Steve Canyon Volume 1: 1947-1948
IDW, Publication Date: February 7, 2012

Steve Canyon like you''ve never seen it before - reproduced directly from Milton Caniff''s personal set of syndicate proofs! For the first time: the definitive edition of the Steve Canyon newspaper strip by Milton Caniff featuring every Sunday in color and the daily strips in their original, uncropped versions. Caniff quit Terry and the Pirates in 1946 to begin Steve Canyon and it became his biggest-selling work. Forever known as the "Rembrandt of the Comic Strip," Caniff is at the absolute peak of his artistic prowess in these strips. Your passport is stamped for Adventure, Intrigue, and Danger on your expedition to exotic locales with your pilot, the one and only Steve Canyon! The Caniff women are also on display, as Steve Canyon Volume 1 features steely yet sexy "Copper" Calhoun; the beautiful schemer, Delta; that modern-day Mata Hari, Madame Lynx; Dr. Deen Wilderness, who is as capable as she is lovely; plus Captain Shark, Convoy, and the footloose Fancy. Edited and designed by Dean Mullaney, with historical essays by Bruce Canwell, Steve Canyon is presented in a matching hardcover set to the Library of American Comics''s Eisner Award-winning Terry and the Pirates.

Flash Gordon: On the Planet Mongo: The Complete Flash Gordon Library (Vol. 1) (Alex Raymond Sunday Strips)
Titan, Series: Alex Raymond Sunday Strips | Publication Date: March 27, 2012

Beginning the complete library of the greatest science fiction hero of all time.

Volume One will spotlight the work of Alex Raymond, legendary for some of the finest storytelling of the 20th century. Raymond illustrated the Sunday strips until 1944; with his clear and much-imitated style forming the original aesthetic of the most popular and easily recognised science fiction hero for decades to come.

Introducing Flash Gordon, Dale Arden, Dr. Hans Zarkov, and Ming the Merciless, this volume will catapult readers to the deadly planet Mongo.

These are the strips that influenced George Lucas to create Star Wars, and which illustrator Al Williamson said were "the reason I became an artist."

The latest addition to Fantagraphics’ award- winning classic comic strip reprint series.
A funny thing happened on the way to comic-strip immortality. For many years, Ernie Bushmiller’s Nancy, with its odd-looking, squat heroine, nearly abstract art, and often super-corny gags, was perceived as the stodgiest, squarest comic strip in the world. Popular with newspaper readers, true — but definitely not a strip embraced by comic-strip connoisseurs, like Krazy Kat, Dick Tracy or Terry and the Pirates.

But then those connoisseurs took a closer look, and began to realize that Bushmiller’s art approached its own kind of cartoon perfection, and those corny gags often achieved a striking zen quality. In its own way, it turned out Nancy was in fact the most iconic comic strip of all. (The American Heritage Dictionary actually uses a Nancy strip to illustrate its entry on “comic strip.”)

Charter members of the Nancy revival include Art Spiegelman, who published Mark Newgarden’s famous “Love’s Savage Fury” (featuring Nancy and Bazooka Joe) in an early issue of RAW; Fletcher Hanks anthologist Paul Karasik; Zippy the Pinhead creator Bill Griffith; underground publisher Denis Kitchen, who released several volumes of Nancy collections in the 1980s; Understanding Comics’ Scott McCloud, who created the “Five-Card Nancy” card game; Joe Brainard, who produced an entire Nancy book of paintings in 2008; and Andy Warhol, who produced a painting based on Nancy.

Beginning in the Winter of 2011, fans will be dancing with joy as Fantagraphics unveils an ongoing Nancy reprint project. Each volume contain a whopping full four years of daily Nancy strips (a Sunday Nancy project looms in the future), collected in a fat, square (what else, for the “squarest” strip in the world?) package designed by Jacob (Popeye, Beasts!, Willie and Joe) Covey.

This first volume will collect every daily strip from 1943 to 1946. (Fantagraphics will eventually release Nancy’s first five years, 1938-1942, but given the scarcity of archival material for these years we are giving ourselves some extra time to collate it all.)

This first Nancy volume will feature an introduction by another stellar Bushmiller fan, Daniel Clowes (from whose collection most of the strips in this volume were scanned), a biography of the artist, and much more. 432 pages of black and white comics

This volume collects the years 1951-1952 dailies of the popular comic strip, with extras such as an introduction by Stan Freberg.
In November of 2011, Fantagraphics released the first volume of its much-anticipated, long-promised series reprinting in its entirety the syndicated run of Walt Kelly’s classic newspaper strip, Pogo. Pogo: Through the Wild Blue Wonder immediately became the company’s best-selling book of the last five years. Exactly one year later, the second volume, Pogo: Bona Fide Balderdash, will be released, featuring all the strips from 1951 and 1952. With sources found for the more elusive strips (in the past, our scheduling downfall), we’re confident that these collections will become an annual affair. Even though Pogo had been in syndication for less than two years as this volume begins, Kelly’s long professional experience (including seven years creating Pogo stories for comic books) had him at the peak of his powers, and this book features page after page of gorgeously drawn, hilarious vaudevillian dialogue and action among the swamp denizens, as well as Kelly’s increasingly sharp-tongued political satire — especially on display during the 1952 election season. Kelly was famous for his prolific creation of recurring characters, and by the end of this second volume, the count will already have topped over one hundred. New arrivals include Tammanany the Tiger, the voluble P.T. Bridgeport, the sinister Sarcophagus MacAbre (with his funereal speech balloons), Uncle Antler the bull moose... and Bewitched, Bothered, and Bemildred, the adorable trio of bats. The two years of daily strips in this volume have been collected before but in now long-out-of print books; and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available. This second volume is once again edited and designed by the cartoonist’s daughter, Carolyn Kelly, who is also handling much of the restoration work. It includes a new introduction by the legendary author, recording artist, and satirist Stan Freberg, who was not only a friend of Kelly’s but the voice of Albert the Alligator in the I Go Pogo: Pogo for President movie. There will also be more extensive annotations by comic strip historian and expert R.C. Harvey, as well as additional historical information from writer Mark Evanier. 344