Can someone verify what i've got here about aspect ratios?
#1
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This is my understanding. Is this correct?
Digital TV
1.78:1 (16x9)
Pan and Scan
1.33:1 (4x3)
Widescreen
1.85:1
Anamorphic
2.35:1
-------------------------------
SDTV (NTSC or National Television System Committee)
525 lines @ 60Hz
HDTV
1080 lines
PAL (Phase Alternating Line)
625 lines @ 50Hz
-------------------------------
Have I got this right? Just wanted to make sure I understand.
#2
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Digital TV(DTV) is just a general term for digital TV and it has nothing to do with screen size and can be any aspect ratio.
1.78:1 = 16x9
Pan & Scan is a process where a widescreen movie can be put into a 1.33:1/4x3 ratio. Not all 1.33:1/4x3 movies or TV shows are pan & scan.
Widescreen, when pertaining to movies, is a general term to let you know that the movie is in a widescreen format. The aspect ratio used is usually what the movie was originally filmed in.
Widescreen, when pertaining to TVs, is also a general term but for the most part it is referring to a 16x9 TV.
Anamorphic has nothing to do with screen size or aspect ratio. Anamorphic is a process used when authoring a DVD which, basically explained, allows for the greatest possible resolution for the transfer.
NTSC does not specifically pertain to just SDTV. It encompases all forms of all television SD, DTV, HD, etc...
SDTV is an interlaced signal 525 lines of vertical resolution but only 480 are visible.
HDTV can either be 480 interlaced, 480 progressive, 720 progressive and 1080 interlaced.
I know nothing about PAL.
[Edited by palebluedot on 03-01-01 at 09:47 PM]
1.78:1 = 16x9
Pan & Scan is a process where a widescreen movie can be put into a 1.33:1/4x3 ratio. Not all 1.33:1/4x3 movies or TV shows are pan & scan.
Widescreen, when pertaining to movies, is a general term to let you know that the movie is in a widescreen format. The aspect ratio used is usually what the movie was originally filmed in.
Widescreen, when pertaining to TVs, is also a general term but for the most part it is referring to a 16x9 TV.
Anamorphic has nothing to do with screen size or aspect ratio. Anamorphic is a process used when authoring a DVD which, basically explained, allows for the greatest possible resolution for the transfer.
NTSC does not specifically pertain to just SDTV. It encompases all forms of all television SD, DTV, HD, etc...
SDTV is an interlaced signal 525 lines of vertical resolution but only 480 are visible.
HDTV can either be 480 interlaced, 480 progressive, 720 progressive and 1080 interlaced.
I know nothing about PAL.
[Edited by palebluedot on 03-01-01 at 09:47 PM]
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Ah ha, ok. Thanks for clearing that up Palebluedot.
Could you explain anamorphic a little more for me dude? I was just reading this guide from The Digital Bits and I'm still a little confused as to how it works technically.
http://www.thedigitalbits.com/articl...hic/index.html
Thanks for your help.
Could you explain anamorphic a little more for me dude? I was just reading this guide from The Digital Bits and I'm still a little confused as to how it works technically.
http://www.thedigitalbits.com/articl...hic/index.html
Thanks for your help.
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Basically anamorphic is a bit that gets turned on in the DVD authoring process that "squeezes" the picture rather than letterboxes it and when you play the movie your DVD player and TV will "unsqueeze" it. That is what the 16x9 mode on your DVD player is for(you would also set it to 16x9 even on a 4:3 TV that has an anamorphic feature like the Sony Wegas). However if your TV does not have an anamorphic feature you would set your DVD player to 4:3 which basically does on-the-fly letterboxing for you.
In letterboxing the resolution is lower because the "black bars" are using some of the scan lines in order to produce the widescreen movie. Anamorphic only works on digital TVs or TVs with an anamorphic feature.
Anamorphic also works in the theater. If a theater has only a 1.85:1 screen, a 2.35:1 aspect movie would obviously be to wide for the screen. What they do is they put an anamorphic lens in front of the projector to "squeeze" the picture onto the screen but retaing the original ratio of the movie. In most theaters though, they have 2.78:1 screens and they move the side curtains depending on the aspect ratio of the movie.
In letterboxing the resolution is lower because the "black bars" are using some of the scan lines in order to produce the widescreen movie. Anamorphic only works on digital TVs or TVs with an anamorphic feature.
Anamorphic also works in the theater. If a theater has only a 1.85:1 screen, a 2.35:1 aspect movie would obviously be to wide for the screen. What they do is they put an anamorphic lens in front of the projector to "squeeze" the picture onto the screen but retaing the original ratio of the movie. In most theaters though, they have 2.78:1 screens and they move the side curtains depending on the aspect ratio of the movie.
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Okay... Some clarifications (I live aspect ratios)
First, for all practical purposes, do not correlate anamorphic film production and projection with anamorphically enhanced transfers for DVD. Different animals. Many people mistakenly do this.
Here's a pretty good list of ARs:
1.33:1 (16mm film, NTSC TVs, NTSC video cams)
1.37:1 (old academy 35mm aperture)
1.66:1 (standard European 35mm 'widescreen', super16mm)
1.78:1 (HDTV, 'widescreen' TVs, 'widescreen' video cams)
1.85:1 (35mm 'widescreen', anamorphic 16mm)
2.35-2.42:1 (anamorphic 35mm, spherical 2.35:1 on super35mm)
That said, you can shoot any of these ARs on 35mm film, and most on 16mm film. Film has no inherent AR. For instance, I regularly work with super35 with a 4:3 AR on commercials.
For an in-depth discussion on some of this, check out this thread. I discovered errors in the Home Theater Forum Aspect Ratio FAQ, which is now being corrected, and we discussed it here (I'm Scott):
http://www.hometheaterforum.com/uub/...ML/001550.html
Some info on projection:
http://www.hometheaterforum.com/uub/...ML/006020.html
My recent PAL rant (PAL is far superior to NTSC video):
http://www.dvdtalk.com/forum/showthr...threadid=82220
First, for all practical purposes, do not correlate anamorphic film production and projection with anamorphically enhanced transfers for DVD. Different animals. Many people mistakenly do this.
Here's a pretty good list of ARs:
1.33:1 (16mm film, NTSC TVs, NTSC video cams)
1.37:1 (old academy 35mm aperture)
1.66:1 (standard European 35mm 'widescreen', super16mm)
1.78:1 (HDTV, 'widescreen' TVs, 'widescreen' video cams)
1.85:1 (35mm 'widescreen', anamorphic 16mm)
2.35-2.42:1 (anamorphic 35mm, spherical 2.35:1 on super35mm)
That said, you can shoot any of these ARs on 35mm film, and most on 16mm film. Film has no inherent AR. For instance, I regularly work with super35 with a 4:3 AR on commercials.
For an in-depth discussion on some of this, check out this thread. I discovered errors in the Home Theater Forum Aspect Ratio FAQ, which is now being corrected, and we discussed it here (I'm Scott):
http://www.hometheaterforum.com/uub/...ML/001550.html
Some info on projection:
http://www.hometheaterforum.com/uub/...ML/006020.html
My recent PAL rant (PAL is far superior to NTSC video):
http://www.dvdtalk.com/forum/showthr...threadid=82220
#7
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Originally posted by palebluedot
Anamorphic also works in the theater. If a theater has only a 1.85:1 screen, a 2.35:1 aspect movie would obviously be to wide for the screen. What they do is they put an anamorphic lens in front of the projector to "squeeze" the picture onto the screen but retaing the original ratio of the movie. In most theaters though, they have 2.78:1 screens and they move the side curtains depending on the aspect ratio of the movie.
Anamorphic also works in the theater. If a theater has only a 1.85:1 screen, a 2.35:1 aspect movie would obviously be to wide for the screen. What they do is they put an anamorphic lens in front of the projector to "squeeze" the picture onto the screen but retaing the original ratio of the movie. In most theaters though, they have 2.78:1 screens and they move the side curtains depending on the aspect ratio of the movie.
Anamorphic projection of a feature film in a theater expands the image at a typical ratio of 2:1 along the horizonatl axis, thus expanding the image not "squeezing" it. For practical argument, screens don't have an AR, but are matted by curtains (or similar) to the AR being projected. An anamorphic print must be projected through an anamorphic lens, otherwise the image would be horizontally compressed and objects (image data) would appear skinny (but not tall) - and it would appear at the wrong AR to boot.
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Originally posted by palebluedot
Anamorphic has nothing to do with screen size or aspect ratio.
Anamorphic has nothing to do with screen size or aspect ratio.
Anamorphic is a process used when authoring a DVD which, basically explained, allows for the greatest possible resolution for the transfer.
[Edited by reverb on 03-02-01 at 01:44 AM]