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Originally Posted by Suprmallet
What point? The point where their tastes diverge from yours? How do you quantify an emotional reaction? I've talked to many people who think 2001: A Space Odyssey is boring. I, along with many others, think it's the single greatest film ever made. Does my view invalidate the opposing view? No. Nor do those opposite views change my stance on the film.
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There's a difference between "not thinking much about an opinion" and thinking someone is stupid. For example, I don't think much of your opinions, but I have not once called you or your comments stupid.
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Originally Posted by Brack
Nice article, but proves nothing. I'm saying these people don't understand what a marriage is.
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Originally Posted by Jay G.
What is a marriage then?
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Originally Posted by Suprmallet
There's a difference between "not thinking much about an opinion" and thinking someone is stupid. For example, I don't think much of your opinions, but I have not once called you or your comments stupid.
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Originally Posted by Brack
I don't find the criticisms to be fair, plain and simple.
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Originally Posted by Brack
Something you shouldn't do.
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Originally Posted by Brack
Well, don't let me stop you.
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Originally Posted by Jay G.
Well, boo-hoo. Just because you don't agree with or don't like the criticisms leveled at the film doesn't mean they were made up. Other people didn't like the film a much as you did, and a sizable number of people too. Arguing that the criticisms are "stupid" or "unfair" isn't going to change the facts that the criticisms exist, are held by a large number of people, and influenced the box-office of the film, even in the first weekend.
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Originally Posted by Brack
As for other movies, I think it's a stupid practice, because most people know that when a film isn't screened to critics that it's probably bad, and those people who would go to the movie now won't because they know it probably sucks.
By your own explanation: if a film isn't screened for critics, people know it's probably bad, and don't go see it. Thus, the perceived quality of the film affected its performance. Eragon opened with about $2m less, not significantly lower. |
Originally Posted by Brack
No, it just means that their opinion doesn't matter to me, having seen what everyone else has seen first hand. I don't care if the criticisms exist, but they should make sense.
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Originally Posted by Brack
No, it just means that their opinion doesn't matter to me, having seen what everyone else has seen first hand. I don't care if the criticisms exist, but they should make sense.
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Originally Posted by Brack
For example, I read a lot that Daniel Craig's role in the movie is too short, like he somehow is expected to be in the movie more than he was. That seems silly to me.
However, find me the bevy of reviews that make the comment that his role was "too short," since I can't seem to find them on my own. |
Originally Posted by Jay G.
You do realize you just confirmed my point: The quality does affect the first weekend's box office.
By your own explanation: if a film isn't screened for critics, people know it's probably bad, and don't go see it. Thus, the perceived quality of the film affected its performance.
Originally Posted by Jay G.
That's my point though: since Eragon was a better known film, and didn't have a boycott, the two factors you say are the only reasons The Golden Compass didn't do well the first weekend, then Eragon should've done significantly better. That it didn't is a further confirmation that quality affects box-office, since Eragon's significantly lower ratings earned it a lower box office despite its advantages in other areas.
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Originally Posted by Brack
Well, if people know that a studio is afraid to show their movie, they don't tend to think much of the studio, and thus don't think much about seeing the movie. But if a movie is screened, and it gets terrible reviews, people at least know that the studio isn't gutless, and respect that.
Studio not screening a movie == certainty of bad reviews |
Originally Posted by Jay G.
Considering that he was featured fairly prominently in all the trailers, and a good amount of the poster art, I'd say the idea that he was expected to be in the movie more than he was isn't that silly an idea at all.
What about "And Daniel Craig" don't you understand? In case you didn't know, that means his role is small.
Originally Posted by Jay G.
However, find me the bevy of reviews that make the comment that his role was "too short," since I can't seem to find them on my own.
http://news.enquirer.com/apps/pbcs.d...T02/712070331/ I'm sure there's more, but those were the ones I remembered specifically. |
Originally Posted by Adam Tyner
I have never, ever heard anyone express anything remotely resembling that.
Studio not screening a movie == certainty of bad reviews |
Originally Posted by Brack
Eh, plenty of people go see movies that have terrible reviews.
Originally Posted by Brack
But people tend to think "if a studio doesn't even think their product is good (by not screening it), there's no way I'm seeing it." That's what I think anyway.
This is what you said a couple of posts up. In reality, with the exception of Disney and not much of anyone else, hardly anyone pays attention to what studio releases a movie, thinking of them more as some amorphous "they" than a company. |
Originally Posted by Adam Tyner
I know. I'm one of them. This has nothing to do with your point. When Fox doesn't screen a movie for critics, I think "wow, they must've come up a cropper with that one", not "Fox is a terrible studio", which is what you suggested above.
Originally Posted by Adam Tyner
...but who thinks, "Golly, this movie got awful reviews, but kudos to the studio for screening it for critics!"
This is what you said a couple of posts up. |
Originally Posted by Brack
No I didn't, I suggested that people know that the studio doesn't think much of their movie, and think less of the studio to some degree.
Originally Posted by Brack
Respecting something and giving "kudos" is not the same thing.
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Originally Posted by Adam Tyner
I rather doubt a statistically significant number of people think of the studio in either case.
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Originally Posted by Jay G.
Obviously, they do matter to you, otherwise you wouldn't be trying so hard to claim that they don't "make sense." To the people who hold these opinions, their criticisms make perfect sense. To say that the character development in the film wasn't good enough to make one care for the characters is a perfectly sensible criticism, no matter whether you personally agree with it or not.
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Originally Posted by Brack
No, they probably just say "pathetic" without thinking of the studio. But that's where the pathetic is directed, whether someone knows it or not.
Philip Pullman wishes he could pen a fantasy like the one you've created in your mind. |
Originally Posted by Adam Tyner
I think I've reached the point just about everyone else has in this thread where they just throw their hands up in disbelief and walk away.
Philip Pullman wishes he could pen a fantasy like the one you've built in your mind. |
Originally Posted by Adam Tyner
I think I've reached the point just about everyone else has in this thread where they just throw their hands up in disbelief and walk away. Sorry to have wasted both of our time.
Philip Pullman wishes he could pen a fantasy like the one you've created in your mind. I've got nothing else to add to this thread, other than Golden Compass was not that good. |
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