadowed for the critics by his other Hitchcock performances. (Though it is my understanding that what I see as "controlling" in Stewart, Mr. Hitchcock saw as "flighty" in Doris Day.)
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"If it were all in the script, why make the film?"--Nicholas Ray
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Since you resurrected the thread Blip, I may as well add a suggestion to it. Check out an old Goldie Hawn film called "Butterflies Are Free"
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Good Googly Moogly!!!!!!!




