September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
#1
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September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
In a move that will thoroughly shake up the Oscar race, September 5, the hottest sales title that played at this year’s fall film festivals and an across-the-board awards contender, has landed at Paramount Pictures, The Hollywood Reporter has exclusively learned.
The studio has secured the worldwide distribution rights for the film — with the exception of Germany, Switzerland and Austria, where it will be handled by Constantin Film — and will begin platforming it in the U.S. on Nov. 27, the Wednesday of the Thanksgiving long weekend, with plans to expand its theatrical footprint into December and back it with full-fledged awards push.
Peter Sarsgaard, John Magaro and Leonie Benesch star in the third feature from director Tim Fehlbaum (The Colony and Hell), a dramatic thriller about ABC Sports’ coverage of the 1972 Munich Olympics terrorist attack in which Palestinian militants took hostage Israeli athletes. The resulting standoff became the first live-televised coverage of an act of terrorism, with all sorts of accompanying moral and ethical dilemmas for the journalists on the ground, including ABC Sports’ legendary chief Roone Arledge (Sarsgaard), the network’s young coordinating producer for Olympics coverage Geoff Mason (Magaro) and a German national who helped them navigate the language and culture (Benesch).
Paramount’s Republic Pictures acquired the global sales rights for September 5 back in July and began shopping its U.S. rights. Interest among distributors reached a crescendo after the film premiered at — and blew the roof off of — the recent Venice and Telluride film festivals, generating comparisons to past best picture Oscar winners Argo and Spotlight. Ultimately, the Paramount Film Group determined that it was a property that should be kept in the family. It now joins the studio’s already-formidable awards slate that also includes Gladiator 2, Better Man and Transformers One.
The Hollywood Reporter, in our review of September 5, described it as “an enlightening, altogether gripping experience” with a “terrific cast” that is “more than just a time capsule about how the news was handled in the pre-digital age; it’s an account that speaks to our time as well.”
The film’s producers include Fehlbaum, Sean Penn, Philipp Trauer, Thomas Wöbke (BerghausWöbke Filmproduktion), John Ira Palmer and John Wildermuth (Projected Picture Works).
The studio has secured the worldwide distribution rights for the film — with the exception of Germany, Switzerland and Austria, where it will be handled by Constantin Film — and will begin platforming it in the U.S. on Nov. 27, the Wednesday of the Thanksgiving long weekend, with plans to expand its theatrical footprint into December and back it with full-fledged awards push.
Peter Sarsgaard, John Magaro and Leonie Benesch star in the third feature from director Tim Fehlbaum (The Colony and Hell), a dramatic thriller about ABC Sports’ coverage of the 1972 Munich Olympics terrorist attack in which Palestinian militants took hostage Israeli athletes. The resulting standoff became the first live-televised coverage of an act of terrorism, with all sorts of accompanying moral and ethical dilemmas for the journalists on the ground, including ABC Sports’ legendary chief Roone Arledge (Sarsgaard), the network’s young coordinating producer for Olympics coverage Geoff Mason (Magaro) and a German national who helped them navigate the language and culture (Benesch).
Paramount’s Republic Pictures acquired the global sales rights for September 5 back in July and began shopping its U.S. rights. Interest among distributors reached a crescendo after the film premiered at — and blew the roof off of — the recent Venice and Telluride film festivals, generating comparisons to past best picture Oscar winners Argo and Spotlight. Ultimately, the Paramount Film Group determined that it was a property that should be kept in the family. It now joins the studio’s already-formidable awards slate that also includes Gladiator 2, Better Man and Transformers One.
The Hollywood Reporter, in our review of September 5, described it as “an enlightening, altogether gripping experience” with a “terrific cast” that is “more than just a time capsule about how the news was handled in the pre-digital age; it’s an account that speaks to our time as well.”
The film’s producers include Fehlbaum, Sean Penn, Philipp Trauer, Thomas Wöbke (BerghausWöbke Filmproduktion), John Ira Palmer and John Wildermuth (Projected Picture Works).
Another awards season contender.
Reviews: https://www.rottentomatoes.com/m/september_5/reviews
https://www.metacritic.com/movie/september-5/
#2
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From: Somewhere between Heaven and Hell
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Last edited by devilshalo; 12-05-24 at 11:07 AM.
#3
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re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Scott Feinberg at THR seems to really have a hard on for this winning Best Picture.
https://www.hollywoodreporter.com/mo...st-1235957278/
https://www.hollywoodreporter.com/mo...st-1235957278/
#4
DVD Talk Hero
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Looks very good.
It would make a great companion piece to Munich.
It would make a great companion piece to Munich.
#5
DVD Talk God
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
If any of you haven't seen it, I highly recommend watching the documentary on the real incident. Came out in 1999 and Michael Douglas narrates it. Very haunting film and will give you chills down your spine.
It's streaming for free on the Roku channel. It won an Academy Award in 2000 for best documentary.
https://therokuchannel.roku.com/deta...er?source=bing
It's streaming for free on the Roku channel. It won an Academy Award in 2000 for best documentary.
https://therokuchannel.roku.com/deta...er?source=bing
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[email protected] (01-18-25)
#6
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From: Somewhere between Heaven and Hell
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
#7
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
If any of you haven't seen it, I highly recommend watching the documentary on the real incident. Came out in 1999 and Michael Douglas narrates it. Very haunting film and will give you chills down your spine.
It's streaming for free on the Roku channel. It won an Academy Award in 2000 for best documentary.
https://therokuchannel.roku.com/deta...er?source=bing
It's streaming for free on the Roku channel. It won an Academy Award in 2000 for best documentary.
https://therokuchannel.roku.com/deta...er?source=bing
I saw some of the doc this year and it’s interesting how the style of documentary filmmaking has changed now (not including Ken Burns). In the doc, a person says quite early on “that was the last time I saw him alive” about a main figure. If it was made now, they would probably omit that, and try to tease a narrative of everyone’s stories and reveal what happens much later on.
#8
Political Exile
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Saw this movie yesterday with the AMC Screen Unseen promotion. As long as you understand that the entire movie takes place inside the ABC Sports studio, it's pretty riveting, and it's fun to see how they integrated the original television footage in the film.
#9
DVD Talk Gold Edition
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
I'd be interest in "supercuts" that merge different films about the same real events.
#10
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re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Expands to more theatres this weekend.
#11
DVD Talk God
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
I originally got a ticket to see it Saturday at my local AMC, but I checked my ticket yesterday and it turns out all September 5 showings were cancelled at the AMCs near me. So my ticket was cancelled. I guess the tickets sold poorly? There is nothing within 20 miles. Bummer.
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GoldenJCJ (04-13-25)
#12
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re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
I originally got a ticket to see it Saturday at my local AMC, but I checked my ticket yesterday and it turns out all September 5 showings were cancelled at the AMCs near me. So my ticket was cancelled. I guess the tickets sold poorly? There is nothing within 20 miles. Bummer.
#13
DVD Talk God
#14
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Same thing happened in my neck of the woods. I think there was only one theater locally scheduled to show it next week, but those shows are gone. Closest one now is 40 miles away
#15
DVD Talk Hero
re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
This is still opening at my AMC tomorrow with that pre-recorded Q&A.
#16
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Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Really well done. A tight 90 mins too.
There are some that theorize this could be the sleeper for Best Picture contention... and may surprise with nominations. It seems like an easy type of film for the Academy technical branches to vote for too. We'll see.
Also, I really enjoyed Leonie Benesch in The Teachers' Lounge (streaming on Netflix), so it was nice to see her in a prominent role here.
There are some that theorize this could be the sleeper for Best Picture contention... and may surprise with nominations. It seems like an easy type of film for the Academy technical branches to vote for too. We'll see.
Also, I really enjoyed Leonie Benesch in The Teachers' Lounge (streaming on Netflix), so it was nice to see her in a prominent role here.
#17
DVD Talk God
Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Saw it last night. Found a Cinemark theater playing it that wasn't super far away, so I made the drive. Anyway, I thought it was solid. Really tense and I liked that it was a fresh perspective of this story from the ABC Sports control room. Even though this story took place over 50 years ago, I could relate to all the behind the scenes drama as someone who has worked in sports TV for 27 years. There are a lot of moving parts.
My showing did not have the pre-recorded interviews. For those of you who constantly get annoyed with super long movies, you'll probably enjoy this thriller. A tight 90 minutes before credits.
Overall, an early favorite for 2025 for me.
My showing did not have the pre-recorded interviews. For those of you who constantly get annoyed with super long movies, you'll probably enjoy this thriller. A tight 90 minutes before credits.
Overall, an early favorite for 2025 for me.
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#18
Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Such a compelling film. The fact that the whole thing took place in the studio for the most part made it even more impressive. Loved it.
4.5/5
4.5/5
#19
DVD Talk God
Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Will be on Paramount+ and MGM+ February 25th.
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Boondock Saint (02-15-25)
#20
DVD Talk Hero
Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
Nice
#21
DVD Talk Hero
Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
This was more entertaining than Munich.
I knew the story but not all the details since this happened before I was born and don't remember this being covered a lot in history classes.
Surprised this did not get any love from the Academy and no nominations for Magaro and Skarsgaard?
Maybe the fact that ABC which covers the Oscars did not feel comfortable if this movie was in the spotlight.
You saw how things really work behind the scenes in TV production.
What I did not understand was when they said CBS and NBC were maybe sharing a satellite feed and ABC could not televise in that hour?
That would not happen today.
I knew the story but not all the details since this happened before I was born and don't remember this being covered a lot in history classes.
Surprised this did not get any love from the Academy and no nominations for Magaro and Skarsgaard?
Maybe the fact that ABC which covers the Oscars did not feel comfortable if this movie was in the spotlight.
You saw how things really work behind the scenes in TV production.
What I did not understand was when they said CBS and NBC were maybe sharing a satellite feed and ABC could not televise in that hour?
That would not happen today.
#22
Moderator
Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
I can't speak to the rest of the categories where it wasn't nominated, but the nomination for screenplay was well-deserved. Great dialogue and a tight 90 minutes that keeps you on edge, even when you ultimately know what happens.
Caught this on Paramount+ and I'd watch it again.
Caught this on Paramount+ and I'd watch it again.
#23
DVD Talk Legend
Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
What a film, should've been one of the best pic nominees - it was easily better than half of them. The only nitpick I have with it is the aspect ratio, this is clearly a 1:85 type of film, why are we shooting this in the widest format?
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story (03-19-25)
#24
DVD Talk Hero
Re: September 5 (2024, D: Fehlbaum) S: Sarsgaard, Magaro, Benesch, Chaplin
I watched this last night and thought it was wonderful. I knew how the story ended but my wife didn’t know much about the event so she seems a little more on the edge of her seat that me.
I was a little surprised that Peter Sarsgaard wasn’t the lead. His role was a bit smaller than I was expecting.
It was also interesting to see how they worked around all the older technology. Everything from the letter by letter hand made graphics to them using Walkie talkies over telephones over airwaves.
Even though I knew the main points, there were also small details that I never knew (the studio worker dressed as an athlete to get through, Peter Jennings hiding from the police, etc.).
I was a little surprised that Peter Sarsgaard wasn’t the lead. His role was a bit smaller than I was expecting.
It was also interesting to see how they worked around all the older technology. Everything from the letter by letter hand made graphics to them using Walkie talkies over telephones over airwaves.
Even though I knew the main points, there were also small details that I never knew (the studio worker dressed as an athlete to get through, Peter Jennings hiding from the police, etc.).




