New Article from Josh Z - Why Don't the Black Bars Go Away? A MUST READ!!!
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New Article from Josh Z - Why Don't the Black Bars Go Away? A MUST READ!!!
Josh Z's new article does a phenomenal job of explaining aspect ratios in easy to understand language for the beginner. Lots of good info for even those "in the know"! Nice work, Z.
It does not make sense to post the article here, as the accompanying pictures are as valuable as the words themselves.
You owe it to yourself to read about this important "aspect" of film presentation.
http://www.highdefdigest.com/news/sh...rs_Go_Away/764
It does not make sense to post the article here, as the accompanying pictures are as valuable as the words themselves.
You owe it to yourself to read about this important "aspect" of film presentation.
http://www.highdefdigest.com/news/sh...rs_Go_Away/764
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I don't mind the black bars at all. To me, it gives the movie picture a wider look which I like. The only thing I don't like is full screen. But with alot of the older movies that's all that's available so I have to take it or leave it and just deal with it.
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Originally Posted by JOE29
I don't mind the black bars at all. To me, it gives the movie picture a wider look which I like. The only thing I don't like is full screen. But with alot of the older movies that's all that's available so I have to take it or leave it and just deal with it.
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This was a very interesting article, which explained things very well, but I still have some questions about OAR on DVD releases. For example, if a film was shot in 1.85:1 ratio is that what it should be on a DVD or is 1.78:1 acceptable?
Also, take a film like The Graduate, in the thread for the Special Edition people say the want it in OAR yet from what I can tell the DVD is 2.35:1, which is the OAR for the film. Is my information wrong or is there something else to this. Thanks for any help.
Also, take a film like The Graduate, in the thread for the Special Edition people say the want it in OAR yet from what I can tell the DVD is 2.35:1, which is the OAR for the film. Is my information wrong or is there something else to this. Thanks for any help.
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WWEFan, I think the folks in that thread want "The Graduate" anamorphically enhanced.
"Anamorphic" is a tricky word, as it also refers to the nature of the lens when shooting cinemascope, i.e., 2.35:1. In the case of "The Graduate", it was "shot anamorphically" at 2.35:1, and is presented in this ratio on every DVD release. However, the R1 DVD is not "anamorphically enhanced", which causes it to appear letterboxed within a 4x3 frame on widescreen TVs.
Just to make things even more complicated... only "cinemascope"/2.35:1 films are "shot anamorphically", but all widescreen ratios - 1.85:1, 1.78:1, 1.66:1, etc. - can be "anamorphically enhanced" for DVD, and of course we prefer it this way.
"Anamorphic" is a tricky word, as it also refers to the nature of the lens when shooting cinemascope, i.e., 2.35:1. In the case of "The Graduate", it was "shot anamorphically" at 2.35:1, and is presented in this ratio on every DVD release. However, the R1 DVD is not "anamorphically enhanced", which causes it to appear letterboxed within a 4x3 frame on widescreen TVs.
Just to make things even more complicated... only "cinemascope"/2.35:1 films are "shot anamorphically", but all widescreen ratios - 1.85:1, 1.78:1, 1.66:1, etc. - can be "anamorphically enhanced" for DVD, and of course we prefer it this way.
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Originally Posted by Richard Malloy
WWEFan, I think the folks in that thread want "The Graduate" anamorphically enhanced.
"Anamorphic" is a tricky word, as it also refers to the nature of the lens when shooting cinemascope, i.e., 2.35:1. In the case of "The Graduate", it was "shot anamorphically" at 2.35:1, and is presented in this ratio on every DVD release. However, the R1 DVD is not "anamorphically enhanced", which causes it to appear letterboxed within a 4x3 frame on widescreen TVs.
Just to make things even more complicated... only "cinemascope"/2.35:1 films are "shot anamorphically", but all widescreen ratios - 1.85:1, 1.78:1, 1.66:1, etc. - can be "anamorphically enhanced" for DVD, and of course we prefer it this way.
"Anamorphic" is a tricky word, as it also refers to the nature of the lens when shooting cinemascope, i.e., 2.35:1. In the case of "The Graduate", it was "shot anamorphically" at 2.35:1, and is presented in this ratio on every DVD release. However, the R1 DVD is not "anamorphically enhanced", which causes it to appear letterboxed within a 4x3 frame on widescreen TVs.
Just to make things even more complicated... only "cinemascope"/2.35:1 films are "shot anamorphically", but all widescreen ratios - 1.85:1, 1.78:1, 1.66:1, etc. - can be "anamorphically enhanced" for DVD, and of course we prefer it this way.
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When more people upgrade to 16:9 televisions, I will be laughing to myself at all the 1.33:1 fullscreen dvds people have purchased of recent movies. In fact, I'm still shocked at the amount still available in stores and places that carry full screen only. Then again, stretch to fill doesn't seem to bother many people, so I guess the fact that everyone looks too wide won't be noticed.
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Originally Posted by WWEFan
For example, if a film was shot in 1.85:1 ratio is that what it should be on a DVD or is 1.78:1 acceptable?
#10
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Originally Posted by WWEFan
This was a very interesting article, which explained things very well, but I still have some questions about OAR on DVD releases. For example, if a film was shot in 1.85:1 ratio is that what it should be on a DVD or is 1.78:1 acceptable?
1.85:1
Open Matte 1.78:1
Either version as seen on a TV with typical 5% overscan
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Originally Posted by compulsive dvd
When more people upgrade to 16:9 televisions, I will be laughing to myself at all the 1.33:1 fullscreen dvds people have purchased of recent movies. In fact, I'm still shocked at the amount still available in stores and places that carry full screen only. Then again, stretch to fill doesn't seem to bother many people, so I guess the fact that everyone looks too wide won't be noticed.
Also, I wish Josh had used the term 16:9 in his article instead of hi-def when refering to the displays, as the Aspect Ratio is really the crux of the argument, not the resolution of the picture.
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Ooh, that Once Upon a time in the West shot is fantastic!
An important point that many people outside of this forum don't seem to grasp.
A TV screen doesn't need to be filled to perform its duty properly.
Last edited by Egon's Ghost; 07-17-07 at 10:51 AM.
#14
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Originally Posted by BuckNaked2k
Also, I wish Josh had used the term 16:9 in his article instead of hi-def when refering to the displays, as the Aspect Ratio is really the crux of the argument, not the resolution of the picture.
#15
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Originally Posted by BuckNaked2k
I know what you mean! I'm constantly amazed by all the 16:9 televisions I see out in bars, restaurants, etc, (to say nothing of my parents' living room) that are stretched to fit the whole frame. Does no one notice the fat heads and odd appearance of the picture but me?
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If a display can't show a picture properly without damage/burn-in, then it's a faulty piece of equipment.
When I worked at Tower.com, I actually had some moron ask for all his movies in foolscreen even though he had a plasma TV; his reason being that since 2.35 movies still had 'black bars', he'd rather stretch the foolscreen versions so they filled the screen.
When I worked at Tower.com, I actually had some moron ask for all his movies in foolscreen even though he had a plasma TV; his reason being that since 2.35 movies still had 'black bars', he'd rather stretch the foolscreen versions so they filled the screen.
#17
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Originally Posted by Alan Smithee
If a display can't show a picture properly without damage/burn-in, then it's a faulty piece of equipment.
#19
Some day the great and wise industry will create 21.15x9 HDTV screens. Because all of our 2.35:1 movies will finally look fantastic.
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Originally Posted by Superman07
Could somebody expand? Thanks!
#22
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Originally Posted by Josh Z
I hear what you're saying, but the article was aimed at specifically at people who assume that High Definition equals "fill my HDTV".
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The article was a little misleading by constantly referring to "HDTV". You can get widescreen televisions that aren't HD, and indeed, if you look hard enough I bet you can get HD TV's that aren't widescreen. And indeed, lots and lots of computer screens that people are using to show HD will not be widescreen either.
I can see that the article was aimed at HD owners, but really, by doing this it was just adding to the confusion.
This could have been addressed by adding a small intermediary paragraph that showed the introduction of widescreen televisions, and then noted that HD televisions are virtually all widescreen.
Referring to HD when you mean widescreen is confusing apples and pears IMHO.
I can see that the article was aimed at HD owners, but really, by doing this it was just adding to the confusion.
This could have been addressed by adding a small intermediary paragraph that showed the introduction of widescreen televisions, and then noted that HD televisions are virtually all widescreen.
Referring to HD when you mean widescreen is confusing apples and pears IMHO.
#24
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Originally Posted by Nebiroth
The article was a little misleading by constantly referring to "HDTV". You can get widescreen televisions that aren't HD, and indeed, if you look hard enough I bet you can get HD TV's that aren't widescreen. And indeed, lots and lots of computer screens that people are using to show HD will not be widescreen either.
It can be said that while all HDTVs are 16x9, not all 16x9 TVs are HD.
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Originally Posted by Nebiroth
The article was a little misleading by constantly referring to "HDTV". You can get widescreen televisions that aren't HD