DVD Talk reviews for February 1st, 2006

[dvdtalkreviews]

Below are DVD Talk's reviews for February 1st, 2006. For a complete list of reviews, visit <a href="http://www.dvdtalk.com/reviews/">the review index</a>.

<b>HIGHLY RECOMMENDED</b>
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19954">Waiting... - Unrated & Raw</a></i> by Scott Weinberg

<b>RECOMMENDED</b>
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19951">Flaming Frontiers</a></i> by Stuart Galbraith IV
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19952">Hormigas en la Boca</a></i> by Svet Atanasov
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19953">Original Dirty Pair: OVA Collection</a></i> by Don Houston
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19966">Way Down South</a></i> by John Sinnott

<b>RENT IT</b>
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19956">Cheyenne Warrior</a></i> by Scott Weinberg
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19959">Doki Doki School Hours - 2nd Hour</a></i> by John Sinnott
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19955">Gravion: The Complete First Season</a></i> by Don Houston
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19950">Lupin the 3rd: V13: All's Fair in Love & Thievery</a></i> by Don Houston
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19961">Welcome to Dongmakgol</a></i> by Ian Jane

<b>SKIP IT</b>
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19965">Drake and Josh Go Hollywood</a></i> by Adam Tyner
<i><a href="http://www.dvdtalk.com/reviews/read.php?ID=19957">Love 101</a></i> by Scott Weinberg

[PopcornTreeCt]

Did Lion's Gate botch the aspect ratio on Waiting? The review didn't say.

[CliffStephenson]

Did Lion's Gate botch the aspect ratio on Waiting? The review didn't say.

I can tell you that Lions Gate did not botch the aspect ratio. It is presented at 1.78:1, which is a slight opening up of the 1.85 frame (the same ratio that nearly every 1.85 movie is presented on DVD in). Rest assured that both the director, Rob McKittrick, and the cinematographer, Matt Irving, were completely involved with the film's transfer.