DVD Talk review of 'Taxi Driver'
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DVD Talk review of 'Taxi Driver'
I read Ian Jane's DVD review of Taxi Driver at http://www.dvdtalk.com/reviews/read.php?ID=29454 and...great review of a great film, Ian. But, how come Marty didn't do a commentary for this? He seems to be on a role lately with his commentaries and not one on this legendary opus?
#2
Screencaps look pretty good. The picture appears more bright and colorful, which doesn't seem to fit the movie, but it was more than likely that bright when it first came out. I'm happy with the review, and for sure double-dip for me.
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The ever-important reds look quite good here, you'll notice during the finale that the blood looks more realistic than in the past.
Curious about this, as it was my understanding that the film always had darker, less realistic reds (most notably in the final scene). Story goes that the blood was darkened in post-production after a meeting with the MPAA - real blood tones would get them an X. The darker, muddier blood colors got them an R, but Scorsese and others said the darker colors were an improvement, as it made it look more frightening.
The final screen comparison, then, suggests the earlier DVD is more in keeping with the original film, and the new transfer color-corrects everything all out of whack. (De Niro's way too red in that shot, too.) Other scenes seem way too bright as well.
Was any of this mentioned in the extras? I'm curious if this new brighter, redder transfer is the result of overzealous restoration folk, or if this was the intent of Scorsese/Schrader/etc.
Curious about this, as it was my understanding that the film always had darker, less realistic reds (most notably in the final scene). Story goes that the blood was darkened in post-production after a meeting with the MPAA - real blood tones would get them an X. The darker, muddier blood colors got them an R, but Scorsese and others said the darker colors were an improvement, as it made it look more frightening.
The final screen comparison, then, suggests the earlier DVD is more in keeping with the original film, and the new transfer color-corrects everything all out of whack. (De Niro's way too red in that shot, too.) Other scenes seem way too bright as well.
Was any of this mentioned in the extras? I'm curious if this new brighter, redder transfer is the result of overzealous restoration folk, or if this was the intent of Scorsese/Schrader/etc.
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Originally Posted by scott1598
But, how come Marty didn't do a commentary for this? He seems to be on a role lately with his commentaries and not one on this legendary opus?
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Originally Posted by David Cornelius
Curious about this, as it was my understanding that the film always had darker, less realistic reds (most notably in the final scene). Story goes that the blood was darkened in post-production after a meeting with the MPAA - real blood tones would get them an X. The darker, muddier blood colors got them an R, but Scorsese and others said the darker colors were an improvement, as it made it look more frightening.
The final screen comparison, then, suggests the earlier DVD is more in keeping with the original film, and the new transfer color-corrects everything all out of whack. (De Niro's way too red in that shot, too.) Other scenes seem way too bright as well.
The final screen comparison, then, suggests the earlier DVD is more in keeping with the original film, and the new transfer color-corrects everything all out of whack. (De Niro's way too red in that shot, too.) Other scenes seem way too bright as well.
There were plans to integrate the unedited shootout scene back into the film for its 1996 re-release. Unfortunately, only one copy of the original shootout scene has been located, and it had deteriorated beyond repair.
Based on the screenshot alone, it looks like they boosted the color saturation of the shootout scene for the new DVD in order to "recover" the original colors. But it's a little hard to tell without seeing it in motion.
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Originally Posted by GHackmann
One of the production crew (Michael Chapman, IIRC) claims on record that he much preferred the original version.




