The anamorphic transfer is very good, and Gordon Willis' cinematography and the full use of the 2.35:1 make for an execellent viewing experience, while Michael Small's often understated score, despite being mono, makes for an excellent listening experience (scared the krapp outta me). The three principals, Fonda, Sutherland, and Cioffi are also all at the top of their form in this film.

cheers, Tony Block

Saw this on film for the first time a few weeks ago in Chicagoland. Interesting movie that was obviously made during the fertile early 70s period of filmmaking.

Here's my review of Klute