Why Must They Release Colorized Versions?
#26
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I didn't actually read through all the posts but, from the thread title, I think I get the gripe...
Colorized Versions of classic & some not-so classic works of Hollywood history. My only answer for this is that those heartless fucks that own the rights to these works base their amount of Respect on the size of their wallets.
"The new audiences won't sit through B&W."
News flash jack-offs...
- Those same new fucking audience don't give enough of a shit to buy the colorized versions either.
Put a little money into remastering and cleaning up the black & white originals, and at least those of us that are fans of the "ORIGINALS" would pick them up.
colorized Three Stooges... Christ I hope you choke while you're sucking the devil's cock.......
did I cross a line there?
Colorized Versions of classic & some not-so classic works of Hollywood history. My only answer for this is that those heartless fucks that own the rights to these works base their amount of Respect on the size of their wallets.
"The new audiences won't sit through B&W."
News flash jack-offs...
- Those same new fucking audience don't give enough of a shit to buy the colorized versions either.
Put a little money into remastering and cleaning up the black & white originals, and at least those of us that are fans of the "ORIGINALS" would pick them up.
colorized Three Stooges... Christ I hope you choke while you're sucking the devil's cock.......
did I cross a line there?
#28
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Originally Posted by Jason
Have the gotten any better at colorization?
The colorization is very realistic, and at times adds to some of their productions (especially "Reefer Madness" and "Plan 9"). The fact that these guys colorized "Plan 9 from Outer Space", and that they offer the original black and white versions on the same disc shows that they aren't taking colorization nearly as seriously as Turner did. Also note that they respect film purists, and that the company's president is AGAINST the colorization of films that were artistically shot in black and white, like "Citizen Kane" and "Casablanca."
I mean, you can tell by the title of "Sherlock Holmes and the Woman in Green" that that particular film was MEANT to be in color, but that the people who made it didn't have the money to do so (so colorization becomes a nessecity). Also, surviving members of the production teams of some of the films Legend has colored, like "A Christmas Wish" (The Great Rupert) and Howard Hughes' "The Outlaw" were involved in the colorization. Plus, the company will also be restoring classic films that were SHOT in color, such as "Abbott & Costello: Jack and the Beanstalk."
Last edited by thing-fish24; 03-15-06 at 06:45 PM.
#29
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Originally Posted by JLyon1515
Someone abov ementioned colorized films looking a bit off and using "mostly primary colors." For those who might want to see a comparison of b&w versus colored, check out this review of The House on Haunted Hill:
http://www.dvdbeaver.com/film/DVDRev...dvd_review.htm
http://www.dvdbeaver.com/film/DVDRev...dvd_review.htm
Last edited by MEJHarrison; 03-15-06 at 07:26 PM.
#30
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The "House on Haunted Hill" colorized version looks just like a 1950s Technicolor movie rather than a color movie shot today, but I happen to love it -- William Castle probably would have loved to see his film in color.
#31
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The worst part is no where on the colorized version does it tell you that the original was black and white and it has been colorized. So for all the J6P, they probably have no clue.
#33
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The HOUSE ON HAUNTED HILL does NOT look like it was shot in Technicolor on that DVD. It looks colorized. I don't mind it being out there as the original is available but to go that far is ridiculous.
#34
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Originally Posted by Steve Phillips
The HOUSE ON HAUNTED HILL does NOT look like it was shot in Technicolor on that DVD. It looks colorized.