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Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

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Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Old 04-04-19, 03:37 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by JZ1276
Me too. How did you see a cut other than the theatrical one?
Pre-screened at Sony with Quentin sitting directly behind me.
Old 04-04-19, 03:43 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by devilshalo
Pre-screened at Sony with Quentin sitting directly behind me.
I hope he shut up long enough to enjoy the movie.
Old 04-04-19, 03:51 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

It might not have gotten an R if it were more violent and bloody.
Old 04-04-19, 04:47 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by Decker
It might not have gotten an R if it were more violent and bloody.
True, but I was hoping for a DC DVD.

The three main things I remember...
The training sequence in the snow was longer, we see Django having a hard time with the pistol and King has to remind him, smooth not fast, when drawing.
The mandingo fights were a lot longer and bloodier.
Finally, there's a lot more interaction and conversation between Django and Billy Crash in the barn with a lot of visible penis and a knife.
Old 04-04-19, 05:18 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by devilshalo
Pre-screened at Sony with Quentin sitting directly behind me.
OK I took the bait & you got to brag.
So the rough cut blew away the theatrical? How so? What are the differences?
Old 04-04-19, 05:33 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by JZ1276
OK I took the bait & you got to brag.
So the rough cut blew away the theatrical? How so? What are the differences?
Did you not read the post directly above yours?
Old 04-04-19, 05:57 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

How much longer total? Sounds like maybe 3-5 max.
Old 04-04-19, 06:43 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by Rival11
....And like it is.
in your opinion obviously. it's not like a fact or anything...
Old 04-04-19, 07:04 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by devilshalo
True, but I was hoping for a DC DVD.

The three main things I remember...
The training sequence in the snow was longer, we see Django having a hard time with the pistol and King has to remind him, smooth not fast, when drawing.
The mandingo fights were a lot longer and bloodier.
Finally, there's a lot more interaction and conversation between Django and Billy Crash in the barn with a lot of visible penis and a knife.
Originally Posted by Mabuse
How much longer total? Sounds like maybe 3-5 max.
Inches? Maybe more!
Old 04-04-19, 07:32 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Old 04-04-19, 09:42 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie



Oh dear, I’ve pulled a boner.
Old 04-05-19, 01:44 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by Decker
Did you not read the post directly above yours?
Obviously not.
Old 04-24-19, 10:26 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Spoiler:
This has been screening around the lot with Quentin in attendance.
Old 04-24-19, 11:33 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

So if it's ready, I wonder if it will make an appearance at Cannes (it's not on the list of announced films for the festival). And if not, does that portend some trouble for the film?
Old 04-24-19, 11:37 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Cannes artistic director Thierry Fremaux told journalists at the lineup press conference in Paris that he has seen a large part of the film, which is “magnificent,” and that he hopes it can be announced for the festival in coming weeks if it is ready in time. The film is still in the edit before a July 26 release.

Fremaux told journalists today: “The Tarantino was not ready. It was abusively and prematurely announced (in the press) which is too bad because it creates an appetite. God knows we have the appetite for it, but it’s in a sprint. It’s one of the ones we hope to have good news on, to announce that it will be added.”

“I have seen a large part of it, but it is not out until the end of July,” he added. “Tarantino is putting all his effort into having it ready. He wants it to be shown in 35mm so the post-production is a bit longer, he’s still editing. I wish him courage to be ready and to do a great film — what I saw is magnificent.”

This year’s edition marks 25 years since Tarantino’s iconic Pulp Fiction screened on the Croisette. The director has a long-held affinity for Cannes and is understood to be keen that his latest film can play at the high church of cinema. The festival could really do with the film, given that a number of high profile and starry U.S. pictures have not made the trip to the Riviera this year.
Old 04-29-19, 07:30 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie




The first thing you need to know about Quentin Tarantino’s Once Upon a Time… in Hollywood is that it is not a Charles Manson-murders movie, according to producer David Heyman.

“That’s one of the big misconceptions to clarify,” he tells EW. As part of EW’s Summer Movie Preview, Heyman and producer Shannon McIntosh, who’s worked with Tarantino for more than two decades, cleared up some mystery around the plot of Tarantino’s anticipated movie and teased some intriguing details.

Set in 1969, Once Upon a Time brings together Leonardo DiCaprio as fading Western TV star Rick Dalton and Brad Pitt as his stunt double Cliff Booth, two friends navigating an industry and era in flux, painstakingly re-created on location in Los Angeles by Tarantino. But Charles Manson and his deadly cult do play an important role in the film; Australian actor Damon Herriman plays the infamous cult leader, while Margaret Qualley, Dakota Fanning, and Lena Dunham play members of his Manson Family.

“It’s about the loss of innocence that came about in 1969 with the Manson family,” explains McIntosh. There’s the starry Margot Robbie as It Girl and eventual 
Manson-family victim Sharon Tate, who lives next door to Rick. “It’s the three classes of Hollywood,” says Heyman. “There’s the high Hollywood of Sharon, the declining star of Rick, and there’s Cliff, who lives farther out and with more humble means.”

But first thing’s first — pairing DiCaprio and Pitt together for the first time in a feature is one of the biggest draws of the project. For McIntosh, who worked with Pitt on Tarantino’s Inglourious Basterds and DiCaprio on Django Unchained, bringing the two together finally was “absolutely magnetic.”

“I can’t wait for the world to see Brad’s performance in this,” she says. “He’s so wonderful and charismatic and I think he is the Brad that people fell in love with years ago. Especially when he’s going toe-to-toe with Leo, his performance is amazing, he looks great and I think people will be reminded why he is the movie star that we know he is.”

And there’s an interesting dynamic between the two characters, Heyman explains. DiCaprio’s Rick Dalton is “not the movie star that he had hoped to be, so he’s struggling — he’s a working actor, but he’s not a movie star.” On the flip side, Pitt’s Cliff is “at ease, and comfortable with who he is” as Dalton’s stuntman.

“These are two people who have a history together and the loyalty that they have for one another is really potent,” Heyman says. “It’s really a film about that friendship and about the power of that friendship as they go on their journeys together and separately.”

And then there’s Robbie as the beautiful Tate. “[Sharon Tate] has been mythologized in some way through the murders but we get to see her as a person and we get to see her delight and enthusiasm and her sweetness,” Heyman explains. “She represents an innocence and innocence lost in some way, and that innocence is very much — that sweetness, that goodness, that delight with the movies, with her, with her life — is something that we experience.”

The role was prepared very carefully by both Tarantino and Robbie, who had the blessing of Tate’s sister Debra Tate. McIntosh said Robbie “wanted to honor Sharon’s memory and she really drilled down to make sure that she got the best performance and was really embracing all that Sharon was.”

She added that Tarantino “absolutely embraced Debra Tate, and that was very important to him and to us that she’d be comfortable with what we’re doing because obviously anyone thinking that we’re making it a Manson movie, which we’re not, but he was very sensitive to that and remains sensitive to that.”

But there’s also change afoot in 1969, a year that marked a major transition in Hollywood as it was shifting out of the Golden Age and with the expansion of television, into new, uncharted territory. For Rick and Cliff, it means a time for personal transformation as well.

“They’re going to have to reinvent themselves, and the extent to which they are able to will determine their futures. What I love about this, it’s just so singularly told because it’s Quentin Tarantino turning his eye on his hometown. Nobody else could have made this film,” Heyman says.

Los Angeles has always been home turf for Tarantino, and majorly featured in his first three films; Reservoir Dogs, Pulp Fiction, and Jackie Brown. But since then, he has traveled to further regions in his subsequent tales and it has taken Tarantino until this, his ninth film, to explore the Los Angeles of his childhood (he was 6 years old when the movie takes place) and the industry that so inspired him that he’s known to be a walking film encyclopedia.

“This is Quentin’s most personal film,” Heyman explains. “This is his memories of growing up in Los Angeles and being a fan of Hollywood.”

To transport audiences back to the Los Angeles of his childhood, Tarantino and his team transformed many of the city’s iconic locations on Hollywood Boulevard to their 1969 versions. There’s the renowned Grauman’s Chinese Theaters, the Aquarius Theatre on Sunset Blvd, and Sherman Oaks’ classic Mexican restaurant hangout Casa Vega. And there’s L.A.’s airport LAX, which Heyman quipped that they didn’t have to do much with as its 1969 self still pretty much exists today (and the airport’s renovations were held off until the film was done shooting, McIntosh added).

There’s also the music — the producers didn’t want to give away the magic of Tarantino’s soundtrack, but McIntosh said that KHJ, the radio station that dominated Los Angeles in 1969, and Boss Radio’s Boss Angeles will feature prominently as the characters travel through the story.

All of this culminates not only in Tarantino’s most personal film, but also his most moving one, Heyman says. It has his trademark sharp humor and style, but it’s “really moving, because it’s such a personal story,” the producer explains, drawing comparisons to Alfonso Cuaron’s Oscar-winning movie Roma.

Tarantino is deep into finishing the film for its July 26 release, but there have been discussions about whether it’ll debut at Cannes next month, 25 years after Pulp Fiction won the Palme d’Or, putting Tarantino on the map.

“We’re going to see if it’s ready,” Heyman says. “I know films are being announced, we have a little bit more time to decide. If we can get it ready, we will go. We’d like to go, of course, but at the same time, the film’s got to be all that it can be.”

Consider our appetite sufficiently whetted for Tarantino’s romp through the Hollywood of his memories.
https://ew.com/movies/2019/04/25/que...ywood-preview/
Old 04-29-19, 08:21 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

If Sharon Tate had not been murdered, does anyone think she would have had a big career in Hollywood?
Old 04-29-19, 08:39 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by Sonny Corinthos
If Sharon Tate had not been murdered, does anyone think she would have had a big career in Hollywood?
Who knows, she already had one foot in the door by being the wife of an A list director.
Old 04-29-19, 09:06 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

The write up Dex posted mentions about 5-6 different possible points on what this movie is about but I'm still not picking up on there being any plot. This may also turn out to be Tarantino's most self indulgent film as it's his "Most personal".....just a warning.
Old 04-29-19, 09:23 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by Sonny Corinthos
If Sharon Tate had not been murdered, does anyone think she would have had a big career in Hollywood?
Probably not.

She was sort of b-list, with Fearless Vampire Killers and Valley of the Dolls on her resume. She might have been in a serious films in the 70s and would have faded from the spotlight as she entered her 30s. Then she might have had a minor comeback in the 80s with a guest-starring spot on something like Dynasty. I donít think she Would have made it to the a-list.
Old 04-29-19, 10:17 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

I think the Polanski What-If is more interesting. Does he have a totally different career if not for the Tate murder and is he revered in Hollywood like Scorsese and Spielberg as a living legend right now?
Old 04-29-19, 11:03 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by Decker
I think the Polanski What-If is more interesting. Does he have a totally different career if not for the Tate murder and is he revered in Hollywood like Scorsese and Spielberg as a living legend right now?
Very interesting indeed. Right now as it stands, love him or hate him, he is still IMO one of the greatest living directors. Just as good and maybe even better than Scorsese and Spielberg.

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Old 04-29-19, 11:18 AM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

I'd add The Pianist to your list as well. He has still had a remarkable career, but I don't think he ever hit his highest level after his arrest and he certainly isn't universally revered as a result of the legal situation. He's an all-time great but many folks can't get over what he did in Jack Nicholson's house. And even those who can have to admit his career and his film output would have been different had that event never happened.
Old 04-29-19, 08:10 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

Originally Posted by Decker
I think the Polanski What-If is more interesting. Does he have a totally different career if not for the Tate murder and is he revered in Hollywood like Scorsese and Spielberg as a living legend right now?
I didn't even think of that. Interesting... I mean, who know what goes through a person's mind, but if he was still a husband with a child, maybe things would have turned out differently for him.
Old 04-29-19, 11:09 PM
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Re: Once Upon A Time In Hollywood (2019, D: Tarantino) S: DiCaprio, Pitt, Robbie

I don’t know how far Tate would have gone in the acting dept, but the indications of her beauty via all the pictorials she took provide a great legacy. Before I abandoned Tumblr (When it turned G-rated on us) she was far up there (With Bettie Page, Myrna Loy & Lana Wood) when it came to constantly-reblogged beauties.

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