Flicker Alley Noir Titles (Too Late For Tears/Woman On The Run)
#26
DVD Talk Limited Edition
Re: Flicker Alley Noir Titles (Too Late For Tears/Woman On The Run)
From Alan K. Rode:
"...this print of Too Late For Tears is really a miracle of refurbishment and rediscovery and it's not gonna get any better than this."
From Scott MacQueen:
"Now the French dupe negative was not of very good quality so we had to go back to the Killer Bait print and dupe those sections. But it worked better than our expectations. In the end thankfully we found everything we needed to make it whole. It's not too late for tears now. We've got it. No more crying over it."
"...we're eager to receive the nitrate print you have, so we can evaluate it and get to work."
Semi-related, but I thought it was fascinating how they recreated the opening titles and credits on Too Late For Tears, since the best print available had French titles. The process is superficially discussed in the doc, but I have to admit they fooled me completely when I watched the film itself prior to the supplements. They even got the 'jitter' (or whatever it's called) just right.
#27
Senior Member
Re: Flicker Alley Noir Titles (Too Late For Tears/Woman On The Run)
These BD's currently have a £12.99 pre-order price at Amazon UK. Subtracting VAT, that's actually £10.83 each, which works out to about $21 shipped.
#28
DVD Talk Limited Edition
Re: Flicker Alley Noir Titles (Too Late For Tears/Woman On The Run)
I thought we had a standalone Flicker Alley thread here but this is about as close as I could find, and it’s relevant to the new noir release below.
However, they’ve released a lot of good stuff over the years that doesn’t really get mentioned here outside of their sales, so any chance the title of this thread could be simplified to cover whatever titles we might care to discuss here?
- - - - -
That said, their South American titles to date have all been phenomenal, both the movies and the treatments, and now it seems like they may have unearthed another gem, this one from Argentina called NEVER OPEN THAT DOOR (1952):
https://flickeralley.com/products/ne...nca-esa-puerta
However, they’ve released a lot of good stuff over the years that doesn’t really get mentioned here outside of their sales, so any chance the title of this thread could be simplified to cover whatever titles we might care to discuss here?
- - - - -
That said, their South American titles to date have all been phenomenal, both the movies and the treatments, and now it seems like they may have unearthed another gem, this one from Argentina called NEVER OPEN THAT DOOR (1952):
https://flickeralley.com/products/ne...nca-esa-puerta
"This extraordinary 1952 Argentinian noir … is probably the most bedarkened, beshadowed film I've seen, full of extreme closeups, unexpected sound effects and music. It deserves to be restored and reissued." - Paul Schrader
Blu-Ray + DVD Combo
Preserved by the Film Noir Foundation in 2013 and now beautifully restored through the UCLA Film & Television Archive, Never Open That Door (No abras nunca esa puerta) is a significant example of the cross-cultural cinematic legacy shared by the United States and Argentina during the post-WWII era. Based on two short stories by American master of suspense fiction Cornell Woolrich (Rear Window, Phantom Lady, The Bride Wore Black), the film is brilliantly directed by Argentine filmmaker Carlos Hugo Christensen with extraordinary cinematography by Pablo Tabernero. Says FNF founder Eddie Muller about this recent restoration, “It is a revelation to experience the work of an all-American author, in Spanish, and rendered as well – or perhaps better – than any Hollywood adaptation of his work.”
Never Open That Door is one of the most evocative realizations of Woolrich ever produced, featuring masterful sequences of sustained suspense. Said Buenos Aires film critic Horacio Bernades, “Rarely has an Argentine film been more purely cinematic than this.”
Originally a three-part anthology of Woolrich tales, Never Open That Door was released separately from the 73-minute film If I Should Die Before I Wake (Si muero antes de despertar) adapted by screenwriter Alejandro Casona and Christensen. An exceedingly rare archival conservation scan of If I Should Die Before I Wake is featured in this publication.
Bonus Materials Include:
Blu-Ray + DVD Combo
Preserved by the Film Noir Foundation in 2013 and now beautifully restored through the UCLA Film & Television Archive, Never Open That Door (No abras nunca esa puerta) is a significant example of the cross-cultural cinematic legacy shared by the United States and Argentina during the post-WWII era. Based on two short stories by American master of suspense fiction Cornell Woolrich (Rear Window, Phantom Lady, The Bride Wore Black), the film is brilliantly directed by Argentine filmmaker Carlos Hugo Christensen with extraordinary cinematography by Pablo Tabernero. Says FNF founder Eddie Muller about this recent restoration, “It is a revelation to experience the work of an all-American author, in Spanish, and rendered as well – or perhaps better – than any Hollywood adaptation of his work.”
Never Open That Door is one of the most evocative realizations of Woolrich ever produced, featuring masterful sequences of sustained suspense. Said Buenos Aires film critic Horacio Bernades, “Rarely has an Argentine film been more purely cinematic than this.”
Originally a three-part anthology of Woolrich tales, Never Open That Door was released separately from the 73-minute film If I Should Die Before I Wake (Si muero antes de despertar) adapted by screenwriter Alejandro Casona and Christensen. An exceedingly rare archival conservation scan of If I Should Die Before I Wake is featured in this publication.
Bonus Materials Include:
- Introduction to Never Open That Door (No abras nunca esa puerta) and If I Should Die Before I Wake (Si muero antes de despertar) - by author, film historian, and "noirchaeologist" Eddie Muller
- If I Should Die Before I Wake (Si muero antes de despertar) - an exceedingly rare archival conservation scan of Carlos Hugo Christensen's third part of the film trilogy
- Audio Commentary for Never Open That Door (No abras nunca esa puerta) - by author and film historian Guido Segal
- New Documentary on Cornell Woolrich - produced by Steven C. Smith and writer/film historian Alan K. Rode, and featuring interviews with writer/film historians Gary Phillips, Maria Elena de las Carreras, and Halley Sutton
- Newly Recorded Conversation - with Argentina's leading film archivist and cinema historian Fernando Martín Peña
- Souvenir Booklet - with rare original photographs, posters, and ephemera
- New English Subtitled Translations
- Spanish SDH Subtitles
- Reversible Cover Artwork
Last edited by Brian T; 03-30-24 at 01:48 AM.
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Adam Tyner (03-30-24)