First, we're helping Warner Bros. to restore their Cinerama films. In the 1950s and '60s, Cinerama was kind of the IMAX of its day, and it captivated American audiences with its wide panorama views. The only problem was they were shot with three cameras and then blended together on a curved screen. Now this became a problem. The original elements began to deteriorate. And when you try to stitch them together for DVD release, you could actually see the seams between the cameras. Well, that is until today.

As you saw in the clip from How the West Was Won, HP used its own image-processing technology, which is found today in our digital cameras, to help them remove the seams and restore this classic movie. In addition, we're helping Warner Bros. with their ultra resolution restoration by harnessing the power of parallel processing to manage huge amounts of data.

We announced today that Warner Bros. tapped HP to help restore its 1933 classic motion picture, King Kong. The original negative of this film no longer even exists, and the remaining prints have long since deteriorated. So, using HP's technology, these prints have been scanned at 4K resolution. And again, we're using technology originally invented for our digital still cameras to clean dirt and scratches from the film image. So King Kong will be restored and seen with greater clarity and more detail than ever before - even better, actually, than the original theatrical release in 1933. And this new, restored version will be screened theatrically. It will also be broadcast on television in advance of the new remake of King Kong, which is scheduled for release, I think, in December. So that's a bit about restoration.