Anthology Editors: What do they do?
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Anthology Editors: What do they do?
I was looking over some of my anthologies last night and noticed that I have a few edited by Orson Scott Card. I began to wonder just what he did as an editor. Normally, I'm assuming an anthology editor selects the pieces to be published, works with the authors as needed, and actually edits the stories. But is the same true for these editors who are well known? Or are the publishers just using their name to sell the books?
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Boatdrinks and I recently put together an anthology of several bestselling mystery and suspense writers. We weren't able to sell it to a major publisher and decided we didn't want to go with an independent, but I did learn a little about anthologies in the process.
If it's a collection of pieces by established authors, the actual editing is likely to be minimal. (If you're getting stories from known writers, they can generally be trusted to turn in acceptable work.) So the function of the editor is to initiate the theme, solicit the contributors, sell the book, put all the stories together (probably with only light editing) and then write the introduction.
If the stories are from unknowns, the editor might do more work on them. But that doesn't represent most of what's being published in the field.
If it's a collection of pieces by established authors, the actual editing is likely to be minimal. (If you're getting stories from known writers, they can generally be trusted to turn in acceptable work.) So the function of the editor is to initiate the theme, solicit the contributors, sell the book, put all the stories together (probably with only light editing) and then write the introduction.
If the stories are from unknowns, the editor might do more work on them. But that doesn't represent most of what's being published in the field.
#3
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I've often wondered this as well.
Recently, I picked up a short-story mystery collection called Murder is My Raquet (tennis-themed mysteries) edited by Otto Penzler. Since this is a collection of 14 stories by well-established authors, I'm to assume that Penzler simply chose the theme and packaged the material for sale. He probably did an intro...haven't cracked it open yet.
Anyway, good to know.
Recently, I picked up a short-story mystery collection called Murder is My Raquet (tennis-themed mysteries) edited by Otto Penzler. Since this is a collection of 14 stories by well-established authors, I'm to assume that Penzler simply chose the theme and packaged the material for sale. He probably did an intro...haven't cracked it open yet.
Anyway, good to know.
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Even if you're Otto, it's difficult to get a story from Larry Block or Jeffrey Deaver and start giving them notes on it. Maybe something minor... But the money involved with these things is very small, so the amount of work you can expect the writers to do is commensurately small.
That's one of the reasons Boatdrinks and I abandoned ours -- if we couldn't pay our contributors a halfway decent wage, we didn't feel like we could make them work for us.
That's one of the reasons Boatdrinks and I abandoned ours -- if we couldn't pay our contributors a halfway decent wage, we didn't feel like we could make them work for us.
#5
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I edited a small-press anthology called Skull Full of Spurs:
http://www.amazon.com/exec/obidos/AS...26347?n=283155
We had some pretty big names in the genre. Djmont's assumption about editing at this level is correct. For most of the more recognized authors, I did minimal editing, but for some of the lesser-knowns and unknowns, I did significant editing, even substantive.
As Geofferson suggested, with "celebrity" editors such as Card, I wouldn't be surprised if their duties were confined to choosing writers/stories and providing an introduction, leaving the actual editing to actual behind-the-scenes editors.
http://www.amazon.com/exec/obidos/AS...26347?n=283155
We had some pretty big names in the genre. Djmont's assumption about editing at this level is correct. For most of the more recognized authors, I did minimal editing, but for some of the lesser-knowns and unknowns, I did significant editing, even substantive.
As Geofferson suggested, with "celebrity" editors such as Card, I wouldn't be surprised if their duties were confined to choosing writers/stories and providing an introduction, leaving the actual editing to actual behind-the-scenes editors.
#8
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Originally Posted by Jason Bovberg
I edited a small-press anthology called Skull Full of Spurs:
http://www.amazon.com/exec/obidos/AS...26347?n=283155
We had some pretty big names in the genre. Djmont's assumption about editing at this level is correct. For most of the more recognized authors, I did minimal editing, but for some of the lesser-knowns and unknowns, I did significant editing, even substantive.
As Geofferson suggested, with "celebrity" editors such as Card, I wouldn't be surprised if their duties were confined to choosing writers/stories and providing an introduction, leaving the actual editing to actual behind-the-scenes editors.
http://www.amazon.com/exec/obidos/AS...26347?n=283155
We had some pretty big names in the genre. Djmont's assumption about editing at this level is correct. For most of the more recognized authors, I did minimal editing, but for some of the lesser-knowns and unknowns, I did significant editing, even substantive.
As Geofferson suggested, with "celebrity" editors such as Card, I wouldn't be surprised if their duties were confined to choosing writers/stories and providing an introduction, leaving the actual editing to actual behind-the-scenes editors.
As for "Clawed Reins" -- brilliant title.
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Originally Posted by Jason Bovberg
We toyed with a follow-up called Clawed Reins. I still love that title. Alas, the publisher folded.
#10
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What does the editor of an anthology of already extant stories do? Did Isaac Asimov simply choose the stories he liked and tell his agent to secure the republishing rights? That seems like a pretty easy way to add another book on your way to 300 published.
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Originally Posted by Nick Danger
What does the editor of an anthology of already extant stories do? Did Isaac Asimov simply choose the stories he liked and tell his agent to secure the republishing rights? That seems like a pretty easy way to add another book on your way to 300 published.