Ethical question re: DVD's
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Ethical question re: DVD's
What is the general consensus regarding movies that aren't on DVD but are out of print? I recently bought a DVD/VCR recorder and thought about selling copies of OOP movies that I have to those that wouldn't mind a bootleg. But, I have absolutely no interest in taking a risk with the FBI or anything like that so I'm not even going to bother if there's any question about it.
But, as a couple of examples, Seven Per Cent Solution is a movie that I looked long and hard for. It's OOP and the version I have is in letterbox which was never released by the studio. If I offered copies of this would it be crossing a line that they'd go after me?
Or, Pirates of Penzance and Under the Rainbow. Both have never been released on DVD and command a decent price for VHS on eBay. If those were transferred from VHS to DVD is that a big "no-no"?
I'm not really interested in a career in scalping but I know the trouble I've had in finding various movies and thought it would be nice to offer them to others who may not have been as lucky to find them. I just think it's ridiculous for movies like Sleuth to be OOP already and fans to be forced to pay $$$ just to have a copy of it.
Perhaps I'm just frustrated and needed to vent. Any input would be appreciated though.
Thanks.
But, as a couple of examples, Seven Per Cent Solution is a movie that I looked long and hard for. It's OOP and the version I have is in letterbox which was never released by the studio. If I offered copies of this would it be crossing a line that they'd go after me?
Or, Pirates of Penzance and Under the Rainbow. Both have never been released on DVD and command a decent price for VHS on eBay. If those were transferred from VHS to DVD is that a big "no-no"?
I'm not really interested in a career in scalping but I know the trouble I've had in finding various movies and thought it would be nice to offer them to others who may not have been as lucky to find them. I just think it's ridiculous for movies like Sleuth to be OOP already and fans to be forced to pay $$$ just to have a copy of it.
Perhaps I'm just frustrated and needed to vent. Any input would be appreciated though.
Thanks.
#4
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But have no illusions that copying a movie and then selling it is against the law. The fact that a studio has not yet released it on DVD or it is currently OOP is no free pass to bootleg.
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hay guys, they don't make susan b anthony dollars anymore, and they sure can be hard to find! can i just make my own and then use them? they're OOP, so it's all good!
#7
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To my understanding, it is legal - if frowned upon - to copy movies from another region if they are not available domestically. For instance, if you have a R2 DVD or PAL VHS of a movie, and that movie is not in release in any format in North America, you may transfer it to NTSC and sell copies.
#10
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Umm, yes, apparently a section of the Berne Act states: Films unreleased in the United States, including original versions of films altered and/or edited for release in the United States, are not protected by American copyright; thus, they are considered public domain.
How do you think the dozens of gray-market merchants like VSOM stay in business? It's "disreputable" - because no one's picking up royalties - but legal.
How do you think the dozens of gray-market merchants like VSOM stay in business? It's "disreputable" - because no one's picking up royalties - but legal.
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thanks for the input, everyone. I really wasn't sure how OOP stuff fit into the bootlegging discussion. If it's OOP does that mean that some company is holding the rights to it but choosing to not make it available? Is it DVD rights or movie rights? If a DVD has never been released of the movie does it fall under that category? Like I said, I have no interest in doing anything remotely illegal and I fully support the DVD market by always buying studio releases when available. I guess that's why I feel so frustrated. I feel like I'm on their side but still have to pay out the nose for titles that don't really deserve it. Or not even have a DVD release. It blows my mind that a movie like the Pirates of Penzance, with Kevin Kline, Linda Ronstadt, Angela Lansbury, etc. wouldn't warrant a release by now. There's a live version available but it's not the same as the movie. I mean, they have the movie they just need to transfer it.
And, I realize that any suggestion that my intentions were altruistic would be hard to believe but I really thought it would be cool for those that want to see the uncut version of the Swamp Thing or a letterbox version of Seven Per Cent Solution or other oddball things that I've got would have an outlet. Or to trade or whatever. But, as I assumed, the simple act of transferring it is a "no-no" so I really don't want to risk it.
Oh well. The best laid plans...
And, I realize that any suggestion that my intentions were altruistic would be hard to believe but I really thought it would be cool for those that want to see the uncut version of the Swamp Thing or a letterbox version of Seven Per Cent Solution or other oddball things that I've got would have an outlet. Or to trade or whatever. But, as I assumed, the simple act of transferring it is a "no-no" so I really don't want to risk it.
Oh well. The best laid plans...
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Umm, yes, apparently a section of the Berne Act states: Films unreleased in the United States, including original versions of films altered and/or edited for release in the United States, are not protected by American copyright; thus, they are considered public domain.
Bootleggers suck - and they will say anything and twist all truths to try to legitmize their rights to steal other peoples' property.
#14
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I love whenever the Berne act gets brought up so bootleggers can steal whatever they want. First of all, most of these films have been "RELEASED" in the United States so what exactly does "unreleased" mean? That it's unreleased because it's currently OOP or that it just hasn't been released on the newest 'format" (DVD, Blu-Ray, etc.) even though the film has been released theatrically, on VHS, laserdisc, and whatever other prior format. So the Berne act says you can do anything you want with any film as long as one format hasn't been covered yet. Yep, everyone should just go and steal and copy any film they want because there will always be some 'loophole' regarding 'unreleased' and variations. DARK KNIGHT is still "unreleased" on DVD - so everyone can steal it! Just do away with the whole copyright system, for that matter.
Bootleggers suck - and they will say anything and twist all truths to try to legitmize their rights to steal other peoples' property.
Bootleggers suck - and they will say anything and twist all truths to try to legitmize their rights to steal other peoples' property.
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Norm, I have in the neighborhood of 3,000 movies and I feel the same way you do. I hate bootleggers but I have on occasion bought bootlegs(the Spirit with Sam J. Jones leaps to mind). If we're talking about Star Wars or Gone With the Wind the line is very clear. Oddball items that just aren't available any other way make the choice a lot tougher. I always feel wrong for buying a bootleg in those situations but I feel justified since I was perfectly willing to buy the studio version if they had only made one.
But, my reason for directing this toward you is that with all of the movies I've collected over the years when I come to places like this forum I'm reminded how little I truly know about stuff compared to some of the real connoisseurs. Since you mentioned really hard to find stuff, just for my own curiosity I'd like an example or two of what you're talking about and maybe why you looked for them.
Thanks.
But, my reason for directing this toward you is that with all of the movies I've collected over the years when I come to places like this forum I'm reminded how little I truly know about stuff compared to some of the real connoisseurs. Since you mentioned really hard to find stuff, just for my own curiosity I'd like an example or two of what you're talking about and maybe why you looked for them.
Thanks.
#18
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But, my reason for directing this toward you is that with all of the movies I've collected over the years when I come to places like this forum I'm reminded how little I truly know about stuff compared to some of the real connoisseurs. Since you mentioned really hard to find stuff, just for my own curiosity I'd like an example or two of what you're talking about and maybe why you looked for them.
Thanks.
Thanks.
Letter from a Dead Man - A great Russian post-apocalyptic drama I had been wanting to see for more than 15 years.
The Haunting of M - One of Ebert's favourite films of '79; turns out it's a stodgy bore.
Till Death - Ultra-rare horror from the '70s. Maltin gave it *** (it's no longer listed), but the movie is garbage.
Broken Mirrors - Feminist thriller from Dutch director Marleen Gorris, highly praised by Time Out. Not bad.
I Start Counting - A highly-sought-after British suspense flick starring Jenny Agutter. I haven't viewed this yet.
Ice - A subversive fauxumentary about some anti-establishment radicals, directed by Robert Kramer. Interesting but uncoordinated.
Sudden Fury - An excellent, unpretentious little Canadian thriller from '75. Had seen it before, but wanted to re-watch.
A number of the bootlegs I have collected over the years have seen official DVD releases in the interim, and if it so happens that I liked a film, I bought the legit DVD.
#19
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And if you didn't like the film, the legit seller who may eventually put it out obviously loses a sale. Multiply that by how many other people buying boots are doing the same thing. It's no wonder "stodgy bore" movies like HAUNTING OF M never get a legit release.
#20
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