Was Homocide life on the street the first show shot on location?
06-04-03, 03:10 PM
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Was Homocide life on the street the first show shot on location?
The local paper said it was the first one. Since its shot in baltimore, and its a baltimore paper, I think its a little exagerrated.
06-04-03, 03:54 PM
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Maybe the first show shot on location *in Baltimore*?
But it's definitely not the first show shot on location. That concept is a bit older than this 10-year-old show.
But it's definitely not the first show shot on location. That concept is a bit older than this 10-year-old show.
06-04-03, 06:14 PM
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My interpretation is that it's the first show shot on location IN Baltimore..
06-04-03, 07:53 PM
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Originally posted by Rogue588
My interpretation is that it's the first show shot on location IN Baltimore..
My interpretation is that it's the first show shot on location IN Baltimore..
06-04-03, 08:46 PM
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Originally posted by renaldow
Lots of shows are and have been 'shot on location.' If you could post the article here maybe that would help us understand what it's talking about.
Lots of shows are and have been 'shot on location.' If you could post the article here maybe that would help us understand what it's talking about.
It's time to start our love affair with Homicide: Life on the Street all over again.
A DVD boxed set of Homicide's first two seasons, being released by A&E Home Video today, offers the chance to get reacquainted with Pembleton, Munch, Bolander, Howard and all the exhilaratingly flawed characters that made the show so intoxicating. Not to mention the myriad Baltimore locations that made it so ... ours.
Airing on NBC from 1993-2000, the show didn't so much change the face of television as redirect it. It utilized a visual vocabulary that relied on hand-held cameras and location shooting for verisimilitude; story lines that concentrated on the everyday nature of police work, not the flash; and characters who lived in a world that could be as mundane as it was exciting, frequently more so.
And it was all shot right here in Charm City, at a recycled rec pier in Fells Point, the ancient Baltimore Cemetery at the east end of North Avenue, Camden Yards, Patterson Park, the city morgue - over the course of seven years, there weren't many areas around these parts that the filmmakers didn't visit at least once.
The four-DVD set includes all nine episodes from season one (the show debuted on Jan. 31, 1993, right after the Super Bowl) and four from season two, including the landmark "Bop Gun," starring Robin Williams as a tourist whose wife is gunned down outside Camden Yards by a kid who, it turns out, was actually trying to prevent any violence.
Like any good DVD, the Homicide set ($69.95 for the two seasons) includes a few bonuses for the hard-core fan. There are the commercials that aired during the Super Bowl that preceded the series debut, cast and crew biographies, an episode of A&E's American Justice that looks at real homicide detectives, even a list of the songs used in each episode - an often-overlooked factor in its success, as few series have used a soundtrack to greater effect.
Accompanying the premiere episode, "Gone for Goode," is a commentary track featuring executive producers Barry Levinson (who directed the episode) and Tom Fontana ruminating on why it was so important that the series be shot in Baltimore and how established directors who came to work on the series often had trouble keeping up with all the rules of episodic TV the series was breaking.
The commentary starts off wobbly, as Levinson and Fontana, who sound as though they're seeing Homicide for the first time in years, reconnect with the show. But sticking with it reaps benefits, as the filmmakers expound on what they were trying to do, how different they were trying to keep their approach from established norms (Fontana doesn't sound like much of a fan of Murder, She Wrote) and the strengths of the cast - pay attention to the buildup to the introduction of Andre Braugher's Frank Pembleton, who doesn't even show up until after the first commercial.
Watching these 13 episodes, arranged not in the order in which they aired, but the order in which the series' producers would have preferred ("Bop Gun," for instance, appears as episode 13, instead of 10), proves a double delight. Not only is it proof of how insightful and entertaining TV drama can be, it's also a reminder of an intoxicating time when Baltimore got to be Hollywood East for a while.
It was great fun, hon.
06-04-03, 08:58 PM
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Originally posted by Rypro 525
Airing on NBC from 1993-2000, the show didn't so much change the face of television as redirect it. It utilized a visual vocabulary that relied on hand-held cameras and location shooting for verisimilitude; story lines that concentrated on the everyday nature of police work, not the flash; and characters who lived in a world that could be as mundane as it was exciting, frequently more so.
Airing on NBC from 1993-2000, the show didn't so much change the face of television as redirect it. It utilized a visual vocabulary that relied on hand-held cameras and location shooting for verisimilitude; story lines that concentrated on the everyday nature of police work, not the flash; and characters who lived in a world that could be as mundane as it was exciting, frequently more so.
where do they say it was the first...?
06-05-03, 07:34 PM
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I remember Spenser For Hire was shot on location in Boston during its first run. [i]The Equalizer[/b] was shot on location in NYC and Law & Order was shooting in New York several years before Homicide came around. Magnum P.I. also shot in Hawaii.
