Queen + Paul Rodgers album & Queen tribute disc due this year
#51
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Latest news on the live CD/DVD from the tour:
A live CD and DVD from the European shows that Queen & Paul Rodgers finished last month is on tap for later this year, reports Launch Radio Networks. The band recorded every concert they played, but they only shot one in its entirety, on May 9 in Sheffield, England. Work has begun on listening back to the tapes, which should lead to a live album with the best performances from the tour, and a version of Queen's "Fat Bottomed Girls" might come out as a single. No release date has been announced, but the package is expected for later this year.
#52
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Latest on the tribute album:
Ok, the Constantine bit has me puking now....
Artists and tracklisting of the forthcoming Hollywood Queen tribue album, will include the following. More details to follow:
We Are The Champions - GAVIN DEGRAW
Good Old Fashioned Loverboy - JASON MRAZ
Bohemian Rhapsody - FLAMING LIPS
Stone Cold Crazy - ELEVEN FEAT. JOSH HOMME
Death On Two Legs - ROONEY
Play The Game - JON BRION
Tie Your Mother Down - SHINEDOWN
Under Pressure - JOSS STONE
Sleepin' On The Sidewalk - LOS LOBOS
Bicycle Race - BE YOUR OWN PET
'39 - INGRAM HILL
Who Wants To Live Forever - BREAKING BENJAMIN
Killer Queen - SUM 41
Fat Bottomed Girls - ANTIGONE RISING
Bohemian Rhapsody - CONSTANTINE [from American Idol] PLUS THE CAST OF WWRY (VEGAS)
We Are The Champions - GAVIN DEGRAW
Good Old Fashioned Loverboy - JASON MRAZ
Bohemian Rhapsody - FLAMING LIPS
Stone Cold Crazy - ELEVEN FEAT. JOSH HOMME
Death On Two Legs - ROONEY
Play The Game - JON BRION
Tie Your Mother Down - SHINEDOWN
Under Pressure - JOSS STONE
Sleepin' On The Sidewalk - LOS LOBOS
Bicycle Race - BE YOUR OWN PET
'39 - INGRAM HILL
Who Wants To Live Forever - BREAKING BENJAMIN
Killer Queen - SUM 41
Fat Bottomed Girls - ANTIGONE RISING
Bohemian Rhapsody - CONSTANTINE [from American Idol] PLUS THE CAST OF WWRY (VEGAS)
#53
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I listened to a bootleg of one of these concerts and it was just horrible. I like Queen and Paul Rodgers seperately but they are godawful together. Rodgers doesn't have the range Freddie Mercury had and it really shows at times.
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From: WAS looking for My Own Private Stuckeyville, but stuck in Liberty City (while missing Vice City)
Originally Posted by Matthew Chmiel
And from my personal opinion, I believe Joss Stone to be boring and I simply am not a fan of stoner rock (thus why I'm not a fan of Queens of the Stone Age). The only artists and/or bands I actually respect that will be on the album consists of Los Lobos and Harry Connick, Jr. No offense to Harry Connick, Jr.; but when he's one of the only talented musicians on a tribute CD, you're in deep shit.
Hell, I'd rather have Constantine from American Idol be apart of the tribute album than most of these no-talented hacks touch a tribute album.
Hell, I'd rather have Constantine from American Idol be apart of the tribute album than most of these no-talented hacks touch a tribute album.
I find Joss to be far from boring [from a MUSICAL POV].
Be careful what you wish for.
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www.brianmay.com not only has the full tracklisting and artist line-up for the "Killer Queen" tribute album due August 9th, they now have either clips or FULL versions of every song! (in the Queen News section)
My fav so far? "Stone Cold Crazy", VERY different vibe to it.
My fav so far? "Stone Cold Crazy", VERY different vibe to it.
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From: WAS looking for My Own Private Stuckeyville, but stuck in Liberty City (while missing Vice City)
Had to surf on over to see if the version I had was the same as what was posted.
Yep. It was the same steaming pile of shit.
The only track that's even remotely worth my time [Flaming Lips aside] is Joss' "Under Pressure"...and that's only because she's got a pass since I dig her. Other than that, i'd say just save your $$$ and hit Brian's site instead.
If you dare..
Yep. It was the same steaming pile of shit.
The only track that's even remotely worth my time [Flaming Lips aside] is Joss' "Under Pressure"...and that's only because she's got a pass since I dig her. Other than that, i'd say just save your $$$ and hit Brian's site instead.
If you dare..
#57
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After listening to the full clips and the songs that were posted in full, I've have come to the following realization: this tribute CD sucks. If you thought the show tune versions of the songs as featured in We Will Rock You were terrible (I know many people who think that way, but I like the show tune versions), way till one gets a load of this shit. However, a few artists leave the CD still having my respect while others I hope are all kicked out of the music industry tomorrow.
Out of 16 tracks, I only thought 7 tracks were decent. Which is a positive sign, because I came into this album thinking it would just be a steaming pile of shit other than the Jon Brion track (because Jon Brion kicks your mother's ass, that's why). While the CD is still shit, at least you get 45% of the album being of actual decent quality.
Tracks That Actually Have Some Quality
1. Jon Brion - Play the Game
2. Rooney - Death on Two Legs
3. Jason Mraz - Good Old Fashioned Lover Boy
4. Los Lobos - Sleeping on the Sidewalk
5. Eleven (w/ Joshua Homme)
6. Shinedown - Tie Your Mother Down
7. Constantine and the Vegas Cast of We Will Rock You - Bohemian Rhapsody
Yes, I just recommended a track by Constantine. Why? Because it's a lot better than the shit that The Flaming Lips put out on this CD.
We have 9 tracks left. However, I thought 3 of those tracks were not to my liking. While others may like them, they just left me with a neutral taste in my mouth. I have no desire to listen to them again, but maybe someone (with no musical taste) will enjoy them...
1. Ingram Hill - '39 (it was turned way too-folky for me).
2. Sum 41 - Killer Queen (how this didn't completely suck is beyond me).
3. Josh Kelley - Crazy Little Thing Called Love (I may have enjoyed the cover better if Smashmouth did it instead of Mr. Josh Kelley).
And then we have 6 tracks that are just complete shit. Not only is Freddie Mercury rolling around in his grave, but if I find anyone listening to and-or enjoying these tracks, I'll gladly beat the entire living daylights out of them.
From Least Shitty to Most Shitty
Joss Stone - Under Pressure
Be Your Own Pet - Bicycle Race
Antigone Rising - Fat Bottomed Girls
Gavin Degraw - We Are The Champions
The Flaming Lips - Bohemian Rhapsody
Breaking Benjamin - Who Wants To Live Forever
If you have a desire urge to listen to the full album [rule-busting suggestion deleted] If I saw anyone purchasing it, I would gladly punch them in the face and then take their wallet. If you want to introduce Queen to a new generation, promote this for Christ's fucking sake:

While I did like 7 tracks, none of those 7 compare to the Queen originals. They look like dog shit compared to the original Queen songs. However, on their own, they are decent.
EDIT: The only ever GREAT Queen cover goes to that of Blumchen's Bicycle Race Remix. It takes a fast paced song and makes it faster. However, I'm sure [personal attack deleted] will disagree with me since it's not on the tribute album.
__________
However enthusiatic/committed a fan you may be, please take a lot more care with aspects of your posting. Continued failure so to do will result in a posting holiday. [Benedict]
Out of 16 tracks, I only thought 7 tracks were decent. Which is a positive sign, because I came into this album thinking it would just be a steaming pile of shit other than the Jon Brion track (because Jon Brion kicks your mother's ass, that's why). While the CD is still shit, at least you get 45% of the album being of actual decent quality.
Tracks That Actually Have Some Quality
1. Jon Brion - Play the Game
2. Rooney - Death on Two Legs
3. Jason Mraz - Good Old Fashioned Lover Boy
4. Los Lobos - Sleeping on the Sidewalk
5. Eleven (w/ Joshua Homme)
6. Shinedown - Tie Your Mother Down
7. Constantine and the Vegas Cast of We Will Rock You - Bohemian Rhapsody
Yes, I just recommended a track by Constantine. Why? Because it's a lot better than the shit that The Flaming Lips put out on this CD.
We have 9 tracks left. However, I thought 3 of those tracks were not to my liking. While others may like them, they just left me with a neutral taste in my mouth. I have no desire to listen to them again, but maybe someone (with no musical taste) will enjoy them...
1. Ingram Hill - '39 (it was turned way too-folky for me).
2. Sum 41 - Killer Queen (how this didn't completely suck is beyond me).
3. Josh Kelley - Crazy Little Thing Called Love (I may have enjoyed the cover better if Smashmouth did it instead of Mr. Josh Kelley).
And then we have 6 tracks that are just complete shit. Not only is Freddie Mercury rolling around in his grave, but if I find anyone listening to and-or enjoying these tracks, I'll gladly beat the entire living daylights out of them.
From Least Shitty to Most Shitty
Joss Stone - Under Pressure
Be Your Own Pet - Bicycle Race
Antigone Rising - Fat Bottomed Girls
Gavin Degraw - We Are The Champions
The Flaming Lips - Bohemian Rhapsody
Breaking Benjamin - Who Wants To Live Forever
If you have a desire urge to listen to the full album [rule-busting suggestion deleted] If I saw anyone purchasing it, I would gladly punch them in the face and then take their wallet. If you want to introduce Queen to a new generation, promote this for Christ's fucking sake:

While I did like 7 tracks, none of those 7 compare to the Queen originals. They look like dog shit compared to the original Queen songs. However, on their own, they are decent.
EDIT: The only ever GREAT Queen cover goes to that of Blumchen's Bicycle Race Remix. It takes a fast paced song and makes it faster. However, I'm sure [personal attack deleted] will disagree with me since it's not on the tribute album.
__________
However enthusiatic/committed a fan you may be, please take a lot more care with aspects of your posting. Continued failure so to do will result in a posting holiday. [Benedict]
Last edited by benedict; 07-22-05 at 12:05 PM.
#58
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Originally Posted by Matthew Chmiel
If you want to introduce Queen to a new generation, promote this for Christ's fucking sake:



Screw all this tribute, cover and remix crap. The best way to enjoy Queen is by their own complete, original albums. They had so much great music in addition to their hits, that it's a shame to not just start with track one of each album and let them just play out until the end.
Last edited by The_Infidel; 07-22-05 at 02:56 AM.
#59
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Originally Posted by The_Infidel
I'm with you, but I was thinking more along the lines of this:

Screw all this tribute, cover and remix crap. The best way to enjoy Queen is by their own complete, original albums. They had so much great music in addition to their hits, that it's a shame to not just start with track one of each album and let them just play out until the end.

Screw all this tribute, cover and remix crap. The best way to enjoy Queen is by their own complete, original albums. They had so much great music in addition to their hits, that it's a shame to not just start with track one of each album and let them just play out until the end.

Okay, granted, their work started to drop in quality after The Game (album numero ocho), but I think The Works is one of their best albums simply for the inclusion of Radio Ga-Ga, It's a Hard Life, I Want To Break Free, Keep Passing the Open Windows, and Hammer To Fall.
#60
DVD Talk Legend
Originally Posted by Matthew Chmiel
Yeah, but if you buy The Queen Jewels set (which I got for $35 brand new last Christmas), you only get their first eight albums.

Okay, granted, their work started to drop in quality after The Game (album numero ocho), but I think The Works is one of their best albums simply for the inclusion of Radio Ga-Ga, It's a Hard Life, I Want To Break Free, Keep Passing the Open Windows, and Hammer To Fall.

Okay, granted, their work started to drop in quality after The Game (album numero ocho), but I think The Works is one of their best albums simply for the inclusion of Radio Ga-Ga, It's a Hard Life, I Want To Break Free, Keep Passing the Open Windows, and Hammer To Fall.
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Originally Posted by Rogue588
Had to surf on over to see if the version I had was the same as what was posted.
Yep. It was the same steaming pile of shit.
The only track that's even remotely worth my time [Flaming Lips aside] is Joss' "Under Pressure"...and that's only because she's got a pass since I dig her. Other than that, i'd say just save your $$$ and hit Brian's site instead.
If you dare..
Yep. It was the same steaming pile of shit.
The only track that's even remotely worth my time [Flaming Lips aside] is Joss' "Under Pressure"...and that's only because she's got a pass since I dig her. Other than that, i'd say just save your $$$ and hit Brian's site instead.
If you dare..
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Originally Posted by Matthew Chmiel
I came into this album thinking it would just be a steaming pile of shit other than the Jon Brion track (because Jon Brion kicks your mother's ass, that's why).
Tracks That Actually Have Some Quality
1. Jon Brion - Play the Game
2. Rooney - Death on Two Legs
3. Jason Mraz - Good Old Fashioned Lover Boy
4. Los Lobos - Sleeping on the Sidewalk
5. Eleven (w/ Joshua Homme)
6. Shinedown - Tie Your Mother Down
7. Constantine and the Vegas Cast of We Will Rock You - Bohemian Rhapsody
Yes, I just recommended a track by Constantine. Why? Because it's a lot better than the shit that The Flaming Lips put out on this CD.
1. Jon Brion - Play the Game
2. Rooney - Death on Two Legs
3. Jason Mraz - Good Old Fashioned Lover Boy
4. Los Lobos - Sleeping on the Sidewalk
5. Eleven (w/ Joshua Homme)
6. Shinedown - Tie Your Mother Down
7. Constantine and the Vegas Cast of We Will Rock You - Bohemian Rhapsody
Yes, I just recommended a track by Constantine. Why? Because it's a lot better than the shit that The Flaming Lips put out on this CD.
We have 9 tracks left. However, I thought 3 of those tracks were not to my liking. While others may like them, they just left me with a neutral taste in my mouth. I have no desire to listen to them again, but maybe someone (with no musical taste) will enjoy them...
1. Ingram Hill - '39 (it was turned way too-folky for me).
2. Sum 41 - Killer Queen (how this didn't completely suck is beyond me).
3. Josh Kelley - Crazy Little Thing Called Love (I may have enjoyed the cover better if Smashmouth did it instead of Mr. Josh Kelley).
And then we have 6 tracks that are just complete shit. Not only is Freddie Mercury rolling around in his grave, but if I find anyone listening to and-or enjoying these tracks, I'll gladly beat the entire living daylights out of them.
From Least Shitty to Most Shitty
Joss Stone - Under Pressure
Be Your Own Pet - Bicycle Race
Antigone Rising - Fat Bottomed Girls
Gavin Degraw - We Are The Champions
The Flaming Lips - Bohemian Rhapsody
Breaking Benjamin - Who Wants To Live Forever
From Least Shitty to Most Shitty
Joss Stone - Under Pressure
Be Your Own Pet - Bicycle Race
Antigone Rising - Fat Bottomed Girls
Gavin Degraw - We Are The Champions
The Flaming Lips - Bohemian Rhapsody
Breaking Benjamin - Who Wants To Live Forever
If you have a desire urge to listen to the full album [rule-busting suggestion deleted] If I saw anyone purchasing it, I would gladly punch them in the face and then take their wallet. If you want to introduce Queen to a new generation, promote this for Christ's fucking sake:
While I did like 7 tracks, none of those 7 compare to the Queen originals. They look like dog shit compared to the original Queen songs.
EDIT: The only ever GREAT Queen cover goes to that of Blumchen's Bicycle Race Remix. It takes a fast paced song and makes it faster. However, I'm sure [personal attack deleted] will disagree with me since it's not on the tribute album.
#63
DVD Talk Legend
Originally Posted by The_Infidel
That was kind of the idea for me. I don't really care for the stuff they did after The Game. The Game was ok, Hot Space was barely tolerable, and after that....blah. That made the Crown Jewels box set perfect for me.
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From: WAS looking for My Own Private Stuckeyville, but stuck in Liberty City (while missing Vice City)
Originally Posted by Michael Allred
Actually, IMO, Stone's "Under Pressure" is easily one of the WORST off the album. Terribly weak drumming and bass line (and in THIS song, that's downright sinful) and is generally surrounded by amateurs. Poor arrangements, etc etc.
Oh wait, they're two separate songs..
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Originally Posted by Rogue588
Yeah, it should've been a note-for-note recreation like Sum 41's or better yet, should should've sampled Ice's version.
Oh wait, they're two separate songs..
Oh wait, they're two separate songs..

#68
DVD Talk Legend
Originally Posted by Michael Allred
Be sarcastic all you want, Stone's version is amateur hour all the way through.
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Originally Posted by The_Infidel
Welcome to Michael's latest "this is how I feel about Queen and your opinion is wrong because it differs from mine" thread.
If you have a desire urge to listen to the full album [rule-busting suggestion deleted] If I saw anyone purchasing it, I would gladly punch them in the face and then take their wallet.
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Originally Posted by Matthew Chmiel
I'm allowed to say that because I'm likeable. 

So getting back on track......when Queen and Paul tour America next year, who's going? I only know of 2 dates this year, in NY and LA (one of my best friends is seeing them in Aruba.) If they hit Chicago, I'm so there. The stage set-up looks incredible from their outdoor shows.
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PRESS RELEASE:
RETURN OF THE CHAMPIONS
QUEEN + PAUL RODGERS TO ROCK IN THE U.S.A.
AT MEADOWLANDS AND HOLLYWOOD BOWL
WITH DATES COME 2-CD SET AND DVD
They’ve sold more than 200 million albums, released more than 50 CDs and totaled up an enormous collection of #1 hits around the world. Now, as Queen + Paul Rodgers, they’re bringing their sold-out European arena concert show to North America.LONDON, July 25, 2005 _ Legendary rock icons Brian May and Roger Taylor of Queen, and Paul Rodgers of Bad Company and Free, just off a sold-out, 32-date arena tour of Europe under the banner of Queen + Paul Rodgers, are headed for the U.S. later this year. They will bring their acclaimed show to the U.S. for two rare performances this fall, touching down on each coast before heading out for a stadium tour of Japan.
Queen + Paul Rodgers today confirmed much-anticipated shows for October 16 at Continental Airlines Arena (The Meadowlands) in East Rutherford, N.J., and October 22 at the Hollywood Bowl in Hollywood, Calif.
Tickets for the Continental Arena date will go on sale at 10 a.m. EST on Saturday, July 30, and for the Hollywood Bowl date at 10 a.m. PST on Sunday, July 31. Tickets can be purchased via Ticketmaster or http://www.queenpluspaulrodgers.com, http://www.queenonline.com, or http://www.paulrodgers.com. (Check the Web sites for information on pre-sales and special VIP ticket opportunities.)
Following the pair of U.S. dates, Queen + Paul Rodgers will continue on to Japan, where their dates include the Super Arena in Saitama on October 26 and 27, the Dome in Nagoya on November 1, and The Dome in Fukuoka on November 3.
It’s been 23 years since Queen played concerts in the United States – in 1982 they sold out a 30-date arena tour.
During the following four years, the band defined stadium rock around the world, with mega-shows throughout Europe, Japan, South America and Australasia.
The glory that was Queen during those record-breaking years – at Brazil’s Rock in Rio Festival (January 1985) the band reached a record-setting audience of more than 350,000 in a single show – would never again be seen in the U.S. In 1986 lead vocalist Freddie Mercury was stricken with the then-relatively unknown HIV/AIDS virus. Without the benefit of modern retroviral treatments, Mercury died of an AIDS-related illness, in 1991. Since Queen stopped touring North America in 1982, an entire era of subsequent Queen anthems has been lost to those audiences, only now to be discovered, with the 2005 dates.
“I never thought I would be doing this again,” said May. “I was always against the idea of putting someone in there trying to impersonate Freddie in any way. Then suddenly I’m looking at this guy who doesn’t in any sense try to take the place of Freddie. He comes from his own place musically and we can reinterpret these songs with someone who understands us – the songs would mean something new.”
The collaboration was cemented last fall when May, Taylor and Rodgers performed in public together for the first time, bringing the house to its feet at the first annual U.K. Music Hall of Fame Awards in London. They served up blistering versions of “We Will Rock You,” “We Are The Champions” and the finale, “All Right Now.”
“There was a natural chemistry between us when we performed together in London,” said Rodgers. “The idea took hold for us to do something together after that, and the momentum has taken on a life of its own.”
Taylor noted: “Paul is one of the people who’s influenced so many of the singers out there at the moment, and Freddie was a great fan of his. I always hoped we would tour again, and I’m thrilled we’re doing it. After all, it’s our profession; it’s what we do and what we’re good at.”
The Independent in London commented in a review: “All right now – even without their killer queen. There was a kind of magic in the air when Queen played their first concert since 1986…. Rodgers gives good front-man…. Queen remains a right royal treat.”
“ ... a marvelous night that ranks as one of the gigs of the year,” added The Guardian newspaper in the U.K.
Queen was formed in 1971 and spent the next 20 years writing and recording such multiplatinum albums as News of the World, The Game (#1 for five weeks), A Night at the Opera, Classic Queen and Live Killers. According to the book of “British Hit Singles & Albums,” published by Guinness World Records, Queen recently overtook The Beatles as the most successful albums artist in U.K. chart history. They scored 1,322 weeks on the U.K. albums chart, 29 weeks more than The Beatles and 42 weeks more than Elvis Presley.
As of June 2005, according to the RIAA, Queen had sold more than 31.5 million albums in the United States, ranking them the 50th-biggest-selling artist in the States. Foo Fighters Dave Grohl and Taylor Hawkins inducted Queen into the Rock and Roll Hall of Fame in 2001.
Paul Rodgers’ voice is one of rock’s platinum assets. As a multi-instrumentalist and songwriter, Rodgers has written, produced and recorded some of radio’s biggest hits. He first exploded onto the music scene at 18 with “All Right Now,” written by Rodgers/Fraser, then in Free. The song became a #1 hit in 20 territories and in the 1990s was awarded the Multi Million Award by the British music industry for reaching two million radio plays in the U.K. ASCAP recognized “All Right Now” for passing one million radio plays in the U.S. The members of Queen have long cited Free’s Fire and Water album as “one of our bibles when we were starting off.”
In 1973 Rodgers formed Bad Company with guitarist Mick Ralphs. They wrote, produced and recorded six multiplatinum albums in five years, including such global hits as “Feel Like Makin’ Love,” “Can’t Get Enough,” “Rock and Roll Fantasy,” “Shooting Star” and “Bad Company.” Rodgers played guitar and piano on several of these recordings.
Rodgers partnered with guitarist Jimmy Page in the mid-’80s as The Firm. They released two CDs, with singles “Satisfaction Guaranteed” and “Radioactive” written by Rodgers, and had two top-grossing world tours.
Since the ’90s, as a solo artist, Rodgers has been honored with a Grammy nomination for his Muddy Water Blues album and worked with Jeff Beck, Joe Walsh and, most recently, Aretha Franklin, The Temptations and The Four Tops for their TV/DVD special, “From the Heart,” which celebrated the Tops’ 50th anniversary.
Between them, Queen and Paul Rodgers have released more than 50 albums during their long careers and sold in excess of a staggering 200 million records.
Queen + Paul Rodgers concerts will feature songs from both catalogs. The set list has showcased such Queen mega-hits as “Crazy Little Thing Called Love” and “Another One Bites the Dust,” plus “We Are the Champions” and “We Will Rock You,” both anthems in the sports world, and the six-minute opus “Bohemian Rhapsody,” which cracked the Top 10 twice: first on its initial release, in 1976, and again in 1992 when it appeared in a memorable scene from the comedy film “Wayne’s World.” The shows have also featured such Rodgers classics as “All Right Now,” “Can’t Get Enough,” “Feel Like Makin’ Love” and “Wishing Well.”
May (guitar and vocals), Taylor (drums and vocals) and Rodgers (vocals and guitar) are joined on tour by Danny Miranda (ex-Blue Oyster Cult) on bass, Jamie Moses (former Brian May band member) on second guitar, and Spike Edney, longtime Queen sideman on keyboards. (Though supportive of his band mates, Queen bassist John Deacon has elected to retire from touring.)
Queen + Paul Rodgers concluded their European tour this month with large outdoor concerts in Portugal, Germany and the Netherlands, and returned to London’s Hyde Park, where Queen performed a free show before a then-record crowd of 150,000 in 1976. This time their show, postponed a week by terrorist bombings, was dedicated to the city’s emergency workers.
Over the past four years, Queen has also successfully developed and launched their musical, “We Will Rock You,” around the world, in partnership with Robert De Niro’s Tribeca Productions. Now in its fourth sold-out year in London, it has also enjoyed successful runs in Spain, Australia and Russia, and is packing them in nightly in Las Vegas, Tokyo and Cologne, where it is the #1 German theatrical show. More than four million people have seen the production.
A double-sided Queen + Paul Rodgers single of “Reaching Out”/“Tie Your Mother Down” b/w “Fat Bottomed Girls” was released to radio earlier this month by Hollywood Records. It was recorded live May 9, 2005, at Sheffield Arena, in Sheffield, England.
The U.S. dates will be topped and tailed by the release of a live, two-CD set, Return of the Champions, released on Hollywood Records September 13, and a DVD set of the show filmed by renowned director David Mallet, released on October 24. They were also recorded and filmed, respectively, during the May 9 Sheffield Arena performance.
The DVD set will contain extensive bonus material, including rehearsal and backstage footage, and highlights of their European shows.
Hollywood Records is also issuing a Queen tribute album – Killer Queen – on August 9, 2005. Artists performing Queen songs include Gavin DeGraw (“We Are the Champions”), Jason Mraz (“Good Old Fashioned Loverboy”), Flaming Lips (“Bohemian Rhapsody”), Eleven featuring Josh Homme (“Stone Cold Crazy”), Joss Stone (“Under Pressure”), Los Lobos (“Sleepin’ on the Sidewalk”), Sum 41 (“Killer Queen”), Rooney (“Death on Two Legs”), Jon Brion (“Play the Game”), Be Your Own Pet (“Bicycle Race”), Ingram Hill (“’39”), Breaking Benjamin (“Who Wants to Live Forever”), Antigone Rising (“Fat Bottomed Girls”), Shinedown (“Tie Your Mother Down”) and “American Idol” finalist Constantine with the cast of “We Will Rock You,” from the Las Vegas production (on a second version of “Bohemian Rhapsody”).
At the end of the year, Queen will commemorate the 30th anniversary of their two-time hit, “Bohemian Rhapsody” (first released in the U.S. December 7, 1975), with a special anniversary DVD and CD of the band’s classic album A Night at the Opera.
QUEEN + PAUL RODGERS TO ROCK IN THE U.S.A.
AT MEADOWLANDS AND HOLLYWOOD BOWL
WITH DATES COME 2-CD SET AND DVD
They’ve sold more than 200 million albums, released more than 50 CDs and totaled up an enormous collection of #1 hits around the world. Now, as Queen + Paul Rodgers, they’re bringing their sold-out European arena concert show to North America.LONDON, July 25, 2005 _ Legendary rock icons Brian May and Roger Taylor of Queen, and Paul Rodgers of Bad Company and Free, just off a sold-out, 32-date arena tour of Europe under the banner of Queen + Paul Rodgers, are headed for the U.S. later this year. They will bring their acclaimed show to the U.S. for two rare performances this fall, touching down on each coast before heading out for a stadium tour of Japan.
Queen + Paul Rodgers today confirmed much-anticipated shows for October 16 at Continental Airlines Arena (The Meadowlands) in East Rutherford, N.J., and October 22 at the Hollywood Bowl in Hollywood, Calif.
Tickets for the Continental Arena date will go on sale at 10 a.m. EST on Saturday, July 30, and for the Hollywood Bowl date at 10 a.m. PST on Sunday, July 31. Tickets can be purchased via Ticketmaster or http://www.queenpluspaulrodgers.com, http://www.queenonline.com, or http://www.paulrodgers.com. (Check the Web sites for information on pre-sales and special VIP ticket opportunities.)
Following the pair of U.S. dates, Queen + Paul Rodgers will continue on to Japan, where their dates include the Super Arena in Saitama on October 26 and 27, the Dome in Nagoya on November 1, and The Dome in Fukuoka on November 3.
It’s been 23 years since Queen played concerts in the United States – in 1982 they sold out a 30-date arena tour.
During the following four years, the band defined stadium rock around the world, with mega-shows throughout Europe, Japan, South America and Australasia.
The glory that was Queen during those record-breaking years – at Brazil’s Rock in Rio Festival (January 1985) the band reached a record-setting audience of more than 350,000 in a single show – would never again be seen in the U.S. In 1986 lead vocalist Freddie Mercury was stricken with the then-relatively unknown HIV/AIDS virus. Without the benefit of modern retroviral treatments, Mercury died of an AIDS-related illness, in 1991. Since Queen stopped touring North America in 1982, an entire era of subsequent Queen anthems has been lost to those audiences, only now to be discovered, with the 2005 dates.
“I never thought I would be doing this again,” said May. “I was always against the idea of putting someone in there trying to impersonate Freddie in any way. Then suddenly I’m looking at this guy who doesn’t in any sense try to take the place of Freddie. He comes from his own place musically and we can reinterpret these songs with someone who understands us – the songs would mean something new.”
The collaboration was cemented last fall when May, Taylor and Rodgers performed in public together for the first time, bringing the house to its feet at the first annual U.K. Music Hall of Fame Awards in London. They served up blistering versions of “We Will Rock You,” “We Are The Champions” and the finale, “All Right Now.”
“There was a natural chemistry between us when we performed together in London,” said Rodgers. “The idea took hold for us to do something together after that, and the momentum has taken on a life of its own.”
Taylor noted: “Paul is one of the people who’s influenced so many of the singers out there at the moment, and Freddie was a great fan of his. I always hoped we would tour again, and I’m thrilled we’re doing it. After all, it’s our profession; it’s what we do and what we’re good at.”
The Independent in London commented in a review: “All right now – even without their killer queen. There was a kind of magic in the air when Queen played their first concert since 1986…. Rodgers gives good front-man…. Queen remains a right royal treat.”
“ ... a marvelous night that ranks as one of the gigs of the year,” added The Guardian newspaper in the U.K.
Queen was formed in 1971 and spent the next 20 years writing and recording such multiplatinum albums as News of the World, The Game (#1 for five weeks), A Night at the Opera, Classic Queen and Live Killers. According to the book of “British Hit Singles & Albums,” published by Guinness World Records, Queen recently overtook The Beatles as the most successful albums artist in U.K. chart history. They scored 1,322 weeks on the U.K. albums chart, 29 weeks more than The Beatles and 42 weeks more than Elvis Presley.
As of June 2005, according to the RIAA, Queen had sold more than 31.5 million albums in the United States, ranking them the 50th-biggest-selling artist in the States. Foo Fighters Dave Grohl and Taylor Hawkins inducted Queen into the Rock and Roll Hall of Fame in 2001.
Paul Rodgers’ voice is one of rock’s platinum assets. As a multi-instrumentalist and songwriter, Rodgers has written, produced and recorded some of radio’s biggest hits. He first exploded onto the music scene at 18 with “All Right Now,” written by Rodgers/Fraser, then in Free. The song became a #1 hit in 20 territories and in the 1990s was awarded the Multi Million Award by the British music industry for reaching two million radio plays in the U.K. ASCAP recognized “All Right Now” for passing one million radio plays in the U.S. The members of Queen have long cited Free’s Fire and Water album as “one of our bibles when we were starting off.”
In 1973 Rodgers formed Bad Company with guitarist Mick Ralphs. They wrote, produced and recorded six multiplatinum albums in five years, including such global hits as “Feel Like Makin’ Love,” “Can’t Get Enough,” “Rock and Roll Fantasy,” “Shooting Star” and “Bad Company.” Rodgers played guitar and piano on several of these recordings.
Rodgers partnered with guitarist Jimmy Page in the mid-’80s as The Firm. They released two CDs, with singles “Satisfaction Guaranteed” and “Radioactive” written by Rodgers, and had two top-grossing world tours.
Since the ’90s, as a solo artist, Rodgers has been honored with a Grammy nomination for his Muddy Water Blues album and worked with Jeff Beck, Joe Walsh and, most recently, Aretha Franklin, The Temptations and The Four Tops for their TV/DVD special, “From the Heart,” which celebrated the Tops’ 50th anniversary.
Between them, Queen and Paul Rodgers have released more than 50 albums during their long careers and sold in excess of a staggering 200 million records.
Queen + Paul Rodgers concerts will feature songs from both catalogs. The set list has showcased such Queen mega-hits as “Crazy Little Thing Called Love” and “Another One Bites the Dust,” plus “We Are the Champions” and “We Will Rock You,” both anthems in the sports world, and the six-minute opus “Bohemian Rhapsody,” which cracked the Top 10 twice: first on its initial release, in 1976, and again in 1992 when it appeared in a memorable scene from the comedy film “Wayne’s World.” The shows have also featured such Rodgers classics as “All Right Now,” “Can’t Get Enough,” “Feel Like Makin’ Love” and “Wishing Well.”
May (guitar and vocals), Taylor (drums and vocals) and Rodgers (vocals and guitar) are joined on tour by Danny Miranda (ex-Blue Oyster Cult) on bass, Jamie Moses (former Brian May band member) on second guitar, and Spike Edney, longtime Queen sideman on keyboards. (Though supportive of his band mates, Queen bassist John Deacon has elected to retire from touring.)
Queen + Paul Rodgers concluded their European tour this month with large outdoor concerts in Portugal, Germany and the Netherlands, and returned to London’s Hyde Park, where Queen performed a free show before a then-record crowd of 150,000 in 1976. This time their show, postponed a week by terrorist bombings, was dedicated to the city’s emergency workers.
Over the past four years, Queen has also successfully developed and launched their musical, “We Will Rock You,” around the world, in partnership with Robert De Niro’s Tribeca Productions. Now in its fourth sold-out year in London, it has also enjoyed successful runs in Spain, Australia and Russia, and is packing them in nightly in Las Vegas, Tokyo and Cologne, where it is the #1 German theatrical show. More than four million people have seen the production.
A double-sided Queen + Paul Rodgers single of “Reaching Out”/“Tie Your Mother Down” b/w “Fat Bottomed Girls” was released to radio earlier this month by Hollywood Records. It was recorded live May 9, 2005, at Sheffield Arena, in Sheffield, England.
The U.S. dates will be topped and tailed by the release of a live, two-CD set, Return of the Champions, released on Hollywood Records September 13, and a DVD set of the show filmed by renowned director David Mallet, released on October 24. They were also recorded and filmed, respectively, during the May 9 Sheffield Arena performance.
The DVD set will contain extensive bonus material, including rehearsal and backstage footage, and highlights of their European shows.
Hollywood Records is also issuing a Queen tribute album – Killer Queen – on August 9, 2005. Artists performing Queen songs include Gavin DeGraw (“We Are the Champions”), Jason Mraz (“Good Old Fashioned Loverboy”), Flaming Lips (“Bohemian Rhapsody”), Eleven featuring Josh Homme (“Stone Cold Crazy”), Joss Stone (“Under Pressure”), Los Lobos (“Sleepin’ on the Sidewalk”), Sum 41 (“Killer Queen”), Rooney (“Death on Two Legs”), Jon Brion (“Play the Game”), Be Your Own Pet (“Bicycle Race”), Ingram Hill (“’39”), Breaking Benjamin (“Who Wants to Live Forever”), Antigone Rising (“Fat Bottomed Girls”), Shinedown (“Tie Your Mother Down”) and “American Idol” finalist Constantine with the cast of “We Will Rock You,” from the Las Vegas production (on a second version of “Bohemian Rhapsody”).
At the end of the year, Queen will commemorate the 30th anniversary of their two-time hit, “Bohemian Rhapsody” (first released in the U.S. December 7, 1975), with a special anniversary DVD and CD of the band’s classic album A Night at the Opera.




