DVD Reviewers... How did you become one?
#27
Originally Posted by CKMorpheus
I used to work at the now defunct DVD Shrine.com, and I applied with a sample review and they hired me on the spot. They weren't as affluent as DVD Talk, but they paid me in product compensation. I got to keep the DVDs the sent me. Unfortunately I didn't stick around long, I just didn't have the time to keep up with the DVDs as well as classes.
The guy that ran it was a dick.
#28
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Originally Posted by lacubs
if you like to reveiw dvds, getting a free dvd is not a bad deal!
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But if you can become a volume reviewer, you can turn free product into a decent amount of cash, or at the least, a nice chunk saved of your own cash on titles you don't have to purchase.
#30
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Originally Posted by FusionX
But if you can become a volume reviewer, you can turn free product into a decent amount of cash
#31
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Originally Posted by FusionX
But if you can become a volume reviewer, you can turn free product into a decent amount of cash, or at the least, a nice chunk saved of your own cash on titles you don't have to purchase.
#32
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Originally Posted by Adam Tyner
Personally, I think selling something a studio gave you for free to promote their product makes for bad karma. I know there was bad blood between one small studio and a review site when their webmaster was 'caught' selling screeners on eBay.
Esp. the copies that are 'cut outs' - UPC codes made unreadable by scanners so that they aren't able to be sold. When I worked at a record label we were always incensed to find promo copies in the bins before street date, we'd even try to figure out which reviewers had received copies since we were a local label with NO MONEY.
I always got the impression that selling 'cut out' copies was illegal ...
Then again, what about all those 'How She Move' DVDs?
#33
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Originally Posted by Adam Tyner
Personally, I think selling something a studio gave you for free to promote their product makes for bad karma. I know there was bad blood between one small studio and a review site when their webmaster was 'caught' selling screeners on eBay.
Some studios will deface the screener packaging by cutting out or hole-punching the UPC to prevent resale.
Then of course there's Fox, who frequently send DVD screeners with the "PROPERTY OF FOX. NOT FOR RESALE. THAT MEANS YOU, SCUMBAG MOVIE REVIEWER PIRATE!!" watermark scrolling across the bottom of the screen during the entire movie.
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Originally Posted by Josh Z
Then of course there's Fox, who frequently send DVD screeners with the "PROPERTY OF FOX. NOT FOR RESALE. THAT MEANS YOU, SCUMBAG MOVIE REVIEWER PIRATE!!" watermark scrolling across the bottom of the screen during the entire movie.
#35
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I've been writing reviews for 11 years now and while there are times when I need a little break from it, I still enjoy it. Of course, there are also times when I stop and realize that, geez...I've been doing this for a little over a decade of my life.
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Originally Posted by Adam Tyner
Personally, I think selling something a studio gave you for free to promote their product makes for bad karma. I know there was bad blood between one small studio and a review site when their webmaster was 'caught' selling screeners on eBay.
#37
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Before I started here almost five years ago, I'd never written a DVD or film review. Ever.
But I enjoyed creative writing (and DVDs!) and thought I'd make a good reviewer...so once I heard of DVD Talk's open call, I whipped up a sample review for Monty Python's "The Meaning of Life", which had just been released that week. Few (if any) websites got screener copies of that title, so I thought DVD Talk getting something of an "exclusive" might give me a slight edge. Luckily, Geoff loved my review and I started permanently the next week.
500+ reviews later, I'm still enjoying it immensely and trying to improve my work as I keep going. So from a true "DVD Talk Original", you can be an entry-level writer and still sneak in the back door.
But I enjoyed creative writing (and DVDs!) and thought I'd make a good reviewer...so once I heard of DVD Talk's open call, I whipped up a sample review for Monty Python's "The Meaning of Life", which had just been released that week. Few (if any) websites got screener copies of that title, so I thought DVD Talk getting something of an "exclusive" might give me a slight edge. Luckily, Geoff loved my review and I started permanently the next week.
500+ reviews later, I'm still enjoying it immensely and trying to improve my work as I keep going. So from a true "DVD Talk Original", you can be an entry-level writer and still sneak in the back door.
Last edited by Randy Miller III; 07-13-08 at 03:55 PM.
#38
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Originally Posted by Yakuza Bengoshi
There's a segment on episode #358 of "This American Life" (air date 6/30/08) in which a NYC homeless man writes DVD porn reviews so that he can sell the DVDs to a local rental shop for $2 each. He must really crank through those reviews.
(and no, I keep all my screeners, even porn, except for the ones I send to fellow reviewers on occasion)
Originally Posted by Touch of Evil58
I have applied three times (twice as a reviewer of porn) for DVD talk and they never got back to me.
Originally Posted by big whoppa
I don't mean to be too negative but that's the very least you should get if you do a review. I'm sure the screeners are given free to the sites. The sites make all the money.
#39
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Originally Posted by big whoppa
As a reviewer, you're doing a service for the studios and the review websites. Your time to review their movie is worth something. It's crazy that they would even care what you do with the screeners after that. Seems like very small potatoes to me. And if that's the way Fox deals with the situation, I'd be less inclined to review one of their movies.
That said, sending us watermarked visuals, incomplete discs or even just parts of a multidisc set does nothing to help us help our readers. It can really be quite frustrating, and there's got to be a better way.
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Originally Posted by jmanlakerfan
I used to work at DVD Shrine also. I had about 15 reviews up within a month and I was suddenly locked out of the site. I never received a straight answer on why I was 'fired.'
The guy that ran it was a dick.
The guy that ran it was a dick.
#42
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Originally Posted by GHackmann
A recent federal decision explicitly made reselling promotional copies legal (details here).
That is nice news! Obviously it's still a labor of love, but if (after street date) it's possible to make the hard work of reviewing DVDs turn into sub-minimum-wage labor, why not?
But for titles like the Kinky Cannibal Double Feature - I'm never letting that one go!
#43
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Originally Posted by GHackmann
A recent federal decision explicitly made reselling promotional copies legal (details here).
#44
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Selling advance copies is something I'd never even thought of. If my only real form of "payment" was the DVD that I'm reviewing, I would hope it would at least be complete without screener tags at the bottom of the movie or defaced cover art. That sucks since, as another member said, you are doing them a service. And how can you give an accurate review if they send you shit?
Just out of curioisty, what's the approx ratio of these types of discs? 1 in 10? 1 in 20? Every disc Fox sends out?
Just out of curioisty, what's the approx ratio of these types of discs? 1 in 10? 1 in 20? Every disc Fox sends out?
#45
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Originally Posted by Josh Z
I got a warning email from a major studio when they saw a forum post I made about trading (not selling, but trading) a couple of my screeners I didn't plan to watch again.
What kind of warning? Don't do it at all or wait until street date?
#46
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Originally Posted by Living Dead
how can you give an accurate review if they send you shit?
I received two screeners of What Would Jesus Buy?, both with audio/video sync problems. Without being able to see the final product, I had no idea whether the problem was carried over to the final product.
Just out of curioisty, what's the approx ratio of these types of discs? 1 in 10? 1 in 20? Every disc Fox sends out?
It's perhaps 10%-15% of the discs we get here, but of the studios that send something less than the final product, their behavior remains fairly consistent over time.* Thus, the fact that Facets, for example, provides only incomplete screeners while Criterion Collection provides only final product may explain why there are only 88 Facets reviews yet 458 Criterion reviews available here, despite the fact that both labels have turned out roughly equal numbers of titles.
*I'm not certain about Fox though. They generally don't release the kind of films I'm interested in reviewing.
Last edited by Yakuza Bengoshi; 07-13-08 at 11:01 PM.
#48
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Originally Posted by Yakuza Bengoshi
*I'm not certain about Fox though. They generally don't release the kind of films I'm interested in reviewing.
As to reselling I tend to keep what I review in my collection. What I don't like I typically give/have given away.
I must say though, there are some absolutely terrible distribs out there.
Pro-B
#49
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Originally Posted by Adam Tyner
Personally, I think selling something a studio gave you for free to promote their product makes for bad karma. I know there was bad blood between one small studio and a review site when their webmaster was 'caught' selling screeners on eBay.
In short though, if you're a decent enough writer, and can find the right niche there's plenty of online opportunity for you outside the world of DVD Talk...it's just a matter of getting out there and finding it. A lot of it depends on whether it's more important for you to get paid, or get read. Some of us (including some of the reviewers here on DVD Talk) make a living doing both (as do I, although ironically I was "fired" from my freelancing here). The best plan is probably going the "free" route first, to establish yourself online, then - once your "name is out there" - start looking for paid opportunities.
Last edited by Shannon Nutt; 07-14-08 at 07:08 AM.
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Originally Posted by Shannon Nutt
Not only that, but if studios found out reviewers were selling free screeners, they'd most likely cut off the site from future titles. One of the agreements for getting review copies is that you won't re-sell, trade or otherwise distribute them to others. In fact, technically, the copies remain the property of the studio that sends them to you.
The best plan is probably going the "free" route first, to establish yourself online, then - once your "name is out there" - start looking for paid opportunities.