Ebert on "The Shining"
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Ebert on "The Shining"
http://rogerebert.suntimes.com/apps/...WS08/606180302
An interesting take on the film and a good read.
An interesting take on the film and a good read.
#5
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My take (which I've gone over in the worst adaptation of a novel thread):
Fair to good horror movie.
So-so Kubrick movie.
Bad adaptation of a fantastic novel.
My 2 cents
Fair to good horror movie.
So-so Kubrick movie.
Bad adaptation of a fantastic novel.
My 2 cents
#6
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Originally Posted by DeputyDave
Bad adaptation of a fantastic novel.
My hatred of the movie has diminished over the years, though I was so angry as I walked out of the theater because I was so looking forward to this movie.
There ARE some memorable scenes but the casting was all wrong, especially Jack Torrance. Going by the premise of the story, Nicholson was probably the WORST choice Kubrick could've made.
#7
DVD Talk Limited Edition
I too never cared for this movie. It has great great atmosphere, but I never found it scary. Maybe that was the point as it was meant to be more psychological? I don't know. I just never cared for it. It could also be that I saw the movie first on television during the weekly "Saturday Afternoon Horror Movie!!!" that used to come on one of the local station here in Baltimore - so it was edited. I have since rented it and my opinion hasn't much changed.
#8
DVD Talk Legend
Originally Posted by TomOpus
May I say it was a horrible adaptation?
I agree about casting, Jack's a great actor but all wrong for the part. Shelly Duvall had her moments as Wendy but also wrong.
Like I said, it was a decent horror movie, and beautifully filmed. I have to wonder about some of Kubrick's choices though. I understand he decided to throw out the entire theme of the story, maybe to "tighten it up" and make it a more traditional horror movie, but why make certain changes for the worse? the whole "talking finger" was silly and pulled me out of whatever tension he may have built. I always wondered why he decided that was a better approach over the way the book described it. I doubt it would have taken any more screen time over the Sesame Street voice finger wiggle.
#9
DVD Talk Platinum Edition
I liked Kubrick's version, but compared to the book it wasn't great. Now the TV version was closer to the book, but I hated it with a passion. Liking The Shining all depends on how you look at.
Now The Shinning was great...
Now The Shinning was great...
#10
DVD Talk Legend
Originally Posted by Trout
I liked Kubrick's version, but compared to the book it wasn't great. Now the TV version was closer to the book, but I hated it with a passion. Liking The Shining all depends on how you look at.
Now The Shinning was great...
Now The Shinning was great...
Last edited by DeputyDave; 07-02-06 at 10:18 PM.
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The Shining (Kubrick) is ten times better than the book, and 100 times better than the mini series. Give me a break people...
The camera /steadicam work in Kubrick's version is about the best I've seen. I love the score. I love Nicholson's performance. I even love the kids performance. Any of you see the kid in the mini series do anything remotely close to acting?
The camera /steadicam work in Kubrick's version is about the best I've seen. I love the score. I love Nicholson's performance. I even love the kids performance. Any of you see the kid in the mini series do anything remotely close to acting?
#12
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Originally Posted by Decapitate Prey
The Shining (Kubrick) is ten times better than the book
Camera work does not make a film better than a book, when the telling of the "story" in the film is inferior to the novel.
#13
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Originally Posted by Decapitate Prey
The Shining (Kubrick) is ten times better than the book, and 100 times better than the mini series. Give me a break people...
The camera /steadicam work in Kubrick's version is about the best I've seen. I love the score. I love Nicholson's performance. I even love the kids performance. Any of you see the kid in the mini series do anything remotely close to acting?
The camera /steadicam work in Kubrick's version is about the best I've seen. I love the score. I love Nicholson's performance. I even love the kids performance. Any of you see the kid in the mini series do anything remotely close to acting?
#14
DVD Talk Hero
Originally Posted by Decapitate Prey
The Shining (Kubrick) is ten times better than the book...
Originally Posted by Decapitate Prey
I love Nicholson's performance.
#15
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I like Kubrick's version, a lot. I also liked the book, a lot. The mini-series was decent, but not something I go back to watch very often.
That is the order in which I experienced The Shining. This may have something to do with why I like them how I do.
It is a terrible adaptation of a great book. I also keep the two seperated, which keeps me happy. The mini-series got the story right, but is lacking... something.
That is the order in which I experienced The Shining. This may have something to do with why I like them how I do.
It is a terrible adaptation of a great book. I also keep the two seperated, which keeps me happy. The mini-series got the story right, but is lacking... something.
#16
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The Shining is a classic horror film. Criticism that stems from comparisons to the book is irrelevant. The Shining was never mean't to be a faithful adaptation of the book anyway. Sure you can prefer the book, but criticizing this film because it omits parts of the book or criticing the choice of actors because they don't fit your perception of the characters as you saw them in the book is just silly. If you want to criticize the film, criticize it on it's own merits. As it stands, you're not criticizing the film for what it is, but because it's not what you wanted it to be.
Last edited by eXcentris; 07-09-06 at 03:46 PM.
#17
DVD Talk Hero
Agreed. The book is very good. The mini-series is pretty good and faithful to the book but lacking style. Kubrick's film is a terrible adaptation, perhaps not even an adaptation at all, and it is a masterpiece.
das
das
#18
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Originally Posted by eXcentris
The Shining is a classic horror film. Criticism that stems from comparisons to the book is irrelevant. The Shining was never mean't to be a faithful adaptation of the book anyway. Sure you can prefer the book, but criticizing this film because it omits parts of the book or criticing the choice of actors because they don't fit your perception of the characters as you saw them in the book is just silly. If you want to criticize the film, criticize it on it's own merits. As it stands, you're not criticizing the film for what it is, but because it's not what you wanted it to be.
#19
DVD Talk Special Edition
I've never read the book and I've always loved the movie. I guess if I read the book then I'd understand all the criticism of the movie I keep seeing over the years, but to me it always seems unjustified. I think the movie tells a fine story the way it is. I tried watching the mini-series but I think I stopped before the final episode.
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Again, did you read the book? It's about Jack Torrance's slow decent into madness. The reason I found Nicholson wrong for the role is that he looks crazy from the get-go. Why care that he's going mad.... when he already looks like he's there? I'm not saying he's a bad actor but he was a bad choice for the role.
Also to say Jack goes crazy too quickly is kind of short sighted-it's a film version of a novel which I'm guessing off hand is over 400 pages. A screenplay consists of perhaps 30% of that, at most. You try and chop 70% out of a novel and see what happens. You can't fit every nuance of the book into a film-it just isn't going to happen. As it stands now, the film is already pretty long. To create the character arc Jack has in the book would make this movie 6 hours. Had Kubrick waited until 3 quarters of the way through the film, then unleashed Jack's unstable side, it would be out of the blue. There's just not enough time with the film format to jam everything in.
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There can be no good film adaptation of a Steven King novel because King's greatest strength is his writing of the internal monoloug of someone going insane.
MISERY was a good movie because it was one book where King gave us NO VIEW into the insane characters mind...only the victim.
MISERY was a good movie because it was one book where King gave us NO VIEW into the insane characters mind...only the victim.
#22
I think "The Shining" is one of the most overrated horror movies of all-time. Now, I still think it's a good movie -- I just see it listed so often as one of the best (if not THE BEST) horror movie of all-time, which I don't buy.
What was great: the direction, cinematography, music, and atmosphere. This movie just makes you feel cold no matter what the room temperature is. What was bad: parts of the script, the performances, and a horrible ending. Even though fans of the movie love this, I hated how they had Jack cracking 1-liners. Just destroyed the mood and tension for me. In addition to Jack's inapropriately over-the-top psycho, Shelley Duvall was just annoying (a waste of her talent as well). And the less said about the kid the better. And the ending: I know Kubrick had to change plans for it based on technical limitations (originally was supposed to be something closer to the book). But there had to be something better than that.
So for me, overall good but not great (and certainly not greatest of all-time). It was interesting to see the remake, which overall was much weaker IMO. Even though it was much more faithful to the book (in casting and script) and had King's involvement (who seems to have flip-flopped on his opinion of the Kubrick movie over the years). The problems with that: Like most of King's written tv-adaptations, his dialog sounds bad when written (the corniness seems amplified from when it's just on a page). Kubrick's "let-down" ending didn't seem so bad with the goofy, sappy, "feel-good" crappy way they ended this one. And most importantly, Kubrick >>>>>>>>>>>>> (not enough >s in the world to really express this) Mick Garris.
What was great: the direction, cinematography, music, and atmosphere. This movie just makes you feel cold no matter what the room temperature is. What was bad: parts of the script, the performances, and a horrible ending. Even though fans of the movie love this, I hated how they had Jack cracking 1-liners. Just destroyed the mood and tension for me. In addition to Jack's inapropriately over-the-top psycho, Shelley Duvall was just annoying (a waste of her talent as well). And the less said about the kid the better. And the ending: I know Kubrick had to change plans for it based on technical limitations (originally was supposed to be something closer to the book). But there had to be something better than that.
So for me, overall good but not great (and certainly not greatest of all-time). It was interesting to see the remake, which overall was much weaker IMO. Even though it was much more faithful to the book (in casting and script) and had King's involvement (who seems to have flip-flopped on his opinion of the Kubrick movie over the years). The problems with that: Like most of King's written tv-adaptations, his dialog sounds bad when written (the corniness seems amplified from when it's just on a page). Kubrick's "let-down" ending didn't seem so bad with the goofy, sappy, "feel-good" crappy way they ended this one. And most importantly, Kubrick >>>>>>>>>>>>> (not enough >s in the world to really express this) Mick Garris.
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People complain that Jack Nicholson is already crazy from the start -- so?
If you read the book (and I've only read part of the beginning), it appears he was headed down that road anyhow. Stanley probably didn't wanna bother with that detail and simply made him a man on the edge (which is what Weber's version of the character was essentially, which proved less interesting).
People also claim that this is an incomplete adaptation of his work -- so?
If you take everything from a book and put it to film or tv, not all of it will work. I understand that the tree monsters that weren't in the original were supposed to be frightening and all that, but they came off as silly monsters made for a kids show.
I also felt that after the beating Rebecca De Mornay took from Weber in the new version, that him scarficing himself to save his family was stupid. The man allowed himself to get sucked in back into his own darkside and the hotel merely helped me achieve it, he deserved death -- that is why I prefer the Krubrick version. A part of me in the original wanted him to survive, but it did feel too late for Jack Torrance to make up.
If you read the book (and I've only read part of the beginning), it appears he was headed down that road anyhow. Stanley probably didn't wanna bother with that detail and simply made him a man on the edge (which is what Weber's version of the character was essentially, which proved less interesting).
People also claim that this is an incomplete adaptation of his work -- so?
If you take everything from a book and put it to film or tv, not all of it will work. I understand that the tree monsters that weren't in the original were supposed to be frightening and all that, but they came off as silly monsters made for a kids show.
I also felt that after the beating Rebecca De Mornay took from Weber in the new version, that him scarficing himself to save his family was stupid. The man allowed himself to get sucked in back into his own darkside and the hotel merely helped me achieve it, he deserved death -- that is why I prefer the Krubrick version. A part of me in the original wanted him to survive, but it did feel too late for Jack Torrance to make up.
#24
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Originally Posted by Decapitate Prey
Also to say Jack goes crazy too quickly is kind of short sighted-it's a film version of a novel which I'm guessing off hand is over 400 pages. A screenplay consists of perhaps 30% of that, at most. You try and chop 70% out of a novel and see what happens. You can't fit every nuance of the book into a film-it just isn't going to happen. As it stands now, the film is already pretty long. To create the character arc Jack has in the book would make this movie 6 hours. Had Kubrick waited until 3 quarters of the way through the film, then unleashed Jack's unstable side, it would be out of the blue. There's just not enough time with the film format to jam everything in.
Kubrick turned a great character driven horror novel(atypical for King, that is why it is revered like it is) into a typical hollywood horror film retaining nothing but names and the title for the movie.
I think I enjoyed Ebert's write up more than the film itself. Certainly makes it seem more interesting than it actually is.
As for the mini, they got it mostly right, the themes, the story, etc. The problem was the format. Network TV? HBO would have been a better outlet to allow for some gore.
#25
DVD Talk Hall of Fame
I liked the book and the movie, though I agree, it wasn't a great 'adaptation'. Maybe this is hindsight, since now we have decades of Nicholson playing insane characters, but yes, casting him to play Jack is sort of a gimme [I remember when the first Batman movie came out, someone said 'casting Nicholson to play the Joker is like asking Picasso to paint a fence']. It might have been better if there were a more 'normal' actor who could portray the descent accurately.
But again, it might be hindsight. I know Nicholson plays a lot of at least 'bent' characters; I know roughly what happens to Torrance. Maybe if I went in totally blind, to both the story and to Nicholson, it would be a little more realistic. Maybe a larger portion of the original audience *did* go in blind-er than we do.
That said, as a stand-alone movie, I do like the movie, though there were some bits that didn't make sense on their own [the bear in the bedroom as a 'message', other than just as a 'spirit'.]. The talking finger does, lots of kids have imaginary friends; combine it with some latent psychic power, and it fits.
I didn't see the tv-movie remake.
But again, it might be hindsight. I know Nicholson plays a lot of at least 'bent' characters; I know roughly what happens to Torrance. Maybe if I went in totally blind, to both the story and to Nicholson, it would be a little more realistic. Maybe a larger portion of the original audience *did* go in blind-er than we do.
That said, as a stand-alone movie, I do like the movie, though there were some bits that didn't make sense on their own [the bear in the bedroom as a 'message', other than just as a 'spirit'.]. The talking finger does, lots of kids have imaginary friends; combine it with some latent psychic power, and it fits.
I didn't see the tv-movie remake.