Pixar - Disney: Can anyone explain?
#1
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Pixar - Disney: Can anyone explain?
I admit my ignorance. Pixar was once bought by Disney but then decided to go it alone, which was good for Pixar and bad for Disney. Now they're back together again - or are they? Why, for instance, is Ratatouille a Pixar-Disney collaboration (or is it?) and why is Meet the Robinsons a Disney solo effort but with a Pixar alumnus as producer?
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From Wikipedia:
Initially, Pixar was a high-end computer hardware company whose core product was the Pixar Image Computer, a system primarily sold to government agencies and the medical community. One of the leading buyers of Pixar Image Computers was Disney studios, which was using the device as part of their secretive CAPS project, using the machine and custom software to migrate the laborious Ink and Paint part of the 2D animation process to a more automated and thus efficient method. The Image Computer never sold well. In a bid to drive sales of the system, Pixar employee John Lasseter—who had long been creating short demonstration animations, such as Luxo Jr., to show off the device's capabilitiess—premiered his creations at SIGGRAPH, the computer graphics industry's largest convention, to great fanfare.
As poor sales of Pixar's computers threatened to put the company out of business, Lasseter's animation department began producing computer-animated commercials for outside companies. Early successes included campaigns for Tropicana, Listerine, and LifeSavers. During this period, Pixar continued its relationship with Walt Disney Feature Animation, a studio whose corporate parent would ultimately become its most important partner. In 1991, after substantial layoffs in the company's computer department, Pixar made a $26 million deal with Disney to produce three computer-animated feature films, the first of which was Toy Story. Pixar was re-incorporated on December 9, 1995.
Read the rest here: http://en.wikipedia.org/wiki/Pixar#Disney_and_Pixar
Initially, Pixar was a high-end computer hardware company whose core product was the Pixar Image Computer, a system primarily sold to government agencies and the medical community. One of the leading buyers of Pixar Image Computers was Disney studios, which was using the device as part of their secretive CAPS project, using the machine and custom software to migrate the laborious Ink and Paint part of the 2D animation process to a more automated and thus efficient method. The Image Computer never sold well. In a bid to drive sales of the system, Pixar employee John Lasseter—who had long been creating short demonstration animations, such as Luxo Jr., to show off the device's capabilitiess—premiered his creations at SIGGRAPH, the computer graphics industry's largest convention, to great fanfare.
As poor sales of Pixar's computers threatened to put the company out of business, Lasseter's animation department began producing computer-animated commercials for outside companies. Early successes included campaigns for Tropicana, Listerine, and LifeSavers. During this period, Pixar continued its relationship with Walt Disney Feature Animation, a studio whose corporate parent would ultimately become its most important partner. In 1991, after substantial layoffs in the company's computer department, Pixar made a $26 million deal with Disney to produce three computer-animated feature films, the first of which was Toy Story. Pixar was re-incorporated on December 9, 1995.
Read the rest here: http://en.wikipedia.org/wiki/Pixar#Disney_and_Pixar
#4
Ratatouille is not a Pixar-Disney collaboration.
Disney merely distributes thePixar films. The Disney artists don't work on Pixar films.
And vice-versa, Pixar artists don't work on the Disney in-house 3-D films, such as Chicken Little and Meet the Robinsons.
Pixar gets to have the powerful Walt Disney company to distribute their films, while Disney gets to use the Pixar characters in all of their licensing, merchandising, theme parks, etc.
And from a business standpoint:
Director John Lasseter is the Chief Creative Officer of BOTH Pixar and Disney. I figure Disney chose Lasseter to lead b/c of his proven track record with his own films and the Disney board trusts him into steering their company in the right direction after the many misfires from the Eisner regime.
Disney merely distributes thePixar films. The Disney artists don't work on Pixar films.
And vice-versa, Pixar artists don't work on the Disney in-house 3-D films, such as Chicken Little and Meet the Robinsons.
Pixar gets to have the powerful Walt Disney company to distribute their films, while Disney gets to use the Pixar characters in all of their licensing, merchandising, theme parks, etc.
And from a business standpoint:
Director John Lasseter is the Chief Creative Officer of BOTH Pixar and Disney. I figure Disney chose Lasseter to lead b/c of his proven track record with his own films and the Disney board trusts him into steering their company in the right direction after the many misfires from the Eisner regime.
#5
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I thought stuff like Chicken Little and Meet the Robinsons was done during the brief time when Disney and Pixar were considering "breaking up" but that the staffs were combined once Pixar came back on board?
#6
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Originally Posted by jeffkjoe
Ratatouille is not a Pixar-Disney collaboration.
Disney merely distributes thePixar films. The Disney artists don't work on Pixar films.
And vice-versa, Pixar artists don't work on the Disney in-house 3-D films, such as Chicken Little and Meet the Robinsons.
Pixar gets to have the powerful Walt Disney company to distribute their films, while Disney gets to use the Pixar characters in all of their licensing, merchandising, theme parks, etc.
And from a business standpoint:
Director John Lasseter is the Chief Creative Officer of BOTH Pixar and Disney. I figure Disney chose Lasseter to lead b/c of his proven track record with his own films and the Disney board trusts him into steering their company in the right direction after the many misfires from the Eisner regime.
Disney merely distributes thePixar films. The Disney artists don't work on Pixar films.
And vice-versa, Pixar artists don't work on the Disney in-house 3-D films, such as Chicken Little and Meet the Robinsons.
Pixar gets to have the powerful Walt Disney company to distribute their films, while Disney gets to use the Pixar characters in all of their licensing, merchandising, theme parks, etc.
And from a business standpoint:
Director John Lasseter is the Chief Creative Officer of BOTH Pixar and Disney. I figure Disney chose Lasseter to lead b/c of his proven track record with his own films and the Disney board trusts him into steering their company in the right direction after the many misfires from the Eisner regime.
#7
Originally Posted by fujishig
I thought stuff like Chicken Little and Meet the Robinsons was done during the brief time when Disney and Pixar were considering "breaking up" but that the staffs were combined once Pixar came back on board?
It is true that Disney created a special 3-D division called "CIRCLE 7 ANIMATION" that was going to simply do sequels to all Pixar films, i.e. Toy Story 3, Monsters Inc 2, Bug's Life 2, in case of a scenario where Pixar did NOT sign on to do another deal with Disney.
But Disney ALSO has a CG division that handles their own homemade projects like Meet the Robinsons, Chicken Little, and the upcoming Rapunzel Unbraided. Since their 2-D hand-drawn cell animation died after the release of Home on the Range, Disney is now an exclusive 3-D computer animation company that's separate from Pixar.
Once Pixar and Disney came to an agreement, Pixar took over Toy Story 3 (thank God), stopped production on ALL OTHER planned Pixar sequels (thank God again), and most of the Circle 7 staff were transferred to the Disney 3-D division.
But Disney and Pixar artists never merged together into one company.
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Originally Posted by baracine
OK. I've read up on that but I have yet to learn how Disney can maintain a CGI animation culture distinct from Pixar, now that it belongs to the Disney family. After all, how is Meet the Robinsons not a Pixar film? Aside from the fact that it has nothing to do with Pixar, of course... And is it economical to maintain two CGI animation branches at Disney?
#9
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Originally Posted by jeffkjoe
That's incorrect. 2-D animation is dead at Disney.
Their future films will all be 3-D. Their next film is 2009's Rapunzel, Glen Keane's first CG effort.
Their future films will all be 3-D. Their next film is 2009's Rapunzel, Glen Keane's first CG effort.
#11
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Don't let anybody add anything! I understand perfectly now!
Too bad for 2-D animation, though!
I will always blame its failure on Atlantis. Grrrr... Atlantis!
Too bad for 2-D animation, though!
I will always blame its failure on Atlantis. Grrrr... Atlantis!
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Originally Posted by jeffkjoe
That's incorrect. 2-D animation is dead at Disney.
Their future films will all be 3-D. Their next film is 2009's Rapunzel, Glen Keane's first CG effort.
Their future films will all be 3-D. Their next film is 2009's Rapunzel, Glen Keane's first CG effort.
May want to tell the folks working on The Princess and the Frog
http://www.imdb.com/title/tt0780521/
#13
Originally Posted by ween
May want to tell the folks working on The Princess and the Frog
http://www.imdb.com/title/tt0780521/
http://www.imdb.com/title/tt0780521/
Whoops, my bad....
....I forgot this was in the production pipeline and got used to the notion that Disney wouldn't do any more 2-D animated flicks.
#14
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But, seriously, folks, I see trouble a'brewin' ahead... Not money-wise because Pixar films are obviously profitable but because you'll have Disney Studios trying to preserve their wonderful heritage of successes (and failures) while trying to "look forward" and, at the same time, down the hall, the Pixar people insisting on their separate culture and tradition while acknowledging their debt to the wonderful examples set by Walt Disney (and others)...
It will probably get confusing...
Hell, I'm already confused.
It will probably get confusing...
Hell, I'm already confused.
#15
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This is the first I've heard of the title being "Rapunzel Unbraided," and I hope they drop the "unbraided" part. It sounds cheesy, like "reloaded" or "unleashed."
#16
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Originally Posted by Drexl
This is the first I've heard of the title being "Rapunzel Unbraided," and I hope they drop the "unbraided" part. It sounds cheesy, like "reloaded" or "unleashed."
#17
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Originally Posted by baracine
But, seriously, folks, I see trouble a'brewin' ahead... Not money-wise because Pixar films are obviously profitable but because you'll have Disney Studios trying to preserve their wonderful heritage of successes (and failures) while trying to "look forward" and, at the same time, down the hall, the Pixar people insisting on their separate culture and tradition while acknowledging their debt to the wonderful examples set by Walt Disney (and others)...
It will probably get confusing...
Hell, I'm already confused.
It will probably get confusing...
Hell, I'm already confused.
Lasseter and Catmull's oversight of both the Disney and Pixar studios did not mean that the two studios were merging, however. In fact, additional conditions were laid out as part of the deal to ensure that Pixar remains a separate entity, a concern that many analysts had about the Disney deal.
#18
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Originally Posted by FinkPish
I'm confused as to why you are confused.
It's this new 3-D universe. It's just confusing...
Last edited by baracine; 10-25-07 at 01:44 PM.
#19
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Originally Posted by ween
May want to tell the folks working on The Princess and the Frog
http://www.imdb.com/title/tt0780521/
http://www.imdb.com/title/tt0780521/
2D Disney is NOT dead.
#20
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Both studios are open to non 3D animation projects. Pixar may produce live-action films as well. I believe Lassetar has said it depends on the director and story in what style a film is made.
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Brad Bird has sights to direct a live-action film as his next. And I believe he's tied up with Pixar exclusively, so that might prove true sooner rather than later.
#22
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Originally Posted by Drop
Both studios are open to non 3D animation projects.