Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
#76
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
Could be the source material. I am a fan of DeLillo but could never get through this novel, and it's a small book.
#77
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
Just saw this tonight. This may be Cronenberg's most divisive film in recent memory. The showing I attended broke a record for highest number and percentage of walkouts I have ever seen.
There's very little action, to the point where doing a stage version of this would be pretty simple. It's a lot of dialogue, and a lot of very strange, Mamet-type dialogue at that. For me, it worked, but I can see why some people wouldn't like it.
The acting by Pattison is well done and I bought him as a detached financial genius.
This is not your typical movie, or even your typical Cronenberg movie. I enjoyed it.
There's very little action, to the point where doing a stage version of this would be pretty simple. It's a lot of dialogue, and a lot of very strange, Mamet-type dialogue at that. For me, it worked, but I can see why some people wouldn't like it.
The acting by Pattison is well done and I bought him as a detached financial genius.
This is not your typical movie, or even your typical Cronenberg movie. I enjoyed it.
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I do find it slightly concerning that someone who "loved Spider" would consider this to be a bore. To me, even though I appreciate Spider, it's undeniably slow and stuffy.
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I didn't read Cosmopolis, but the film was just a lot of talking for the sake of talking with absolutely no pay-off. It was like Waking Life (which I didn't like), but with worse dialogue. There's a ton of conversations, and sure, some of them are interesting. But in the end I just didn't care about a single character. Not one.
There's one thing that a bunch of the characters say over and over. "I know this." That must be carried over from the novel because, although I've heard people use that phrase in conversations, when used in the movie it felt like it was forced into the mouths of the actors every single time they uttered those three words. It was distracting.
#80
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
Just saw this tonight. This may be Cronenberg's most divisive film in recent memory. The showing I attended broke a record for highest number and percentage of walkouts I have ever seen.
There's very little action, to the point where doing a stage version of this would be pretty simple. It's a lot of dialogue, and a lot of very strange, Mamet-type dialogue at that. For me, it worked, but I can see why some people wouldn't like it.
The acting by Pattison is well done and I bought him as a detached financial genius.
This is not your typical movie, or even your typical Cronenberg movie. I enjoyed it.
There's very little action, to the point where doing a stage version of this would be pretty simple. It's a lot of dialogue, and a lot of very strange, Mamet-type dialogue at that. For me, it worked, but I can see why some people wouldn't like it.
The acting by Pattison is well done and I bought him as a detached financial genius.
This is not your typical movie, or even your typical Cronenberg movie. I enjoyed it.
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I also didn't know it was a book. Interesting.
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I will say, the more I think about it, the more I WANT to give it a second chance.
I also didn't know it was a book. Interesting.
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
Actually, neither. But I'd be more interested to read Spider. Hell, at the rate I read I'd be happy to finish anything. Another thing I need to make more time for...
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I saw this a few months ago and hated every minute of it - the worst flick Cronenberg has made in a long time... not for me.
#85
#87
re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
Just about every Cronenberg film has been divisive.
Especially the ones where he wrote or co-wrote the screenplay.
Especially the ones where he wrote or co-wrote the screenplay.
#88
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
Managed to catch this tonight. It will be very divisive but I can see why Cronenberg was drawn to it. I didn't realize it was based on a book by DeLillo, whom I consider to generally be somewhat toothless as a satirist, but Cronenberg brings an edge to his work that makes up for it to a point. In some ways, it feels like the anti-American Psycho, Pattinson playing a man who reflects too much on himself, versus Patrick Batemen who is incapable of reflecting on himself at all.
It's certainly not a film I would watch often, but it is worth a viewing, especially for Cronenberg fans.
It's certainly not a film I would watch often, but it is worth a viewing, especially for Cronenberg fans.
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I loved it. I actually watched a preview on my computer from the studio. Here's the review that resulted:
http://indieethos.wordpress.com/2012/08/24/cosmopolis/
As post 5 in this thread shows, I've been highly anticipating its release, and it didn't let me down. Yes, it's chatty and stagey, but that only enhances the film's unreal quality (note the green screen as the limo drives through NYC in utter silence). I'm looking forward to watching it again, as the dialogue was dense at points, almost essay-like. Also, the big screen would of course do this film immense justice. How can a Cronenberg fan pass up that chance? His films are always so distinctively shot they deserve a theatrical experience.
http://indieethos.wordpress.com/2012/08/24/cosmopolis/
As post 5 in this thread shows, I've been highly anticipating its release, and it didn't let me down. Yes, it's chatty and stagey, but that only enhances the film's unreal quality (note the green screen as the limo drives through NYC in utter silence). I'm looking forward to watching it again, as the dialogue was dense at points, almost essay-like. Also, the big screen would of course do this film immense justice. How can a Cronenberg fan pass up that chance? His films are always so distinctively shot they deserve a theatrical experience.
#90
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
#91
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I'm really hoping this comes to my city. I was about half interested in seeing this film as I really like Cronenberg and dislike Pattinson. After seeing one of those bat-shit crazy trailers and seeing others post about how well Pattinson did I'm interested in seeing this.
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I loved this interview with Cronenberg. I love the part when he says, "There was one critic who said “The dialogue is making me think kill me, kill me now, I can’t take any more of this,” and I thought, “Yes, I’d be happy to kill you now, no problem.”:
http://www.filmcomment.com/entry/int...vid-cronenberg
http://www.filmcomment.com/entry/int...vid-cronenberg
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#96
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I'd actually say it's the most like Naked Lunch, but take out the aliens, hallucinations, and drugs.
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
I like the
This is indeed another "new flesh" Cronenberg. The "new flesh" being a man of capital and the technology that drives it. He is on a quest away from the isolation from humanity that seems to have defined him due to this state. The journey for a hair cut across town the the barber shop where he remembered his dad taking him as a kid is quite significant in that journey. As a matter of fact, I think this film is more transcendant than eXistenZ and Videodrome because of how far he gets back in touch with all that.
This is indeed another "new flesh" Cronenberg. The "new flesh" being a man of capital and the technology that drives it. He is on a quest away from the isolation from humanity that seems to have defined him due to this state. The journey for a hair cut across town the the barber shop where he remembered his dad taking him as a kid is quite significant in that journey. As a matter of fact, I think this film is more transcendant than eXistenZ and Videodrome because of how far he gets back in touch with all that.
#99
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#100
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re: Cosmopolis (2012, D: Cronenberg) S: Robert Pattinson
Comes out next Tuesday. Is it not even worth a rental? I'm conflicted. I'm not expecting to like it, but I'll be pissed if it's also a waste of time.