movies that are not on criterion that should be
#1
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movies that are not on criterion that should be
I have just started to collect criterion dvds and i have noticed alot of really good movies that are not on criterion such as
Titanic
Bottle rocket
citizen kane
and many more
and i was wondering if anybody has a list of their own they would like to see get put on criterion
Titanic
Bottle rocket
citizen kane
and many more
and i was wondering if anybody has a list of their own they would like to see get put on criterion
#4
Moderator
Re: movies that are not on criterion that should be
Originally posted by dvdlover20
I have just started to collect criterion dvds and i have noticed alot of really good movies that are not on criterion such as
Titanic
Bottle rocket
citizen kane
and many more
and i was wondering if anybody has a list of their own they would like to see get put on criterion
I have just started to collect criterion dvds and i have noticed alot of really good movies that are not on criterion such as
Titanic
Bottle rocket
citizen kane
and many more
and i was wondering if anybody has a list of their own they would like to see get put on criterion
FWIW, Titanic is an awful movie, Bottle Rocket is decent, but not worthy of Criterion, and the existing Citizen Kane release is the equal of anything Criterion has produced.
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originally posted by wendersfan
You might want to look for the dozens of other threads with roughly the same subject.
FWIW, Titanic is an awful movie, Bottle Rocket is decent, but not worthy of Criterion, and the existing Citizen Kane release is the equal of anything Criterion has produced.
well sorry if you don't like the same movies that i do but i just wanted to remind you that Titanic received alot of awards including best picture does that even matter to you?
You might want to look for the dozens of other threads with roughly the same subject.
FWIW, Titanic is an awful movie, Bottle Rocket is decent, but not worthy of Criterion, and the existing Citizen Kane release is the equal of anything Criterion has produced.
well sorry if you don't like the same movies that i do but i just wanted to remind you that Titanic received alot of awards including best picture does that even matter to you?
#6
Moderator
Originally posted by dvdlover20
well sorry if you don't like the same movies that i do but i just wanted to remind you that Titanic received alot of awards including best picture does that even matter to you?
well sorry if you don't like the same movies that i do but i just wanted to remind you that Titanic received alot of awards including best picture does that even matter to you?
http://www.dvdtalk.com/forum/showthr...hreadid=251727
I don't base my opinions of movies on which awards they've won, and if I did, it certainly wouldn't be based on the Academy Awards.
#7
DVD Talk Limited Edition
Several other threads address this topic but I'll still add my say:
Malcolm X is my first choice for a criterion release.
Malcolm X is my first choice for a criterion release.
#8
DVD Talk Legend
Originally posted by wendersfan
I don't base my opinions of movies on which awards they've won, and if I did, it certainly wouldn't be based on the Academy Awards.
I don't base my opinions of movies on which awards they've won, and if I did, it certainly wouldn't be based on the Academy Awards.
On topic, my dream Criterion would be a three-disc set of "Apocalypse Now," with the original theatrical cut on Disc One, "Apocalypse Redux" on Disc Two and the documentary "Hearts of Darkness" on Disc Three.
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Edward Scissorhands
Ed Wood
12 Monkey's
Pulp Fiction
Plan 9 From Outer Space (I'm serious)
King Kong
Evil Dead 2
I know some of those titles already have some pretty loaded disc's out there and I'm not sure what else could be added but I'm sure Criterion could come up with something.
Ed Wood
12 Monkey's
Pulp Fiction
Plan 9 From Outer Space (I'm serious)
King Kong
Evil Dead 2
I know some of those titles already have some pretty loaded disc's out there and I'm not sure what else could be added but I'm sure Criterion could come up with something.
#10
DVD Talk Legend
How about films that aren't on Criterion, but have some chance (however slim) and should be.
I'm thinking of smaller films that aren't mainstream, and either aren't well done on DVD, or even released at all on DVD.
Last Night
Exotica
Shallow Grave
The Double-Life of Veronique
Jean De Florette/Manon of the Spring
Delicatessen
Short Cuts
The Sacrifice
The Mirror
Slums of Beverly Hills
Breathless (Godard)
Jesus of Montreal
The Conformist
Badlands
Fearless
New Waterford Girl
I'm thinking of smaller films that aren't mainstream, and either aren't well done on DVD, or even released at all on DVD.
Last Night
Exotica
Shallow Grave
The Double-Life of Veronique
Jean De Florette/Manon of the Spring
Delicatessen
Short Cuts
The Sacrifice
The Mirror
Slums of Beverly Hills
Breathless (Godard)
Jesus of Montreal
The Conformist
Badlands
Fearless
New Waterford Girl
Last edited by Coral; 06-29-03 at 07:22 PM.
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My 2¢---the titles I'd most like to see on Criterion. I've indicated how likely it is that each film ends up on the Criterion label: L=Likely, P=Possible, U=Unlikely. Note that, up to now, Criterion has only licensed films for DVD release from two of the major studios: Universal & Disney (Miramax/Touchstone); they also have a working relationship with Wellspring (formerly Fox Lorber/Winstar):
Michaelangelo Antonioni: L'eclisse/The Eclipse (1962/L)
Ingmar Bergman: Fanny and Alexander (1983/MGM/U)
Bernardo Bertolucci: Il Conformista/The Conformist (1971/Paramount/U)
Robert Bresson: Au Hasard Balthazar (1966/L), Le Journal d'un curé de campagne/The Diary of a Country Priest (1950/L), Un condamné à mort s'est échappé/A Man Escaped 1957/New Yorker/U), Pickpocket (1959/New Yorker/U)
Luis Buñuel: L'Age d'Or (1930/Kino/U), Los Olivados (1950/P), Viridiana (1961/P), Tristana (1970/L)
Marcel Carné: Le Jour se lève/Daybreak (1939/L)
Vittorio De Sica: Ladri di biciclette/The Bicycle Thief (1948/Image/P), Sciuscià/Shoeshine (1947/Image/P), Two Women (1960/P)
Victor Erice: El Sur (1982/New Yorker/U), El Espíritu de la colmena/The Spirit of the Beehive (1973/L)
W.C. Fields: It's a Gift (1934/McLeod/Universal/P), Man on the Flying Trapeze (1935/Bruckman/Universal/P)
Jean-Luc Godard: À bout de souffle/Breathless (1959/Wellspring/P), Vivre sa vie/My Life to Live (1962/Wellspring/P), Pierrot le fou (1965/Wellspring/P)
Howard Hawks: Bringing Up Baby (1938/Warner/U), Twentieth Century (1934/Columbia Tristar/U), To Have and Have Not (1944/Warner/U)
Hsaio-Hsien Hou: City of Sadness (1989/P), The Time to Live and the Time to Die (1985/P)
Kon Ichikawa: The Burmese Harp (1956/L)
Shohei Imamura: The Ballad of Narayama (1982/L), The Insect Woman (1963/P)
Aki Kaurismaki: Drifting Clouds (1996/P), The Man without a Past (2002/Columbia Tristar/U)
Krzysztof Kieslowski: The Decalogue (1988/Facets/U)
Akira Kurosawa: Ikiru/To Live (1952/L)
Emir Kusturica: When Father was Away on Business (1985/P), Underground (1995/New Yorker/U)
Mitchell Leisen: Midnight (1939/Universal/P)
Harold Lloyd: The Freshman (1925/Newmeyer/P), The Kid Brother (1927/Wilde/P)
Ernst Lubitsch: To Be or Not to Be (1942/Warner/U)
Leo McCarey: Ruggles of Red Gap (1935/Universal/P), Make Way for Tomorrow (1937/Universal/P)
Jean-Pierre Melville: Le Samourai (1967/New Yorker/U)
Kenji Mizoguchi: Story of the Last Chrysanthemum (1939/L), The Life of Oharu (1952/L), Sansho Dayu/Sansho the Bailiff (1954/L), Ugetsu (1954/L)
Mikio Naruse: Ukigumo/Floating Clouds (1955/P), Mother (1952/P)
Ermanno Olmi: L'Albero degli zoccoli/The Tree of Wooden Clogs (1978/New Yorker/U)
Max Ophüls: The Earrings of Madame de ... (1953/L)
Yasujiro Ozu: Tokyo Story (1953/L), There was a Father (1942/P), Late Spring (1949/P), Autumn Afternoon (1962/P)
Satyajit Ray: The Apu Trilogy: Pather Panchali, Aparajito, World of Apu (1954-9/Columbia Tristar/U), The Music Room (1958/P)
Jean Renoir: La Règle du jeu/Rules of the Game (1939/L), Une Partie de campagne/A Day in the Country (1937/P), La Chienne (1931/P), The River (1951/L)
Victor Seastrom (Sjöström): The Scarlet Letter (1926/Warner/U), The Wind (1928/Warner/U)
George Stevens: Gunga Din (1939/Warner/U)
Preston Sturges: The Palm Beach Story (1942/Universal/P), The Miracle of Morgan's Creek (1944/Paramount/U)
Béla Tarr: Sátántangó (1994/P), Kárhozat/Damnation (1988/P), Werckmeister Harmonies (2000/P)
Jacques Tati: Monsieur Hulot's Holiday (1951/P), Playtime (1967/P)--re-releases featuring restored prints
King Vidor: The Big Parade (1924/Warner/U), The Crowd (1928/Warner/U)
Jean Vigo: Zero for Conduct (1933/L)
Luchino Visconti: Il Gattopardo/The Leopard (1963/L)
Josef von Sternberg: The Last Command (1928/Paramount/U)
Erich von Stroheim: Greed (1928/Warner/U)
Orson Welles: Chimes at Midnight (1967/P), The Magnificent Ambersons (1942/Warner/U)
Wim Wenders: Im Lauf der Zeit/Kings of the Road (1976/P)
Billy Wilder: Double Indemnity (1944/Universal/U)
Zhang Yimou: Raise the Red Lantern (1991/MGM/U)
My apologies--I didn't mean for the post to be so long. I think I got carried away . . .
Michaelangelo Antonioni: L'eclisse/The Eclipse (1962/L)
Ingmar Bergman: Fanny and Alexander (1983/MGM/U)
Bernardo Bertolucci: Il Conformista/The Conformist (1971/Paramount/U)
Robert Bresson: Au Hasard Balthazar (1966/L), Le Journal d'un curé de campagne/The Diary of a Country Priest (1950/L), Un condamné à mort s'est échappé/A Man Escaped 1957/New Yorker/U), Pickpocket (1959/New Yorker/U)
Luis Buñuel: L'Age d'Or (1930/Kino/U), Los Olivados (1950/P), Viridiana (1961/P), Tristana (1970/L)
Marcel Carné: Le Jour se lève/Daybreak (1939/L)
Vittorio De Sica: Ladri di biciclette/The Bicycle Thief (1948/Image/P), Sciuscià/Shoeshine (1947/Image/P), Two Women (1960/P)
Victor Erice: El Sur (1982/New Yorker/U), El Espíritu de la colmena/The Spirit of the Beehive (1973/L)
W.C. Fields: It's a Gift (1934/McLeod/Universal/P), Man on the Flying Trapeze (1935/Bruckman/Universal/P)
Jean-Luc Godard: À bout de souffle/Breathless (1959/Wellspring/P), Vivre sa vie/My Life to Live (1962/Wellspring/P), Pierrot le fou (1965/Wellspring/P)
Howard Hawks: Bringing Up Baby (1938/Warner/U), Twentieth Century (1934/Columbia Tristar/U), To Have and Have Not (1944/Warner/U)
Hsaio-Hsien Hou: City of Sadness (1989/P), The Time to Live and the Time to Die (1985/P)
Kon Ichikawa: The Burmese Harp (1956/L)
Shohei Imamura: The Ballad of Narayama (1982/L), The Insect Woman (1963/P)
Aki Kaurismaki: Drifting Clouds (1996/P), The Man without a Past (2002/Columbia Tristar/U)
Krzysztof Kieslowski: The Decalogue (1988/Facets/U)
Akira Kurosawa: Ikiru/To Live (1952/L)
Emir Kusturica: When Father was Away on Business (1985/P), Underground (1995/New Yorker/U)
Mitchell Leisen: Midnight (1939/Universal/P)
Harold Lloyd: The Freshman (1925/Newmeyer/P), The Kid Brother (1927/Wilde/P)
Ernst Lubitsch: To Be or Not to Be (1942/Warner/U)
Leo McCarey: Ruggles of Red Gap (1935/Universal/P), Make Way for Tomorrow (1937/Universal/P)
Jean-Pierre Melville: Le Samourai (1967/New Yorker/U)
Kenji Mizoguchi: Story of the Last Chrysanthemum (1939/L), The Life of Oharu (1952/L), Sansho Dayu/Sansho the Bailiff (1954/L), Ugetsu (1954/L)
Mikio Naruse: Ukigumo/Floating Clouds (1955/P), Mother (1952/P)
Ermanno Olmi: L'Albero degli zoccoli/The Tree of Wooden Clogs (1978/New Yorker/U)
Max Ophüls: The Earrings of Madame de ... (1953/L)
Yasujiro Ozu: Tokyo Story (1953/L), There was a Father (1942/P), Late Spring (1949/P), Autumn Afternoon (1962/P)
Satyajit Ray: The Apu Trilogy: Pather Panchali, Aparajito, World of Apu (1954-9/Columbia Tristar/U), The Music Room (1958/P)
Jean Renoir: La Règle du jeu/Rules of the Game (1939/L), Une Partie de campagne/A Day in the Country (1937/P), La Chienne (1931/P), The River (1951/L)
Victor Seastrom (Sjöström): The Scarlet Letter (1926/Warner/U), The Wind (1928/Warner/U)
George Stevens: Gunga Din (1939/Warner/U)
Preston Sturges: The Palm Beach Story (1942/Universal/P), The Miracle of Morgan's Creek (1944/Paramount/U)
Béla Tarr: Sátántangó (1994/P), Kárhozat/Damnation (1988/P), Werckmeister Harmonies (2000/P)
Jacques Tati: Monsieur Hulot's Holiday (1951/P), Playtime (1967/P)--re-releases featuring restored prints
King Vidor: The Big Parade (1924/Warner/U), The Crowd (1928/Warner/U)
Jean Vigo: Zero for Conduct (1933/L)
Luchino Visconti: Il Gattopardo/The Leopard (1963/L)
Josef von Sternberg: The Last Command (1928/Paramount/U)
Erich von Stroheim: Greed (1928/Warner/U)
Orson Welles: Chimes at Midnight (1967/P), The Magnificent Ambersons (1942/Warner/U)
Wim Wenders: Im Lauf der Zeit/Kings of the Road (1976/P)
Billy Wilder: Double Indemnity (1944/Universal/U)
Zhang Yimou: Raise the Red Lantern (1991/MGM/U)
My apologies--I didn't mean for the post to be so long. I think I got carried away . . .
Last edited by FilmFanSea; 06-29-03 at 08:16 PM.
#18
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Originally posted by Coral
BTW, what's with the the lack of Canadian films on Criterion?
BTW, what's with the the lack of Canadian films on Criterion?
I'm sorry, I just couldn't resist.
#20
DVD Talk Hero
Originally posted by Seeker
I just want them to get Devil & Daniel Webster out on DVD...
I just want them to get Devil & Daniel Webster out on DVD...
The Devil and Daniel Webster
Jabez Stone is a hard-working farmer trying to make an honest living, but a streak of bad luck tempts him to do the unthinkable: bargain with the Devil himself. For seven years of good fortune, Stone promises “Mr. Scratch” his soul when the contract ends. When the troubled farmer begins to realize the error of his choice, he enlists the aid of the one man who might save him: the legendary orator and politician Daniel Webster. Directed with stylish flair by William Dieterle, The Devil and Daniel Webster brings the classic short story by Stephen Vincent Benét to life with inspired visuals, an unforgettable Oscar®-winning score by Bernard Herrmann, and a truly diabolical performance from Walter Huston.
Special Features
-New restored digital transfer of the full-length 106-minute version
-Audio commentary by film historian Bruce Eder and Herrmann biographer Steven C. Smith
-Video comparison between The Devil and Daniel Webster and William Dieterle’s “preview version” of the film, entitled Here Is a Man
-The Columbia Workshop’s radio dramatizations of Stephen Vincent Benét’s stories The Devil and Daniel Webster and Daniel Webster and the Sea Serpent, both with music by Bernard Herrmann
-Gallery of behind-the-scenes photos and promotional materials
-New essay by author Tom Piazza (Blues and Trouble: Twelve Stories)
-English subtitles for the deaf and hearing impaired
-Optimal image quality: RSDL dual-layer edition
#23
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Re: Re: movies that are not on criterion that should be
Originally posted by wendersfan
FWIW, Titanic is an awful movie, Bottle Rocket is decent, but not worthy of Criterion, and the existing Citizen Kane release is the equal of anything Criterion has produced.
FWIW, Titanic is an awful movie, Bottle Rocket is decent, but not worthy of Criterion, and the existing Citizen Kane release is the equal of anything Criterion has produced.
And if you are going to collect them, You may want to make sure the Criterion isn’t actually a bad version of the movie.
http://www.dvdcompare.org.uk/comparisons/
#25
DVD Talk Legend
Originally posted by darkflounder
But Bob and Doug MacKenzie's Strange Brew and a compilation of CBC Hockey Night in Canada aren't exactly great Criterion fodder. However, a 9 disc Ken Burn's historical documentary on Curling would be fascinating.
But Bob and Doug MacKenzie's Strange Brew and a compilation of CBC Hockey Night in Canada aren't exactly great Criterion fodder. However, a 9 disc Ken Burn's historical documentary on Curling would be fascinating.