Shudder will bring back the iconic horror host for Thanksgiving and Christmas specials, to be titled “The Dinners of Death” and “A Very Joe Bob Christmas.”

“The Dinners of Death” will air on Thanksgiving night, November 22, at 9pm EST, and it’ll feature four movies hosted by Joe Bob, including Joe Bob’s personal all-time favorite.

Streaming service Shudder has been KILLING IT lately with their original content, which has seen the return of Joe Bob Briggs and, most recently, this week’s release of the essential documentary Horror Noire. Up next, Shudder will be unleashing a brand new original documentary series all about the most “cursed” (allegedly) movie sets of all time!

Cursed Films is described as a high-end documentary series examining the facts, myths and mysteries around iconic films and franchises whose casts and crew have been struck by misfortune and tragedy, including The Exorcist, Poltergeist and The Omen, among others.

Cursed Films will reveal the events that haunted these productions through interviews with experts, witnesses and the cast, directors and producers who lived through the real-life events. Were these films really cursed, as many believe, or just the victims of bad luck and bizarre circumstances?

“Cursed Films is a fascinating look at why these iconic horror movies have gained such an outsized reputation for being the focus of bizarre tragedies and strange coincidences that seemingly defy explanation,” said Craig Engler, Shudder’s General Manager.

The doc series is written, directed and edited by Jay Cheel (How to Build a Time Machine) and executive produced by Andrew Nicholas McCann Smith and Laura Perlmutter for First Love Films, along with Jay Cheel and Brian Robertson. The series will premiere later this year.

“As a documentary filmmaker and lifelong horror fan, this project has offered an amazing opportunity to indulge my own curiosities surrounding these ‘cursed’ film productions,” said Jay Cheel. “In turn, Cursed Films offers Shudder’s audience a unique perspective on the making of these classic movies while attempting to uncover why we’re so captivated by the catastrophes and coincidences connected to them.”