No Country for Old Men (Coen Bros., 2007) — Reviews thread
#1
DVD Talk Godfather
Thread Starter
No Country for Old Men (Coen Bros., 2007) — Reviews thread
Just got back from an early screening of No Country for Old Men. I figured I'd start a new thread since the previous threads had to do with Cannes and what not.
First off, I have to say that I am not a Coen Bros. fanatic or a completist. I've seen Fargo and Big Lebowski many times and I like them but they're not in my top ten of any list. I turned off Intolerable Cruelty when it was on TV, it just didn't seem interesting. So I did not come in with very high expectations outside of the trailer, which I thought was phenomenal.
Well, the film delivers. The first half of the movie is incredibly desolate, and we see each our characters by themselves, figuratively or literally. There's Josh Brolin as Llewelyn Moss, a resourceful Texan who happens upon a bag of cash. Anton Chigurh (Javier Bardem), the psychopath murdererer and Ed Tom (Tommy Lee Jones) as the sheriff, both on his trail. Yes, there names are phonetically identical in the drawl that permeates the film. All three of these figures begin the movie alone, and they're slowly drawn together by a threadbare (let's call it economic) plot: bag of money disappears, hitman follows the money, law follows the hitman, drama ensues. It works well and it has some nice surprises.
But what is wrapped around this plot is what makes it tick, and this is where the Coen brothers come in. I don't remember seeing a movie this desolate in theatres in a long time. It's a surprise if there's ever more than one person on camera and in the few instances where there's three or four people, it seems incredibly crowded. What Vicent Gallo attempted in Brown Bunny that completely ground the film to a halt the Coens master here while they keep the movie going. It's a pretty clear message: in this world, every man is out for himself.
The other thing that the Coens (I guess) are known for is the humor. There's a scene midway through the movie where the sheriff and the deputy are discussing some off-the-wall crime. The deputy laughs (as does the audience) and we very suddenly get a look of reprimand from the sheriff. In this situation, what can you do but laugh? he says. Fargo derived a lot of its humor from the very quirky characters (and their funny accents! ha!) but here the humor rises out of desperation and it synchs so well with the material that it feels completely natural and not tacked on (with the exception of the scenes with the mother-in-law).
The movie does start to slow down and fall apart at the very end, but it's such a great ride up to that point that it's easy to forgive and overlook. The ending, while it's not a twist, did get a lot of feedback from the audience.
Not a masterpiece, but damn near it.
First off, I have to say that I am not a Coen Bros. fanatic or a completist. I've seen Fargo and Big Lebowski many times and I like them but they're not in my top ten of any list. I turned off Intolerable Cruelty when it was on TV, it just didn't seem interesting. So I did not come in with very high expectations outside of the trailer, which I thought was phenomenal.
Well, the film delivers. The first half of the movie is incredibly desolate, and we see each our characters by themselves, figuratively or literally. There's Josh Brolin as Llewelyn Moss, a resourceful Texan who happens upon a bag of cash. Anton Chigurh (Javier Bardem), the psychopath murdererer and Ed Tom (Tommy Lee Jones) as the sheriff, both on his trail. Yes, there names are phonetically identical in the drawl that permeates the film. All three of these figures begin the movie alone, and they're slowly drawn together by a threadbare (let's call it economic) plot: bag of money disappears, hitman follows the money, law follows the hitman, drama ensues. It works well and it has some nice surprises.
But what is wrapped around this plot is what makes it tick, and this is where the Coen brothers come in. I don't remember seeing a movie this desolate in theatres in a long time. It's a surprise if there's ever more than one person on camera and in the few instances where there's three or four people, it seems incredibly crowded. What Vicent Gallo attempted in Brown Bunny that completely ground the film to a halt the Coens master here while they keep the movie going. It's a pretty clear message: in this world, every man is out for himself.
The other thing that the Coens (I guess) are known for is the humor. There's a scene midway through the movie where the sheriff and the deputy are discussing some off-the-wall crime. The deputy laughs (as does the audience) and we very suddenly get a look of reprimand from the sheriff. In this situation, what can you do but laugh? he says. Fargo derived a lot of its humor from the very quirky characters (and their funny accents! ha!) but here the humor rises out of desperation and it synchs so well with the material that it feels completely natural and not tacked on (with the exception of the scenes with the mother-in-law).
The movie does start to slow down and fall apart at the very end, but it's such a great ride up to that point that it's easy to forgive and overlook. The ending, while it's not a twist, did get a lot of feedback from the audience.
Not a masterpiece, but damn near it.
#4
DVD Talk Legend
The book kinda falls apart at the end as well (not really bad, but just drags on a bit) so it seems they stayed the course on this one... But still cant wait to see it (hopefully tomorrow).
#6
DVD Talk Ultimate Edition
Originally Posted by Brack
the trailer kicks ass
I always wait for movies to hit DVD (Don’t go to theatre’s anymore) and I can’t wait ti’ll this one comes out.
#9
DVD Talk Legend
At 3:00pm today at the Apple Store in SOHO, Josh Brolin and Javier Bardem will be there showing clips and answering questions. Looks like I took the wrong day off of work, would have been a nice b-day present to go down there today.
#10
DVD Talk Platinum Edition
Originally Posted by Cory02
Really looking forward to this. Of course, it doesn't seem to be opening in my area this weekend. Hopefully it'll show up soon.

#11
DVD Talk Legend
This is probably my most anticipated film of the year for me. For me, the Coens are usually hit or miss. I think I've actually disliked more of their movies than I've liked yet I still think they're good filmmakers.
I'm not crazy about Javier Bardem as an actor but I actually had a nightmare a few weeks ago about his character in this movie. And that was just after seeing the TRAILER!
I'm not crazy about Javier Bardem as an actor but I actually had a nightmare a few weeks ago about his character in this movie. And that was just after seeing the TRAILER!
#12
DVD Talk Limited Edition
Originally Posted by Big Worms
Damn it. So excited to see this movie, and guess what. Not showing in my area either. 

#13
DVD Talk Limited Edition
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Roger Ebert's 4-star review of No Country for Old Men
According to Box Office Mojo, NCFOM has the following release schedule:
11/9: 28 screens
11/16: 130 screens
11/23: Wide release
According to Box Office Mojo, NCFOM has the following release schedule:
11/9: 28 screens
11/16: 130 screens
11/23: Wide release
#15
DVD Talk Legend
Great movie, and pretty faithful to the book (some changes, but not much)... Bardem was great as was Brolin and Jones. But its Bardem who really just shines here. He may be the next big iconic bad ass.
One thing I like about the Coen brothers is their not afraid to take some risks... Sure some movies don't quite work, but when they do work, it doesnt get much better.
One thing I like about the Coen brothers is their not afraid to take some risks... Sure some movies don't quite work, but when they do work, it doesnt get much better.
#16
DVD Talk Hall of Fame
Saw it tonight and really enjoyed it. Great performances all around.
I like how Ebert gushes about the Coens writing when his Miller Crossing review said "Everything is too designed. That goes for the plot and the dialogue, too. The dialogue is well-written, but it is indeed written. We admire the prose rather than the message."
I like how Ebert gushes about the Coens writing when his Miller Crossing review said "Everything is too designed. That goes for the plot and the dialogue, too. The dialogue is well-written, but it is indeed written. We admire the prose rather than the message."
#18
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Originally Posted by FantasticVSDoom
Great movie, and pretty faithful to the book (some changes, but not much)...
#19
DVD Talk Limited Edition
Originally Posted by The Bus
The movie does start to slow down and fall apart at the very end, but it's such a great ride up to that point that it's easy to forgive and overlook. The ending, while it's not a twist, did get a lot of feedback from the audience.
Not a masterpiece, but damn near it.
Not a masterpiece, but damn near it.
The only fault I can level at the movie is that it falls apart at the end. The Cohen's create this ever-present mode of tension that it might have been impossible to fully realize the climax of this movie, but the way they choose just left me really unsatisfied.
But don't let that keep you from seeing this movie, because of the ending, I'm would be tempted to give the movie only 3-1/2 stars (were I a reviewer), but no, its still a 4 star movie....its that good.
#20
This has been #1 on my must watch list all year. It doesn't go officially wide until 11/23, but it should expand alittle next weekend, which I think gives it a good chance to show up here.
#22
DVD Talk Legend
Originally Posted by BJacks
Saw the film (loved it), but haven't read the book. Could you spoilerize what the changes were?
Spoiler:
I think thats about it. Some scenes play a little longer in the book, but none of the above really diminish much though.
Originally Posted by clemente
The only fault I can level at the movie is that it falls apart at the end. The Cohen's create this ever-present mode of tension that it might have been impossible to fully realize the climax of this movie, but the way they choose just left me really unsatisfied.
Last edited by FantasticVSDoom; 11-10-07 at 08:41 PM.
#25
DVD Talk Hero
Originally Posted by The Bus
Not a masterpiece, but damn near it.