New "Brilliant But Cancelled" Trio series in Sept - focusing on lost pilots
#1
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New "Brilliant But Cancelled" Trio series in Sept - focusing on lost pilots
This could be a lot of fun - some heavy hitters involved...
TR!O Launches "Brilliant, But Cancelled™" Strip With Week Of Never-Aired Pilots
New York, July 8, 2003 -- TR!O's "Brilliant, But Cancelled™" nightly strip, which launches on Labor Day, will feature never-aired pilots in its first week including Fargo starring a "pre-Sopranos'" Edie Falco and Beat Cops, it was announced by Lauren Zalaznick, President, TRIO.
"We've found a treasure trove of great television in the form of pilots that never made it to series, but deserve to be seen. By airing these pilots in the first week of our 'Brilliant, But Cancelled™' strip, we're giving them the second chance they deserve," said Ms. Zalaznick.
Kicking off "Brilliant, But Cancelled™" week is the 90-minute World of Wonder documentary Brilliant, But Cancelled™: Pilot Season (previously announced) which examines the pitch process - from idea to show order ‚ and programs that should have, could have and would have, but never did, make it to air. Comments from producers, writers and stars caught up in the trenches of pilot season, plus clips from many of these pilots will be featured in the documentary.
Fargo, based on the hit 1996 film by Joel and Ethan Coen and starring a pre-Carmela Soprano Edie Falco, is among the pilots airing during the week of September 1. Developed by Bruce Paltrow (The White Shadow) and Robert Palm and directed by actress Kathy Bates, the one-hour program features quirky characters in a small Midwestern town and spotlights the investigative prowess of the very pregnant police chief Marge Gunderson.
Also airing within the "Brilliant, But Cancelled™" pilots week is Beat Cops. Filmed in a cinema-verite style and without a laugh-track, this half-hour comedy stars Sam Sedar and Jon Benjamin as two clueless New York City patrolmen who are oblivious to the volatile citizens around them. Sedar co-wrote the pilot with Charles Fisher.
TR!O's pilots week also features Savage, the 1973 Steven Spielberg-directed program starring Martin Landau and Barbara Bain (real-life husband and wife) as an investigative journalist and producer who work for a television news magazine show. The 90-minute pilot guest stars Dabney Coleman and Will Geer.
The new 8:00 p.m., ET/PT "Brilliant, But Cancelled™" strip rounds out TR!O's primetime programming block beginning Monday, September 1.
TR!O Launches "Brilliant, But Cancelled™" Strip With Week Of Never-Aired Pilots
New York, July 8, 2003 -- TR!O's "Brilliant, But Cancelled™" nightly strip, which launches on Labor Day, will feature never-aired pilots in its first week including Fargo starring a "pre-Sopranos'" Edie Falco and Beat Cops, it was announced by Lauren Zalaznick, President, TRIO.
"We've found a treasure trove of great television in the form of pilots that never made it to series, but deserve to be seen. By airing these pilots in the first week of our 'Brilliant, But Cancelled™' strip, we're giving them the second chance they deserve," said Ms. Zalaznick.
Kicking off "Brilliant, But Cancelled™" week is the 90-minute World of Wonder documentary Brilliant, But Cancelled™: Pilot Season (previously announced) which examines the pitch process - from idea to show order ‚ and programs that should have, could have and would have, but never did, make it to air. Comments from producers, writers and stars caught up in the trenches of pilot season, plus clips from many of these pilots will be featured in the documentary.
Fargo, based on the hit 1996 film by Joel and Ethan Coen and starring a pre-Carmela Soprano Edie Falco, is among the pilots airing during the week of September 1. Developed by Bruce Paltrow (The White Shadow) and Robert Palm and directed by actress Kathy Bates, the one-hour program features quirky characters in a small Midwestern town and spotlights the investigative prowess of the very pregnant police chief Marge Gunderson.
Also airing within the "Brilliant, But Cancelled™" pilots week is Beat Cops. Filmed in a cinema-verite style and without a laugh-track, this half-hour comedy stars Sam Sedar and Jon Benjamin as two clueless New York City patrolmen who are oblivious to the volatile citizens around them. Sedar co-wrote the pilot with Charles Fisher.
TR!O's pilots week also features Savage, the 1973 Steven Spielberg-directed program starring Martin Landau and Barbara Bain (real-life husband and wife) as an investigative journalist and producer who work for a television news magazine show. The 90-minute pilot guest stars Dabney Coleman and Will Geer.
The new 8:00 p.m., ET/PT "Brilliant, But Cancelled™" strip rounds out TR!O's primetime programming block beginning Monday, September 1.
#2
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I wonder how long they could've kept Marge pregnant before she had a baby and changed the show forever.
...and technicaly, a pilot that is not picked up isn't "Cancelled", it's just not picked up.
...and technicaly, a pilot that is not picked up isn't "Cancelled", it's just not picked up.
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Thanks! Now I can replace my worn out VHS copy of Lookwell.
I think this is a complete list of the pilots:
I think this is a complete list of the pilots:
Beat Cops
30 min.
Two clueless desk-duty policemen (Sam Seder, Jon Benjamin) are sent out to patrol the streets of New York City in this 2002 comedy pilot shot in cinéma-vérité style.
Black Bart
30 min.
This 1975 comedy pilot chronicles the adventures of a black sheriff (Louis Gossett Jr.) and his deputy (Steve Landesberg) in a bigoted Arizona town in the Old West. Based on Mel Brooks' “Blazing Saddles.”
Dear Diary
30 min.
A day in the life of a married New York City woman (Bebe Neuwirth) is chronicled in this 1996 comedy pilot.
Diner
30 min.
Five men making the transition into adulthood meet nightly at a local diner to discuss their new responsibilities in this 1983 pilot starring Paul Reiser, James Spader, Michael Madsen and Michael Binder. Based on the 1982 movie.
Fargo
60 min.
Edie Falco plays Marge Gunderson, the very pregnant chief of police in a small, quirky Midwestern town, in this 1997 pilot based on the film that starred Oscar winner Frances McDormand. Directed by Kathy Bates.
L.A. Confidential
60 min.
This 2000 dramatic pilot, based on the film of the same name, chronicles crime and glamour in 1950s L.A. and stars Kiefer Sutherland as Det. Jack Vincennes. Eric Roberts costars.
Lookwell
30 min.
In this 1991 pilot, acting teacher Ty Lookwell (Adam West), a '70s TV detective, turns his honorary badge into a license to solve crimes, albeit ineptly. Det. Kennery: Ron Frazier. Hyacinth: Ann Weldon. Jason: Todd Field.
Rewrite for Murder
60 min.
In this 1991 drama pilot, Pam Dawber plays a mystery writer who clashes with the ex-con (George Clooney) who's helping her revitalize her television show.
Savage
90 min.
Steven Spielberg directs this 1973 dramatic pilot about an investigative journalist (Martin Landau) working on a politically charged TV newsmagazine. Barbara Bain plays a producer on the show. Dabney Coleman and Will Geer costar.
Sick in the Head
30 min.
A fledgling psychiatrist (David Krumholtz) gets a suicidal woman (Amy Poehler) as one of his first patients in this 1999 comedy pilot. Kevin Corrigan, Andrea Martin.
30 min.
Two clueless desk-duty policemen (Sam Seder, Jon Benjamin) are sent out to patrol the streets of New York City in this 2002 comedy pilot shot in cinéma-vérité style.
Black Bart
30 min.
This 1975 comedy pilot chronicles the adventures of a black sheriff (Louis Gossett Jr.) and his deputy (Steve Landesberg) in a bigoted Arizona town in the Old West. Based on Mel Brooks' “Blazing Saddles.”
Dear Diary
30 min.
A day in the life of a married New York City woman (Bebe Neuwirth) is chronicled in this 1996 comedy pilot.
Diner
30 min.
Five men making the transition into adulthood meet nightly at a local diner to discuss their new responsibilities in this 1983 pilot starring Paul Reiser, James Spader, Michael Madsen and Michael Binder. Based on the 1982 movie.
Fargo
60 min.
Edie Falco plays Marge Gunderson, the very pregnant chief of police in a small, quirky Midwestern town, in this 1997 pilot based on the film that starred Oscar winner Frances McDormand. Directed by Kathy Bates.
L.A. Confidential
60 min.
This 2000 dramatic pilot, based on the film of the same name, chronicles crime and glamour in 1950s L.A. and stars Kiefer Sutherland as Det. Jack Vincennes. Eric Roberts costars.
Lookwell
30 min.
In this 1991 pilot, acting teacher Ty Lookwell (Adam West), a '70s TV detective, turns his honorary badge into a license to solve crimes, albeit ineptly. Det. Kennery: Ron Frazier. Hyacinth: Ann Weldon. Jason: Todd Field.
Rewrite for Murder
60 min.
In this 1991 drama pilot, Pam Dawber plays a mystery writer who clashes with the ex-con (George Clooney) who's helping her revitalize her television show.
Savage
90 min.
Steven Spielberg directs this 1973 dramatic pilot about an investigative journalist (Martin Landau) working on a politically charged TV newsmagazine. Barbara Bain plays a producer on the show. Dabney Coleman and Will Geer costar.
Sick in the Head
30 min.
A fledgling psychiatrist (David Krumholtz) gets a suicidal woman (Amy Poehler) as one of his first patients in this 1999 comedy pilot. Kevin Corrigan, Andrea Martin.
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It seems like CBS did a concept like this a few years back, I saw a show that I thought was interesting, called Infiltrator with Scott Bakula. http://www.imdb.com/Title?0163007
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Originally posted by Tommy_Harn
A cool idea, but perhaps one of the worst writen articles I've ever read. How many times do they have to repeat "Brilliant, but cancelled"?
A cool idea, but perhaps one of the worst writen articles I've ever read. How many times do they have to repeat "Brilliant, but cancelled"?
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Kiefer Sutherland in an LA Confidential TV series? How would they explain that
Spoiler:
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Originally posted by Josh Z
Kiefer Sutherland in an LA Confidential TV series? How would they explain that
Kiefer Sutherland in an LA Confidential TV series? How would they explain that
Spoiler:
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Originally posted by littlefuzzy
It seems like CBS did a concept like this a few years back, I saw a show that I thought was interesting,
It seems like CBS did a concept like this a few years back, I saw a show that I thought was interesting,
#19
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They just did a little feature about this on NBC's Today show, along with some clips of the above mentioned shows. Edie Falco did a dead on Frances McDormand for her role in the TV version of Fargo...
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Starts tonight:
8:00 PM Lookwell
8:30 PM Beat Cops
9:00 PM Brilliant, but Cancelled: Pilot Season
10:00 PM L.A. Confidential
11:00 PM Lookwell
11:30 PM Beat Cops
12:00 AM Brilliant, but Cancelled: Pilot Season
1:00 AM L.A. Confidential
8:00 PM Lookwell
8:30 PM Beat Cops
9:00 PM Brilliant, but Cancelled: Pilot Season
10:00 PM L.A. Confidential
11:00 PM Lookwell
11:30 PM Beat Cops
12:00 AM Brilliant, but Cancelled: Pilot Season
1:00 AM L.A. Confidential
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Another long piece on Trio, this one from the NYTimes. A good read (and I quote):
Edie Falco in 'Fargo,' and Other Gems You Never Saw
By EMILY NUSSBAUM
Here's the pitch: our hero is Paul Savage, a kind of Mike Wallace crossed with James Bond, played by hunky young Martin Landau. He's a font of integrity, and accompanied by his stylish producer, he uses the power of television news to root out corruption. You've got politics, you've got cocktails, plus the gorgeous real-life Mrs. Landau, Barbara Bain, playing the producer. Oh, and the director? A 28-year-old Steven Spielberg.
Advertisement
Talk about potential! But sadly, it was not to be. Instead of becoming one of the great series of the 70's, "Savage" (originally titled "Watch Dog") became the opposite of a rerun: it became a never ran. Produced by NBC as a two-hour pilot, "Savage" was relabeled a TV movie, burned off in a syndication package, then effectively banished from the TV landscape. The Watergate-tinged drama was considered too political for the network. In essence, it died from bad timing. But this week, "Savage" rises from the dead, just one of the fascinating TV zombies featured in Trio's series "Brilliant but Cancelled."
The title is a bit of a reach: not every pilot is as successful as "Savage." Some are oddball curiosities: brave but wrongheaded risks, or interesting first drafts for television trends that came later. Watching them, you can't help but calculate using the rebus arithmetic of the Hollywood pitch: "Seinfeld" plus "N.Y.P.D. Blue" equals "Beat Cops"! But a few — like the mordant racial comedy "Bakersfield P.D." — are truly iconoclastic, great shows that never got to strut their stuff. And even the one genuine bowser of the bunch (the 1991 "Moonlighting" wannabe "Rewrite for Murder") is worth a look, if only as a troubling glimpse of George Clooney's early years.
Trio's series begins with a TV 101 documentary called "Pilot Season" (tomorrow, 9 p.m. Eastern), an attempt to answer the question, how did "Suddenly Susan" get green-lighted? Legendary canceled pilots (the sort previously seen only by audiences at L.A.'s hipster cabaret "The Other Network") finally get their day in the sun, from 1999's "Heat Vision and Jack" (a campy Jack Black superhero sitcom) to 1993's "Lookwell" (starring Adam West of "Batman" as a TV detective turned real-life shamus). The juiciest moments come when the creators of failed shows take potshots at their tormentors — and the producers snark back. "With all respect to everybody who worked on it, `L.A. Confidential,' I think, clearly was the wrong idea for Fox," Doug Herzog, the former entertainment president of Fox, says of one doomed pilot, after which he drawls: "And then, beyond that, it wasn't that gooood."
We hear tales of casting roads not taken (Heather Locklear as Murphy Brown?), plus the ins and outs of pitches, pilots and testing. Conan O'Brien succinctly states the problem for the more radical experiments: "It's not a candy, it's not a gum, what is it?"
Also tomorrow night, Trio begins showing never-before-televised pilots and episodes. The best make you weep for what might have been, especially three series developed from popular movies: the unfairly maligned "L.A. Confidential," "Diner" and "Fargo." Maybe it's because these class-act films already had fully developed characters, but the spinoff pilots are utterly watchable, especially the intriguing "L.A. Confidential," with Kiefer Sutherland in the Kevin Spacey role. If there's a tiny bit of TV-ification — was it really necessary to provide a sexed-up love interest? — the pilot nicely replicates the movie's lurid (and tragically expensive to produce) period atmosphere. "Diner" (1983) similarly captures the original's smart-sad banter, with an ensemble featuring Paul Reiser, Michael Madsen (in the Mickey Rourke role), James Spader and Michael Binder of "Mind of the Married Man" in an earlier spin on his weasel-spouse role. And while 1997's "Fargo" is a stranger adaptation — it's got a quirky, "Northern Exposure" flavor mingled with a morbid vibe that presages "Six Feet Under" — it's a blend that might have found its way, over time. (On the other hand, a pre-"Sopranos" Edie Falco plays the lead, so perhaps it's a blessing that the show never made the cut.)
Another standout: "Bakersfield P.D.," a raucous fish-out-of-water tale about a black cop (Giancarlo Esposito) forced to move to a hick town. Produced in 1993, "Bakersfield P.D." is your classic candy/gum — a little bit meta, a little bit straight-comedy — but the racial humor and black hero are breakout stuff. (Black cops in small towns are apparently an eternal ingredient for never-ran shows: Trio is also showing "Black Bart," a 1975 spinoff of the movie "Blazing Saddles.")
Other pilots are odder fish. "Beat Cops" (2002) features Woody Allen-ish neurotics as neophyte police partners. "Sick in the Head" (1999) is more promising: "Seinfeld" meets "Frasier," with David Krumholtz as a newbie shrink and Kevin Corrigan as his horndog roommate. The pilot was the creation of the "Freaks and Geeks" creator Judd Apatow, and while some of the plot twists are creaky, you've got to admire the script's dark chutzpah. In one scene, a patient (played by the brilliant comedian Amy Poehler) locks eyes with her new psychiatrist and delivers this ultimatum: "I'm gonna see you five times, and if I don't feel better, I'm going to kill myself."
"Dear Diary" is another ambiguous coulda-shoulda. The lushly cinematic 1996 Bebe Neuwirth pilot was dropped by Fox, then went on to win an Oscar for best short film. Ms. Neuwirth, that slinky queen of the raised eyebrow, plays a married New York magazine designer about to hit 40. After a fight with her boss, she falls down a rabbit's hole of strange New York incidents, peppered with dream sequences and acid commentary. The show is like a petri dish for television trends: Ally McBeal's compulsive fantasizing, plus Molly Dodd's girlish angst, plus the cynical élan of "Sex and the City." But could such a self-involved heroine win an audience? In the age of Larry David, perhaps; in 1996, probably not.
As fascinating as these artifacts are, the sad truth is that a pilot is a pretty lousy way to judge a TV show — even one that never got a chance to exist. Some of the best series ("Seinfeld," most famously) had weak first episodes. Television's strengths are in the long haul: the season-long plot arc, the character continuity, the running joke. The most interesting shows can take a season or more to find their voice. But the TV business can't afford that kind of slow courtship. By its very nature, a pilot is like the most pressured first date of all time, one followed immediately by a breakup or a proposal. Is it any wonder Hollywood is full of broken hearts?
Edie Falco in 'Fargo,' and Other Gems You Never Saw
By EMILY NUSSBAUM
Here's the pitch: our hero is Paul Savage, a kind of Mike Wallace crossed with James Bond, played by hunky young Martin Landau. He's a font of integrity, and accompanied by his stylish producer, he uses the power of television news to root out corruption. You've got politics, you've got cocktails, plus the gorgeous real-life Mrs. Landau, Barbara Bain, playing the producer. Oh, and the director? A 28-year-old Steven Spielberg.
Advertisement
Talk about potential! But sadly, it was not to be. Instead of becoming one of the great series of the 70's, "Savage" (originally titled "Watch Dog") became the opposite of a rerun: it became a never ran. Produced by NBC as a two-hour pilot, "Savage" was relabeled a TV movie, burned off in a syndication package, then effectively banished from the TV landscape. The Watergate-tinged drama was considered too political for the network. In essence, it died from bad timing. But this week, "Savage" rises from the dead, just one of the fascinating TV zombies featured in Trio's series "Brilliant but Cancelled."
The title is a bit of a reach: not every pilot is as successful as "Savage." Some are oddball curiosities: brave but wrongheaded risks, or interesting first drafts for television trends that came later. Watching them, you can't help but calculate using the rebus arithmetic of the Hollywood pitch: "Seinfeld" plus "N.Y.P.D. Blue" equals "Beat Cops"! But a few — like the mordant racial comedy "Bakersfield P.D." — are truly iconoclastic, great shows that never got to strut their stuff. And even the one genuine bowser of the bunch (the 1991 "Moonlighting" wannabe "Rewrite for Murder") is worth a look, if only as a troubling glimpse of George Clooney's early years.
Trio's series begins with a TV 101 documentary called "Pilot Season" (tomorrow, 9 p.m. Eastern), an attempt to answer the question, how did "Suddenly Susan" get green-lighted? Legendary canceled pilots (the sort previously seen only by audiences at L.A.'s hipster cabaret "The Other Network") finally get their day in the sun, from 1999's "Heat Vision and Jack" (a campy Jack Black superhero sitcom) to 1993's "Lookwell" (starring Adam West of "Batman" as a TV detective turned real-life shamus). The juiciest moments come when the creators of failed shows take potshots at their tormentors — and the producers snark back. "With all respect to everybody who worked on it, `L.A. Confidential,' I think, clearly was the wrong idea for Fox," Doug Herzog, the former entertainment president of Fox, says of one doomed pilot, after which he drawls: "And then, beyond that, it wasn't that gooood."
We hear tales of casting roads not taken (Heather Locklear as Murphy Brown?), plus the ins and outs of pitches, pilots and testing. Conan O'Brien succinctly states the problem for the more radical experiments: "It's not a candy, it's not a gum, what is it?"
Also tomorrow night, Trio begins showing never-before-televised pilots and episodes. The best make you weep for what might have been, especially three series developed from popular movies: the unfairly maligned "L.A. Confidential," "Diner" and "Fargo." Maybe it's because these class-act films already had fully developed characters, but the spinoff pilots are utterly watchable, especially the intriguing "L.A. Confidential," with Kiefer Sutherland in the Kevin Spacey role. If there's a tiny bit of TV-ification — was it really necessary to provide a sexed-up love interest? — the pilot nicely replicates the movie's lurid (and tragically expensive to produce) period atmosphere. "Diner" (1983) similarly captures the original's smart-sad banter, with an ensemble featuring Paul Reiser, Michael Madsen (in the Mickey Rourke role), James Spader and Michael Binder of "Mind of the Married Man" in an earlier spin on his weasel-spouse role. And while 1997's "Fargo" is a stranger adaptation — it's got a quirky, "Northern Exposure" flavor mingled with a morbid vibe that presages "Six Feet Under" — it's a blend that might have found its way, over time. (On the other hand, a pre-"Sopranos" Edie Falco plays the lead, so perhaps it's a blessing that the show never made the cut.)
Another standout: "Bakersfield P.D.," a raucous fish-out-of-water tale about a black cop (Giancarlo Esposito) forced to move to a hick town. Produced in 1993, "Bakersfield P.D." is your classic candy/gum — a little bit meta, a little bit straight-comedy — but the racial humor and black hero are breakout stuff. (Black cops in small towns are apparently an eternal ingredient for never-ran shows: Trio is also showing "Black Bart," a 1975 spinoff of the movie "Blazing Saddles.")
Other pilots are odder fish. "Beat Cops" (2002) features Woody Allen-ish neurotics as neophyte police partners. "Sick in the Head" (1999) is more promising: "Seinfeld" meets "Frasier," with David Krumholtz as a newbie shrink and Kevin Corrigan as his horndog roommate. The pilot was the creation of the "Freaks and Geeks" creator Judd Apatow, and while some of the plot twists are creaky, you've got to admire the script's dark chutzpah. In one scene, a patient (played by the brilliant comedian Amy Poehler) locks eyes with her new psychiatrist and delivers this ultimatum: "I'm gonna see you five times, and if I don't feel better, I'm going to kill myself."
"Dear Diary" is another ambiguous coulda-shoulda. The lushly cinematic 1996 Bebe Neuwirth pilot was dropped by Fox, then went on to win an Oscar for best short film. Ms. Neuwirth, that slinky queen of the raised eyebrow, plays a married New York magazine designer about to hit 40. After a fight with her boss, she falls down a rabbit's hole of strange New York incidents, peppered with dream sequences and acid commentary. The show is like a petri dish for television trends: Ally McBeal's compulsive fantasizing, plus Molly Dodd's girlish angst, plus the cynical élan of "Sex and the City." But could such a self-involved heroine win an audience? In the age of Larry David, perhaps; in 1996, probably not.
As fascinating as these artifacts are, the sad truth is that a pilot is a pretty lousy way to judge a TV show — even one that never got a chance to exist. Some of the best series ("Seinfeld," most famously) had weak first episodes. Television's strengths are in the long haul: the season-long plot arc, the character continuity, the running joke. The most interesting shows can take a season or more to find their voice. But the TV business can't afford that kind of slow courtship. By its very nature, a pilot is like the most pressured first date of all time, one followed immediately by a breakup or a proposal. Is it any wonder Hollywood is full of broken hearts?
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BTW, for the TRIO-less, if you go to triotv.com, you can grab a sneak peak at tonights pilots.....
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too bad they're not airing the 90 minute Justice League Live Action pilot. I would also like to see the 30 minute pilot to Darkman.
Hopefully TRIO will air alot of shows that only lasted a half season. There are quite a few series based on Movies that I would like to check out (I liked the movie, so a TV series might not be half bad)
Shaft
Delta House (Animal House)
Ferris Bueller
Dirty Dancing
Logan's Run
Hopefully TRIO will air alot of shows that only lasted a half season. There are quite a few series based on Movies that I would like to check out (I liked the movie, so a TV series might not be half bad)
Shaft
Delta House (Animal House)
Ferris Bueller
Dirty Dancing
Logan's Run