CNN article on The Three Stooges in color DVD
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CNN article on The Three Stooges in color DVD
LOS ANGELES, California (AP) -- The DVD era is resurrecting the great colorization debate of the 1980s, and at the heart of the matter are Curly, Larry and Moe.
Sony's Columbia TriStar home-video unit is releasing two Three Stooges DVDs that allow viewers to watch the original black-and-white or digitally colorized versions.
Purists consider it desecration, while Sony executives say the process can help introduce Hollywood classics to young audiences reluctant to watch anything in black and white.
The Stooges discs coming out Tuesday also give die-hard fans better black-and-white versions, the studio insists.
Sony's Columbia TriStar home-video unit is releasing two Three Stooges DVDs that allow viewers to watch the original black-and-white or digitally colorized versions.
Purists consider it desecration, while Sony executives say the process can help introduce Hollywood classics to young audiences reluctant to watch anything in black and white.
The Stooges discs coming out Tuesday also give die-hard fans better black-and-white versions, the studio insists.
"Star Wars" creator George Lucas, who testified with Steven Spielberg before Congress in the 1980s against colorization and other forms of alteration, said the process yanks such slapstick performers as the Stooges out of the black-and-white universe they belong in.
"Would color distract from their comedy and make it not as funny anymore?" Lucas said. "Maybe just the fact that they're in black and white makes it funny, because their humor is dated. But by putting it in black and white, it puts it in a context where you can appreciate it for what it was.
"Would color distract from their comedy and make it not as funny anymore?" Lucas said. "Maybe just the fact that they're in black and white makes it funny, because their humor is dated. But by putting it in black and white, it puts it in a context where you can appreciate it for what it was.
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I would be against this if they did not release the b&w version. It would be nice to have an alternate version to watch.
I understand though why artists like George Lucas and Sam Raimi would not like this done. Basically, it is making decisions for the director or creator of the film.
Like if 50 years from now, they go back and colorize Schindler's list.
I understand though why artists like George Lucas and Sam Raimi would not like this done. Basically, it is making decisions for the director or creator of the film.
Like if 50 years from now, they go back and colorize Schindler's list.
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Originally posted by RockStrongo
I would be against this if they did not release the b&w version. It would be nice to have an alternate version to watch.
I understand though why artists like George Lucas and Sam Raimi would not like this done. Basically, it is making decisions for the director or creator of the film.
Like if 50 years from now, they go back and colorize Schindler's list.
I would be against this if they did not release the b&w version. It would be nice to have an alternate version to watch.
I understand though why artists like George Lucas and Sam Raimi would not like this done. Basically, it is making decisions for the director or creator of the film.
Like if 50 years from now, they go back and colorize Schindler's list.
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Originally posted by ivelostr2
I understand your point, but Schindler's list was made B&W because of a choice for art's sake. the 3 stooges was B&W because of either $$, availablility, or trend.
I understand your point, but Schindler's list was made B&W because of a choice for art's sake. the 3 stooges was B&W because of either $$, availablility, or trend.
Basically IMO, the studio should not be making artistic decisions about the movies.
But, in this case, I do not really have a problem with it as long as the original is included.
It could be a slippery slope though.
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Originally posted by otmetrud
George Lucas, who will fight to the death for his principle of preserving movies in their original form ...
George Lucas, who will fight to the death for his principle of preserving movies in their original form ...
If Moe, Larry and Curly were alive and wanted color to their shorts, I'd support it too.
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But, in this case, I do not really have a problem with it as long as the original is included.
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"There's no double standard here - any changes he does to Star Wars are him doing changes to HIS movie. If he went and started throwing digital munchkins into the Wizard of Oz, then you'd have the basis for - but theyr'e his movies and his right.
If Moe, Larry and Curly were alive and wanted color to their shorts, I'd support it too."
Once a movie has been released to the public a part of it belongs to filmgoers and to cinematic history. To use an extreme example: If George Lucas decided he wanted to destroy all prints of Star Wars that would be a crime against cinema history. If he he cares more about control than cinema history or art, he should have not released the film to the public. Most filmmakers, believe it or not, feel they have a responsibility to preserve films for posterity. Alternative versions are fine but they shouldn't replace the originals.
As to the idea that it is okay to colorize something that wasn't filmed in black and white for artistic reasons but rather for financial reasons, well that theory doesn't take into account an important point. The films are shot knowing that they will be shown in black and white. All costumes, sets, props, et cetera are chosen and lit for the way they will look in black and white, not how they would look on the set to an observer. If the filmmakers had been using color they would have done everything differently.
If Moe, Larry and Curly were alive and wanted color to their shorts, I'd support it too."
Once a movie has been released to the public a part of it belongs to filmgoers and to cinematic history. To use an extreme example: If George Lucas decided he wanted to destroy all prints of Star Wars that would be a crime against cinema history. If he he cares more about control than cinema history or art, he should have not released the film to the public. Most filmmakers, believe it or not, feel they have a responsibility to preserve films for posterity. Alternative versions are fine but they shouldn't replace the originals.
As to the idea that it is okay to colorize something that wasn't filmed in black and white for artistic reasons but rather for financial reasons, well that theory doesn't take into account an important point. The films are shot knowing that they will be shown in black and white. All costumes, sets, props, et cetera are chosen and lit for the way they will look in black and white, not how they would look on the set to an observer. If the filmmakers had been using color they would have done everything differently.
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Originally posted by Ace Hamilton
"There's no double standard here - any changes he does to Star Wars are him doing changes to HIS movie. If he went and started throwing digital munchkins into the Wizard of Oz, then you'd have the basis for - but theyr'e his movies and his right.
If Moe, Larry and Curly were alive and wanted color to their shorts, I'd support it too."
Once a movie has been released to the public a part of it belongs to filmgoers and to cinematic history. To use an extreme example: If George Lucas decided he wanted to destroy all prints of Star Wars that would be a crime against cinema history. If he he cares more about control than cinema history or art, he should have not released the film to the public. Most filmmakers, believe it or not, feel they have a responsibility to preserve films for posterity. Alternative versions are fine but they shouldn't replace the originals.
As to the idea that it is okay to colorize something that wasn't filmed in black and white for artistic reasons but rather for financial reasons, well that theory doesn't take into account an important point. The films are shot knowing that they will be shown in black and white. All costumes, sets, props, et cetera are chosen and lit for the way they will look in black and white, not how they would look on the set to an observer. If the filmmakers had been using color they would have done everything differently.
"There's no double standard here - any changes he does to Star Wars are him doing changes to HIS movie. If he went and started throwing digital munchkins into the Wizard of Oz, then you'd have the basis for - but theyr'e his movies and his right.
If Moe, Larry and Curly were alive and wanted color to their shorts, I'd support it too."
Once a movie has been released to the public a part of it belongs to filmgoers and to cinematic history. To use an extreme example: If George Lucas decided he wanted to destroy all prints of Star Wars that would be a crime against cinema history. If he he cares more about control than cinema history or art, he should have not released the film to the public. Most filmmakers, believe it or not, feel they have a responsibility to preserve films for posterity. Alternative versions are fine but they shouldn't replace the originals.
As to the idea that it is okay to colorize something that wasn't filmed in black and white for artistic reasons but rather for financial reasons, well that theory doesn't take into account an important point. The films are shot knowing that they will be shown in black and white. All costumes, sets, props, et cetera are chosen and lit for the way they will look in black and white, not how they would look on the set to an observer. If the filmmakers had been using color they would have done everything differently.
Watch...
As for the bastardization of putting the Stooges in COLOR...well, I don't like it.
HOWEVER...as has already been mentioned...at least Columbia is letting the BUYER have the choice between the two since they realize that there are some that might like to see 'em in color, while there are others that prefer the way they were originally.
It's a shame others don't care about that.
#17
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Sony is including both versions. That puts them far ahead of Lucas in my book.
I'm just wondering if these are the same Stooges colorized DVDs with the Mike Nelson introductions or if two different companies are colorizing the Stooge shorts.
I'm just wondering if these are the same Stooges colorized DVDs with the Mike Nelson introductions or if two different companies are colorizing the Stooge shorts.
#18
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Originally posted by darkside
Sony is including both versions. That puts them far ahead of Lucas in my book.
I'm just wondering if these are the same Stooges colorized DVDs with the Mike Nelson introductions or if two different companies are colorizing the Stooge shorts.
Sony is including both versions. That puts them far ahead of Lucas in my book.
I'm just wondering if these are the same Stooges colorized DVDs with the Mike Nelson introductions or if two different companies are colorizing the Stooge shorts.
Your second point, I think the only one's Nelson* is involved with are Reefer Madness and Night of the Living Dead. Though I'm usually against colorizing, I'll probably pick these up for the Mike Nelson commentaries.
*I always hear Pearl screaming "Nelson!" whenever I see his name.
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The Nelson-introduced one doesn't come out until early next year.
He's also involved in Carnival of Souls (commentary and some other stuff, I believe. And it'll have the colorized and original versions.
Same for Night of the Living Dead
Not sure about the b/w inclusion on Reefer Madness and The Stooges. Hopefully they'll include both for The Stooges..
Oh, and yeah, Lucas is an ass. What's to complain about? They're both there. Unless it's some "principle of colorizing in any fashion, even if it's not being forced on the consumer" thing. This truly goes to show you can't please *everyone* - someone will resort to something absurd.
He's also involved in Carnival of Souls (commentary and some other stuff, I believe. And it'll have the colorized and original versions.
Same for Night of the Living Dead
Not sure about the b/w inclusion on Reefer Madness and The Stooges. Hopefully they'll include both for The Stooges..
Oh, and yeah, Lucas is an ass. What's to complain about? They're both there. Unless it's some "principle of colorizing in any fashion, even if it's not being forced on the consumer" thing. This truly goes to show you can't please *everyone* - someone will resort to something absurd.
#20
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I have the Reefer Madness and Carnival of Souls DVDs. Both have the B/W versions and the Nelson commentary is great on both. He does go on a bit too long about Troutair in the Carnival of Souls commentary though.
I believe all of the Legend Films releases will have the B/W versions including the Stooges.
I believe all of the Legend Films releases will have the B/W versions including the Stooges.
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You can get the Mike Nelson Colorized CARNIVAL now direct from Legend Films in an autographed edition. The regular disc won't be out for several months.
The legend films colorized Stooges DVD will contain the standard four public domain ones (DISORDER IN THE COURT, SING A SONG OF SIX PANTS, BRIDELESS GROOM and MALICE IN THE PALACE.) Only the first one has Curly, the rest are Shemps.
The legend films colorized Stooges DVD will contain the standard four public domain ones (DISORDER IN THE COURT, SING A SONG OF SIX PANTS, BRIDELESS GROOM and MALICE IN THE PALACE.) Only the first one has Curly, the rest are Shemps.
Last edited by Steve Phillips; 08-16-04 at 04:49 PM.
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I'm beginning to think some members have their computer set up to automatically respond with the, "It's his movies! He can do what he wants!" answer whenever someone posts disapproval of George Lucas.
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Originally posted by ivelostr2
I understand your point, but Schindler's list was made B&W because of a choice for art's sake. the 3 stooges was B&W because of either $$, availablility, or trend.
I understand your point, but Schindler's list was made B&W because of a choice for art's sake. the 3 stooges was B&W because of either $$, availablility, or trend.
Note that I say this as somebody who doesn't care about the Stooges. I just don't get how you could say that one artistic choice is more valid than another just because *you* respect the art to which the choice was applied more.
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YOU HYPOCRITES.
Lucas is against people changing OTHER'S films without their consent. Columbia colorizing Stooges shorts is a LOT different than George Lucas changing his own films. George Lucas isn't doing it for the money anyways. As he said about merch. rights he has... he wanted the rights not for money, but to have control over them. Think about it the other way... what if Fox didn't give George Lucas final cut and for the last 30 years, he has been begging to be allowed to recut the film into his director's cut. Oh wait... this already happened! THX-1138 and American Graffiti were cut against his wishes and the former is just now getting the treatment he originally wanted.
You fanboys want to attack Lucas with anything... but this isn't it. It's windbags like you that make me 100% behind filmmakers when it comes to alterations. I'd never want to be on the same side as people who spout such vile words on one of the most important directors of the last 1/4 century.
Lucas is against people changing OTHER'S films without their consent. Columbia colorizing Stooges shorts is a LOT different than George Lucas changing his own films. George Lucas isn't doing it for the money anyways. As he said about merch. rights he has... he wanted the rights not for money, but to have control over them. Think about it the other way... what if Fox didn't give George Lucas final cut and for the last 30 years, he has been begging to be allowed to recut the film into his director's cut. Oh wait... this already happened! THX-1138 and American Graffiti were cut against his wishes and the former is just now getting the treatment he originally wanted.
You fanboys want to attack Lucas with anything... but this isn't it. It's windbags like you that make me 100% behind filmmakers when it comes to alterations. I'd never want to be on the same side as people who spout such vile words on one of the most important directors of the last 1/4 century.
Last edited by PatrickMcCart; 08-16-04 at 07:05 PM.